Culture

“What is a good life?”: The Standard of Living in review 

“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.
Culture Eoin Ware -

Diverse voices: ‘Inshallah, Madonna, Inshallah’ by Miljenko Jergović 

‘When he created Earth and these lands upon it, when he divided people into...
Books Abigail Riley -

Art as protest on university campuses

CW: rape. This week, Cornell University has made headlines as prosecutors reopened an investigation into...
Art Lara Solie-Tuluie -

Good grief! Why do we feel for the death of fictional people?

Whether it’s a mild sniffle or full-blown tears, I always end up feeling a bit ridiculous about the whole ordeal when it’s over. I mean, it’s not real, is it? Why do I waste my grief on things that haven’t happened, that will never happen?
Culture Jas Mauj -
Latest

Review: The Pillowman

Martin McDonagh’s jet black comedy is brought to life (and sentenced to a gruesome death) by Tom Fisher and his stellar cast. I coughed, continuously,...

The Place of Regional Theatre

The power of identity is arguably greater today than ever before. The stale, collective “British” identity is slowly being pervaded by the vibrant diversity...

Review: Merrily We Roll Along at the Oxford Playhouse

Merrily We Roll Along begins with a bang – the peak of Franklin Shepard’s career as a Hollywood producer while he relaxes (and then enters...

Jean Paul Gaultier and a New Vision for Fashion

Last Thursday at the Théâtre du Châtalet in Paris, the fashion world came together to celebrate the career of iconic French designer Jean Paul...

Review: Nutcracker

As a child, ballet lessons made me wince in pain, but two-and-a-half hours of The English National Ballet’s The Nutcracker passed in the blink...

Songs for the Sadgirl

Whether it’s due to a lack of sunlight that no SAD lamp can remedy, the post-December comedown, or the onslaught of Hilary term...

The Enduring Legacy of Pippi Longstocking

This year marks the 75th anniversary of Pippi Longstocking’s arrival at Villa Villekulla. In her first appearance Astrid Lindgren’s eponymous heroine fascinates her neighbours,...

Cinema Self-Care: A Therapeutic Guide to Nora Ephron Films

Even when I am most in need of time to myself, I still crave company. Nora Ephron’s characters, from jolly, larger than life Julia...

Review: JoJo Rabbit

Based on Christine Leunens’ Caging Skies, Jojo Rabbit is a very different kind of war film to Sam Mendes’ 1917, advertised just moments before....

Review: The Rise of Skywalker

Space Operatic Dullness by Mattie Donovan, “The Critic” When this new trilogy of Star Wars films began back in 2015, there was a charming sense of...

ROYALTY IN FILM

“Uneasy is the head that wears a crown”, wrote Shakespeare, who seemed compulsively committed to documenting the simultaneous lure and burden of monarchy more...

The Death of Jesus

The world of J. M. Coetzee’s Jesus novels – a trilogy which has accounted for most of the author’s output in the last decade – is not easy...

Review: ‘Howards End is on the Landing’

Oxford time does not have the rhythms of ordinary time. There are very few moments for extended, contemplative, peaceful reading, of the sort which...

In conversation: Ross McNae, Twin Atlantic

In the heart of the Glaswegian alternative music scene circa 2006, Sam McTrusty, Ross McNae, Craig Kneale and Barry McKenna formed the rock outfit...

The Death of Theatre Monarchy

It’s January 2020 and a new controversy has arrived to add to the Britain’s collection. Popular discussion of the Duke and Duchess of Sussex’s exit from...

Review: Little Women

“Women, they have minds, and they have souls, as well as just hearts. And they’ve got ambition, and they’ve got talent, as well as...

Local libraries: do we still need them?

What is a library? Most of us would describe them as a place to study (or at least pretend to), or somewhere to find...

Dora Maar and the Everyday Strange

The women of the Surrealist movement have suffered a curious case of the feminine shadow, what could be termed Muse Syndrome. Often, their biographical and artistic legacies have been dogged by their associations to prominent male surrealists; the result, an awkward and myopic epitaph.

Review: ‘A Portable Paradise’

In a recent interview with the Guardian, the British-Trinidadian Roger Robinson conjectured that his poetry ‘came out of storytelling at the dinner table’. The...

BRITs come in last place for gender equality

The 40th edition of the BRIT Awards is fast approaching, and with it, concerns over the lack of female nominees in mixed-gender categories are...
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