Culture

New Oxford Windrush generation exhibit opens for Black History Month 

Amidst recent political tension provoked by the government’s refusal of slavery reparations to the Caribbean, this year Black History Month is celebrated uniquely in Oxford. The inaugural exhibition at...
Art Madison Garrett -

“There’s a play in that”: interview with ‘The Gang of Three’ playwright Robert Khan

It’s Budget Day as I sit in the foyer of the Oxford Playhouse. Down...
Culture Saul Grenfell -

‘Celebrity Traitors’ season two: Complex and compelling

Reality TV series The Traitors has returned with its celebrity version and has topped viewing charts for a second time. People are hooked on the show where logical reasoning and random chance are simultaneously at play, in a game full of drama, tension, and cliffhangers.
Culture Alice Rubli -

Oxford’s art scene: A picture still being painted

Who gets to make art, who gets to see it, and whose art history...
Art Miriam Hussain -
Latest

Review: Uncomfortable Oxford Tour

The tour began at the Carfax tower with tales of the town-gown divide in the early days of Oxford University. A third year undergraduate led the group of students and tourists around the town centre.

Review: Hamlet

Cosmic Arts' present a deeply human production of 'Hamlet' at the Keble O'Reilly.

Dystopia in and amongst trash: Beckett’s Endgame

Beckett symbolically employs trash to reflect physical and philosophical reality of a post-apocalyptic world.

Review: Giambattista Valli x H&M

A metaphoric and literal representation of high-low fashion

Webtrash

We live in a society that values things that are quick to buy, quick to use, and quick to dispose of.

One man’s trash

The mere mention of ‘high’ and ‘low’ art can make us feel uneasy. Such distinctions are often branded as pretentious and as the work of the elitist in their desperate attempts to preserve tradition and exclude diversity within the literary canon.

Preview: The Crucible

Miller's classic sees a new lease of life in Rose on a Rail Theatre Company's new adaptation.

Review: Talking Maps

The first wall of this Weston Library exhibition focuses on Oxford, offering the visitor visions of Oxfords which could have been and those which remain in the past.

In Vogue

Vogueing is having a moment. Again. The last time saw Madonna’s 1990 hit “Vogue” soar to the top of the charts in America and was supposed to herald a period of greater exposure for the New York ballroom community. It didn’t.

Mr Gorbachev, Tear Down This Protest Art

Thirty years ago, the Berlin Wall came down. Any art fan should celebrate that. Not just because it represented a profound triumph for free expression against the forces of authoritarianism and censorship, but because the thing was a bloody eyesore. The grey concrete was awful enough, but then the Berliners went and covered it in sodding graffiti.

The Farewell Review

Seemingly all of us either have or yearn for an affectionate but caustically witty grandmother such as Nai Nai (Zhao Shuzhen), the endearing matriarch...

Who’s afraid of Derrida?

This article is a complaint to my academic discipline, English literature. It is, not to overstate the matter, one of my great loves, but...

Metamorphosis, Money, and Moldovan ice cream

It’s probably unsurprising that while The Guardian hails Ian McEwan’s latest novella as a “comic triumph”, it is dismissed by The Telegraph as “an...

Novelty Music is Real Music

To call the summer of 2018 memorable would probably be an understatement: there was the heatwave, the subsequent hours spent in beer gardens, and, perhaps most...

Boyfriend vs. Genghis Khan

Back in February of this year, Ariana Grande seemed on top of the world, or at least the music industry. With the release of an...

Philip Glass Ensemble – satisfying constancy

Clare: On the 30th October, Philip Glass and the Philip Glass Ensemble performed Music with Changing Parts. Due to illness, Glass himself was unable to...

Review: Stranger, Baby

Berry's poetry collection on loss, mourning, and the sea is beautifully brought to life at the Burton Taylor studio.

Review: Spring Awakening

The Oxford Playhouse's Michaelmas Musical proves an ambitious, vibrant and exiting feat.

Review: Things I Know to be True

This powerful family drama packs an punch at the Pilch.

Review: Yerma

Lorca's "tragic poem" is brought to life with subtlety and skill by Angel In The House Productions
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