Culture

‘Scenes With Girls’ and complicated female friendships

'Scenes with Girls' deserves to be seen as one of Labyrinth Productions’ (Rosie Morgan-Males and Emily Cullinan) most impressive accolades.

Culture Charlie Bailey -

‘The Moro Affair’: Astonishingly original, but not quite a story

The acting in 'The Moro Affair' was superb across the board, with Harriet Wilson’s Pope as a standout, and Rosie Sutton’s direction was flawless.

Culture Ian Coates -

‘Music can be everything’: Aurora Orchestra’s Jane Mitchell on the narratives around classical music

The Aurora Orchestra, who are playing at Oxford’s Schwarzman Centre on the 19th June, are best known for performing their orchestral repertoire from memory.

Culture Lilia Goldstein -

The ‘Obsession’ Obsession

'Obsession' is a taste of what the next generation of filmmakers looks like.

Culture Willow Jopp -

Latest

9 to 5 and Feminism

Dolly Parton's iconic film is a feminist powerhouse

Reclaiming the Moment

A review of Lavinia Greenlaw's 'The Built Moment' (Faber and Faber, 2019)

The Funny/Not Funny Exercise

A review of David Sedaris' 'Calypso' (Little, Brown, 2018)

Review: The Reunion(?) – ‘a subversive new take on the classic murder mystery’

The Oxford Revue's latest show builds up to a brilliant punchline

Review: Your Little Play – ‘a tragic storyline which by now seems all too familiar’

Nightjar Theatre's production tackles themes that are particularly pertinent to our time

How has the internet shaped modern poetry?

When you type “poetry” into the YouTube search bar, an unexpected number of the results that come up are not what we...

More than Pixels

The internet has changed the way we experience art

Shakespeare Done to Death?

In the wake of the Emma Rice 'scandal' at the Globe, we examine why we keep treading old boards.

Review: Allotment – ‘as if the audience is intruding upon the sisters’ realm’

MuckyOven Productions present an intriguing play about gardening, sisterhood and the passing of time.

Review: Twelfth Night – ‘dispels the myth that Shakespeare isn’t funny’

Brasenose Arts Week puts a contemporary spin on Shakespeare's Twelfth Night

The Sweet Smell of Excess

"While the social implications of excessive behaviour seem real and uncomfortable, then, the extent to which films tend to deal with these is, we surely have to admit, limited."

In Defence of Excess

"You feel attacked, but you also feel seen – and really, is that not one of the most important things people look for when watching a film – to feel seen? "

‘Carry-On’ Excess-ing?

The dated views of the Carry-On films may offer their own entertainment

Troy Story Revisited

Reviewing Pat Barker’s ‘The Silence of the Girls’ (Penguin, 2018).

Going Wilde in America

“Audiences deserted his lectures, Harvard students mocked his outfits, and his failures left him drunk and dejected." Reviewing Michele Mendelssohn's 'Making Oscar Wilde'.

Morrissey: a musician of excess?

"Why do we call certain people 'excessive,' and allow others to escape from this label?" A discussion of the controversial front-man of The Smiths.

Excess of Expression: John Lennon 1969-72

'Why was it that, in putting self- expression, politics and philosophical substance at the forefront of his artistic agenda, Lennon’s music ended up failing to express both himself and everyday concerns with the same force as his work from the sixties?' A comparison of John Lennon's music from his solo career with his work in The Beatles.

Review: A Little Night Music – ‘a sophisticated and pleasant performance’

Despite some minor setbacks on the opening night, A Little Night Music delivers a confident performance, including some moments of hilarity

Review: (The Wings of the) Seagull – ‘leaves you frozen’

This one-actor show from mealspiel easily wins over its audience, with laugh-out-loud moments interspersed with stomach-churning horror.

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Culture

‘Scenes With Girls’ and complicated female friendships

‘The Moro Affair’: Astonishingly original, but not quite a story

‘Music can be everything’: Aurora Orchestra’s Jane Mitchell on the narratives around classical music

The ‘Obsession’ Obsession

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