Culture

The problem with Nolan’s ‘The Odyssey’

Nolan had all the tools for greatness. Instead, to my eternal frustration, his 'Odyssey' will always only be just alright.
Culture Kelly Yu -

‘One Night Only’ (2026) and the death of romance

Romance movies are, on the whole, my favourite movie genre. But good romance movies, like good romantic relationships, are hard to find, and easy to mess up.
Culture Willow Jopp -

Caught between grief and hope: ‘On Some Far Shore’ reviewed

Fresh off the back of 'Our House' and 'Macbeth', Cross Key Productions presents an original three-hander focused on the complexities of grief and young love.
Culture Melissa Eddon -

The road to reckoning: ‘The Slip’ reviewed

Sharp, unsettling, and emotionally intelligent, 'The Slip' is a striking showcase of the ambition and talent behind Wide Eyes Productions, while establishing Wyatt as a writer-director to watch.
Culture Leo Jones -
Latest

Remembering Toledo

Upon arriving in Oaxaca, you’re immediately struck by its rebellious and artistic character: the multi-coloured walls boast bold and political street art, small lithograph workshops pepper the streets and after school young children hawk their drawings on the main street.

Preview: Life Of Galileo

Ben Beese preview's Life of Galileo

Review: Hannah Gadsby’s ‘Douglas’

An utter stand up masterpiece, and showcase of a truly gifted mind.

Review: The Three Sisters

Small Fry Theatre's take on Chekhov's classic impresses at the Burton Taylor Studio.

Review: Sübverse

Disgraced CBBC presenters, slam poetry and 'Take Me Home, Country Roads' all come together in Beef's debut sketch show with surprising results.

Preview: Spring Awakening

Jaya Rana previews Oxford Playhouse's Michaelmas student musical, Spring Awakening.

Review: Crave

GOYA's Crave stays true to the chaotic and disturbing nature of Kane's work.

Review: Another Sky

“Being punched in the face then kissed tenderly”: this is how Another Sky described their music, and after seeing them live I’m inclined to...

Interview: The Sherlocks

On 4th October, Yorkshire indie band The Sherlocksreleased their second album, Under Your Sky, opening at a brilliant Number 13 on the Official Album Charts. Simone...

Review: JOHN

I don’t really know what to expect when I walked in the Wheatsheaf. Music-wise, JOHN is thrashing and discordant, and I was curious to...

EGG – A Musical Parable

In early September, the IOC published an article celebrating the life of ‘Father of Modern Olympic Games’ Pierre Coubertin. Whilst highlighting his struggles in launching a...

Reaction in Metatheatre

An exploration of reaction in metatheatre and its complex psychological effects.

Review: Unplanned-ersnatch – ‘the kind of plot twists only improv could beget’

An evening of improvisation and audience participation set to the tone of laughter

Review: Me, as a Penguin – ‘bound to put a smile on your face’

A review of the heartwarming comedy by Pangolin Theatre Productions

Everyone’s a Critic

Readers don’t want to read an essay. If they did, they would be scouring SOLO instead of flicking through a newspaper. The majority simply want to know if buying a ticket translates into a fun evening out.

Chemical Contrast

It is effectively government policy that the science student is fundamentally more socially valuable than the artist. Resistance to this mode of thinking...

Isaac Hempstead Wright Visits Oxford

Acting from a very young age has never been a rare thing in the show business, but very few child stars were introduced to the film industry by being chucked out of a window on their first day on set.

Review: Amber Run

Amber Run, the indie rock band from Nottingham, are on their first ever world tour. After their Oxford gig, which happened on 18thOctober, they’re...

Rebellion and Art

Picture a circle of people holding hands, dancing around. Nothing particularly remarkable about that, right? Now imagine half of them as skeletons.

Hogarth: Place and Progress

Prostitution, criminality, madness, lust, and squalor. William Hogarth’s collection of paintings and prints at the Sir John Soane’s Museum satirize 18th century urban crudities through graphic pictorial dramatizations and dark wit.
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