Friday 17th April 2026

Culture

Bridging Communities: Vocatio:Responsio’s Liverpool Tour

Vocatio:Responsio, meaning Call:Response in Latin, is an early music ensemble founded and directed by the Merseyside-based violinist Samuel Oliver-Sherry, a current third year music student at St Anne’s College....

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

As a history student, you occasionally come across stories so strange they feel almost fictional. Operation Mincemeat is one of them.

‘People are so hungry to create together’: Lisa Ko on going analogue, crafting, and writing the future

It’s 11:02am in New York when Lisa Ko appears on the video call. In Oxford, the sun is almost down.

How 2025’s biggest films made their mark through music

The recent Oscar nominations have allowed us to reflect on how fundamental musical scores are to film, and the highlights of last year’s film soundtracks.

Hogarth: Place and Progress

Prostitution, criminality, madness, lust, and squalor. William Hogarth’s collection of paintings and prints at the Sir John Soane’s Museum satirize 18th century urban crudities through graphic pictorial dramatizations and dark wit.

The revolution turn-over

The thing about self-consciously revolutionary art, however, is that it rarely has a particularly long shelf-life. Perhaps this remains most obvious in pieces that are pragmatically revolutionary; demonstration posters, graffiti, propaganda. Things like Guerrilla Girls and posters of Johnson and Trump’s lovechild are destined – designed, even – to become quickly dated.

Call to Science: Brecht’s Life of Gaileo

Brecht's Life Of Galileo brings scientific revolution to the Keble O'Reilly.

Interview: Another Sky

“How would you describe your music to those who haven’t heard it before? -  Being punched in the face then kissed tenderly.” Another Sky, a London-based...

Whose Revolution? The winners, the losers and the left behind

Two clear streams run through Patrick Radden Keefe’s Say Nothing– a gut-wrenching tale of intersecting lives at the centre of the Troubles: that of revolution...

ATWOOD RETURNS TO GILEAD

It is difficult to sanitise Atwood’s new venture. In fact, it is difficult to put into words at all the violence of the novel....

For whom and for how long?

Reminiscing about one’s teenage years is a rather cinematic task. After all, Hollywood has made a great profit from narrating stories about what being a teenager should be and feel like.

Kiki Smith: I am a Wanderer

Kiki Smith is a wanderer. This is the word she uses to describe herself, for she has no desire to seek control over the direction of her work within its creative journey. Yet despite this lack of agenda, it is clear that her art is imbued with socio-political significance.

Eternal Boredom

Now we can even appreciate the importance of boredom being a driving force behind creativity, and some of the greatest minds in history.

Peaky Blinders Season 5 Review

For all its sex, drugs and violence, Peaky Blinders is starting to get tired of itself. Its response? A gripping foray into the world...

Film School- Tales of Coming of Age

In the language of the Aymara, an indigenous South American nation, it is the future and not the past that lies behind you. The...

Matsubara: Lifelines

Mia Simovic on the dynamic and versatile woodcuts of Japanese artist Naoko Matsubara

William Blake

William Blake was never the artist he wanted to be, nor the one we want him to be. As with all the great Romantics, both our...

Dark Crystal: Age of Resistance Review

Jim Henson was a master of entertainment: I’ll hear nothing to the contrary. The Muppets were a genuine delight and, no matter how much Oxford has...

Nu Jazz – How it Began

The evolution of jazz into the present day

Art Heist- bold fourth wall breaking drama sees Oxford grads take on the ‘Art World’

Katie Knight reviews upcoming Oxford grad company Poltergeist Theatre's new show 'Art Heist', where three art thieves try to steal the same painting on the same night!

Making the Case for Bieber

I doubt you could find many people today who would not recognize those iconic opening notes of, statistically, the most hated song ever recorded – even...

Review: Don’t Call Me Angel

Why Ariana, Miley and Lana's latest release is little more than a cash cow

Review: The Leisure Society at the Bullingdon

Brian Eno likes the Leisure Society. So does Ray Davies. These facts alone are reason enough to persuade anybody to go and see a...

Interview: JOHN

A chat with up and coming band JOHN about Punk, brutalism, and their new album: Out Here on the Fringes

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