When I returned to Oxford this term, just as England teased us with the sixth heat-wave of the year, I found myself at a loose end. With the deadline for two vacation essays still far in the distance, the sun lit up the sign for Soma Surovi Jannat’s Ashmolean Now exhibition, Climate Culture Care.
“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.
The Shakespeare’s Rose Theatre wants its audience to experience Shakespeare as intended – in the bard’s self-designed theatre. But is this immersive theatre experience more pop-art than pop-up? Arabella Vickers reviews.
The Imperial War Museum. Think cannons, guns and fighter aircraft. Think Teenage Kicks being blasted out at full volume? Culture Under Attack brings together unlikely connections between art and conflict.
The enticing title doesn’t do justice, however, to the breadth of the collection: 400 objects from around the Roman world and beyond, covering centuries, showcasing the Romans’ relationship to food and drink.
Running since 1769, the Summer Exhibition is the world’s largest open-submission art show. From film to photography and prints to paintings (and everything in between) the show brings together the world’s leading artists of all mediums, both household names and total unknowns.
Besides the classic value of literature in allowing us to understand perspectives and experiences beyond our own, reading in some ways reminds us of the bigger picture.
Olafur Eliasson’s “In real life”, which is on until 5th
January 2020, is a truly must-see exhibition at the Tate Modern. All forty of
this Danish-Islandic...
Lia Mice is someone important. The experimental pop creator and film score composer combines dreamy vocals, and otherworldly sonics to create a kind of...
Representations of violence and torture used to be an integral part of enforcing the social order - but in a world of uncensored live streams and graphic media content, has our attitude to atrocity really progressed - or does it remain an unacknowledged dark obsession of mankind?
With social media platforms, we are now closer than ever before to celebrities and influencers. But has this changed the way we perceive them? George Rushton explores the celebrity/fan relationships across the ages.
What does it take to put on a show at Fringe? With the finish line in sight, Missing Cat discuss the joys and travails of their project: a raw and visceral rendition of Woyzeck.
The standards of beauty in the media are goalposts that are constantly being shifted by cultural currents in history. But are trends in literature and film of #bodypositivity and self-love doing enough? Georgia Watkins investigates.
Morrissey has been cancelled. The Guardian asked the Mancunian crooner “what happened” on Twitter after his records were banned from Britain’s oldest record store....
In the cosy nook of an Oxford hostelry is where Georgie Botham and Joe Davies brainstormed into existence ‘How To Use A Washing Machine’. Little did they know, in Oxford in 2018, that their newly penned and composed musical would also then progress to a national tour.
Imogen Harter-Jones interviews them to find out about their experience.