Culture

Review: So Far, So Good – ‘Counting down the fall’

Student theatre has always thrived on experimentation, collaboration, and the courage to speak up. So Far, So Good, a new piece of original writing by Melissa Chetata-Brooks, undoubtedly embraces...

Theatre Mercedes Haas -

The writer behind ‘The Writer’

Tucked away in a room at Worcester College, I sat in on a rehearsal...

Theatre Phoebe Davies -

Reframing Oxford’s controversial portraits

“All art is quite useless,” declared Oscar Wilde in the preface to The Picture...

Art Saskia Maini -

‘Love in the face of hate’: A closer look at ‘Blood Wedding’

Emma Nihill Alcorta is the director of a new adaptation of the Spanish masterpiece...

Theatre Emma Nihill Alcorta -

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The lead actors march around on stage like four dads thrown together on a charity tour of the YMCA.

The Cellar Forever – Why The Cellar’s survival is integral for the Oxford music scene

The Cellar is matching listener with artist and artist with opportunity, but more than anything it is bringing music back to the forefront of nights out.

Silent Night Review – ‘a story very relevant to our time’

The multilingual reimagining of the Christmas Truce at Leeds Town Hall feels particularly timely

The Bookshelf: Charlotte Brontë’s ‘Villette’

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Milkman by Anna Burns: a pertinent portrait of life during the Troubles

An exploration of Anna Burns' The Milkman and its chilling relationship to the violence of the Troubles.

Frantz: a wrenching tale of remembrance

The French-German film Frantz, however, has gone unnoticed by many English-speaking viewers, despite being one of the most powerful films released to explore the after-effects of World War I.

Film Firsts: Nothing gets lost in translation with my first foreign film

Beyond even the sprawling shots of the Indian landscapes, Hirani’s film achieves the quality of epic.

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Maxim Mower enjoys a touring production of Dirty Dancing at the New Theatre, which he says will satisfy lovers of the 1987 movie.

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Dorothy McDowell sees potential in livestreaming theatre, but it still fails to reach a mainstream audience

True West Review – ‘this is truly sweet suburban silence’

Sam Shepard's play explores the tensions behind the American Dream.

Poetry in motion: the nature of lyrics

Should lyrics be given the same respect as poetry?

Armitage’s Gawain: translating in wylde wayeȝ

"Translation is not without flaws – it cannot help but alter authorial voice, although the degree to which this takes place is certainly not consistent."

The Winter’s Tale review – atmospheric and otherworldly

Nicole Jashapara is charmed by this production's aesthetic and comic performances

Auditioning – what it’s actually like

Beata Kuczynska provides a look behind the curtain at the highs and lows of the auditioning process

The Admirable Crichton Review – ‘a light-hearted antidote to eighth week’

Simone Fraser finds Corpus Christi Owlets' new production to be effective comic relief in eighth week.

The natural world: unconventional spaces for art

"The natural world enhances both creator’s and viewers’ experiences of the art in a way that the setting of a gallery could not."

Blood Brothers Review – ‘truly exceptional theatre’

Katie Sayer is wowed by the quality of a touring production of the 1983 musical.

When and why did Netflix movies get so good?

Prestige talent is coming to Netflix in moves that may revolutionise cinema as we know it

An Unexpected Visitor Review – ‘performed in a unique space but falls short’

The setting of Mercury Theatre Productions' newly written play is impressive but the writing requires reworking.

Dare to be different, or the Devil we know?

Everyone should be watching Daredevil

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Culture

Review: So Far, So Good – ‘Counting down the fall’

The writer behind ‘The Writer’

Reframing Oxford’s controversial portraits

‘Love in the face of hate’: A closer look at ‘Blood Wedding’

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