Tuesday 28th July 2026

Culture

Caught Between Grief and Hope: ‘On Some Far Shore’ Reviewed

Fresh off the back of Our House and Macbeth, Cross Key Productions presents an original three-hander focused on the complexities of grief and young love. Produced by Madi Boutcha...

The road to reckoning: ‘The Slip’ reviewed

Sharp, unsettling, and emotionally intelligent, 'The Slip' is a striking showcase of the ambition and talent behind Wide Eyes Productions, while establishing Wyatt as a writer-director to watch.

How an Oxford undergraduate made a name in choral music

When he arrived at Oxford, he expected his future to lie primarily in orchestral music. Instead, it was choral music that transformed his direction.

‘Scenes With Girls’ and complicated female friendships

'Scenes with Girls' deserves to be seen as one of Labyrinth Productions’ (Rosie Morgan-Males and Emily Cullinan) most impressive accolades.

Being under the spell of Harry Potter

An overview of the outrageous content of the Fangasm podcast

The exploitation of musicians’ emotional struggles

"The general reaction to musicians’ pains is a testament to the humanity of our age."

9 to 5 and Feminism

Dolly Parton's iconic film is a feminist powerhouse

Reclaiming the Moment

A review of Lavinia Greenlaw's 'The Built Moment' (Faber and Faber, 2019)

The Funny/Not Funny Exercise

A review of David Sedaris' 'Calypso' (Little, Brown, 2018)

Review: The Reunion(?) – ‘a subversive new take on the classic murder mystery’

The Oxford Revue's latest show builds up to a brilliant punchline

The Art of Money

How extravagance makes a statement

Review: Your Little Play – ‘a tragic storyline which by now seems all too familiar’

Nightjar Theatre's production tackles themes that are particularly pertinent to our time

How has the internet shaped modern poetry?

When you type “poetry” into the YouTube search bar, an unexpected number of the results that come up are not what we...

More than Pixels

The internet has changed the way we experience art

Shakespeare Done to Death?

In the wake of the Emma Rice 'scandal' at the Globe, we examine why we keep treading old boards.

Review: Allotment – ‘as if the audience is intruding upon the sisters’ realm’

MuckyOven Productions present an intriguing play about gardening, sisterhood and the passing of time.

Review: Twelfth Night – ‘dispels the myth that Shakespeare isn’t funny’

Brasenose Arts Week puts a contemporary spin on Shakespeare's Twelfth Night

The Sweet Smell of Excess

"While the social implications of excessive behaviour seem real and uncomfortable, then, the extent to which films tend to deal with these is, we surely have to admit, limited."

In Defence of Excess

"You feel attacked, but you also feel seen – and really, is that not one of the most important things people look for when watching a film – to feel seen? "

‘Carry-On’ Excess-ing?

The dated views of the Carry-On films may offer their own entertainment

Troy Story Revisited

Reviewing Pat Barker’s ‘The Silence of the Girls’ (Penguin, 2018).

Going Wilde in America

“Audiences deserted his lectures, Harvard students mocked his outfits, and his failures left him drunk and dejected." Reviewing Michele Mendelssohn's 'Making Oscar Wilde'.

Morrissey: a musician of excess?

"Why do we call certain people 'excessive,' and allow others to escape from this label?" A discussion of the controversial front-man of The Smiths.

Excess of Expression: John Lennon 1969-72

'Why was it that, in putting self- expression, politics and philosophical substance at the forefront of his artistic agenda, Lennon’s music ended up failing to express both himself and everyday concerns with the same force as his work from the sixties?' A comparison of John Lennon's music from his solo career with his work in The Beatles.

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