In a small, black-painted room on the top floor of a pub in Islington, known as The Hope Theatre, Madame La Mort was staged for the public for the first time.
What does it take to put on a show at Fringe? With the finish line in sight, Missing Cat discuss the joys and travails of their project: a raw and visceral rendition of Woyzeck.
The standards of beauty in the media are goalposts that are constantly being shifted by cultural currents in history. But are trends in literature and film of #bodypositivity and self-love doing enough? Georgia Watkins investigates.
Morrissey has been cancelled. The Guardian asked the Mancunian crooner “what happened” on Twitter after his records were banned from Britain’s oldest record store....
In the cosy nook of an Oxford hostelry is where Georgie Botham and Joe Davies brainstormed into existence ‘How To Use A Washing Machine’. Little did they know, in Oxford in 2018, that their newly penned and composed musical would also then progress to a national tour.
Imogen Harter-Jones interviews them to find out about their experience.
Mattie O'Donovan speaks with Stephen Slater, the chief archival producer for Apollo 11, a new, critically lauded documentary on the first moon landing.
The Hayward Gallery's huge curation 'Kiss my Genders' attempts to unite over thirty artists from the LGBTQ+ community in a celebration of gender identity and fluidity. Charlotte Hall gathers her impressions of the exhibitions - how effective is it at breaking down stereotypes and prejudice?
The narrative of resistance and domination in relationships has been the recourse of storytellers since pre-Christian times, with the same lurid, visceral quality evident in Greek myth as in the modern trend of disturbingly violent porn. Yet these primal, animalistic tropes of female subjugation now exist in a ‘civilised’ society, whose vernacular is one of #TimesUp, sex positivity and high-street feminism.
"Often important texts appear in humble form, and humble forms often tell us more about the humble people who made and used them." Daniel Wakelin talks to Cherwell about medieval manuscripts.
With ruthless contempt for form, clarity, elegance,
wholeness, and realism, he paints with intuitive strength of talent the most
subtle visions of the soul.” So Arne...