Sunday 18th January 2026

Culture

‘Beautifully we may rot’: ‘Madame La Mort’ in review

In a small, black-painted room on the top floor of a pub in Islington, known as The Hope Theatre, Madame La Mort was staged for the public for the first time.

Damaging detachment: Reflections on the Booker Prize 

This Christmas vac, I made up my mind to get out of my reading slump using the Booker Prize shortlist, revealing toxic masculinity as a key theme.

In defence of the theatrical release

If film, like all art, nourishes itself on its own œuvre, I don’t think we can afford to sever the association between the cinema and the film.

Falling out of Louvre

In spite of recent events, the expected heightened security was nowhere evident.

NoFriendz: “Show up next time Oxford, you bastards”

Meet NoFriendz - they may not be your favourite band yet, but they probably deserve to be.

August’s Here Already

Newly formed supergroup August Greene use their music to bring to life the African American experience.

Cambridge carnage creators conquer Oxford

Cellar continues to be a goldmine of underground musical talent

Preview: You Are Frogs – ‘toes the line between playfulness and danger’

Practically Peter's production will be at the BT Studio until Saturday.

Review: I punched a Nazi (((and i liked it))) – ‘Brechtian to the absolute T’

I found out I wasn’t going to be allowed to punch a Nazi

Fantastic Cities: unveiling the complex realities, and fantasies, of urban life

A review of the Penny Woolcock exhibition at Modern Art Oxford

Hollywood’s lesser known gender gap

There's a lesser known gender gap in Hollywood - the difference in the shelflife of actors.

On the Basis of Sex: battling through a man’s world

Ruth Bader Ginsberg biopic shows how Felicity Jones and feminism can bring a legal drama to life

David Bowie: The art of getting on a bit

The life of Ziggy defied expectation.

Death and the maiden

An exploration of Verdi and the orchestra

Review: Bandages – ‘hard-hitting and unromanticised’

With visceral imagery and effective multi-roling, Radical Attic Productions' darkly feminist show explores the inheritance of abuse

Recoiling from the shock: how Dadaism swallowed a post-war Europe

Dada expanded beyond its art, morphing as it did into a political rather than an aesthetic revolution.

The Epilogue of a Lifetime

Julian Barnes’ third of three essays 'The Loss of Depth’ is an epilogue in form and in subject-matter, trapping the pulse of his wife’s memory in his intimate and moving portrait of grief.

Review: Redacted Arachnid – ‘has the audience close to tears with laughter’

The Owlets’ adaption of a Broadway legend provides great character performances and hilarious Beyoncé-inspired dance routines

Video games: Design/Play/Disrupt

From the mid-2000s to now, video games have slowly revolutionised the ways in which we communicate within society. Our lives are enmeshed by them....

Othering Ourselves

Hazy memories and complicit passivity allow Ishiguro’s characters to construct a protective outsider status

Nature as a gallery

Atop a Dumfriesshire hill in Scotland sits a large egg-like construction of stone. Three of the same can be found in a vast line across the...

The surface is all you get from me: Identity and otherness in art

There is a certain intrigue when it comes to the ‘outcast creative’. Put simply: people like the abject outsider. It is, on the whole, far more...

Review: Many Moons – “thoroughly compelling”

Stellar performances and staging create a wonderfully emotive piece, but its bitter narrative makes it a hard pill to swallow

Student film: ‘notoriously difficult to penetrate’

Oxford’s student filmmakers give their takes on writing workshops, directorial debuts, and getting inside one of the arts’ most difficult industries.

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