Culture

From cloisters to concrete: Oxford’s architectural evolution

As a proud member of one of Oxford’s younger colleges – one that didn’t make it into the set of Saltburn – the magnetic pull of the old Oxford...
Art Sophie Price -

Adolescence: Can TV spark radical change in young men?

Adolescence is just another example of art acting as a conversation piece. The recent...
Film Tom Cockburn -

Hand over Heart

"So bite the heel that walked you home in the rain"
The Source Briony Arnott -

Oxide Radio is a breath of fresh, musical air

"This free station is worth a listen"
Music Milo Man -
Latest

Breaking down stigma, challenging genre, and facilitating conversation – the new musical, ‘Nice Guy’

A visit to the Oxfordshire charity 'Clean Slate' with the cast of new musical 'Nice Guy'

Top Girls Preview – ‘a vibrant period piece’

This new production of Caryl Churchill's play may be a portrait of a specific time, but is still intensely relevant.

‘Family Friends’ Review: ‘a definite sparkle’

Katie Knight sees potential in this night of improvised comedy, but is let down by pacing and clunky mistakes

“Delightfully creepy”: “Spellbound” at the Ashmolean review

[The exhibition] is delightfully creepy, especially the sections where the artefacts are resting on the glass above you in chimney-like structures, forcing you to walk into dark little alcoves and crane your neck up to see them.

It’s one small step for Damien Chazelle: ‘First Man’ review

The director of 'Whiplash' and 'La La Land' bring his best to this much-anticipated Neil Armstrong biopic

The infamous melodramatics of Kanye West: Ye or nay?

Kanye has had a career riddled with dramatic events – what has this done to his legacy?

22 July: Netflix dramatises Norway’s darkest day

With 22 July, Paul Greengrass has answered the question of how to convert tragedy into film. In handling the harrowing 2011 Norway attacks that...

Living in a material world

Why the 80s and 90s have made a comeback

The Threepenny Opera Review – ‘both unsettling and wildly entertaining’

Faye Heron reviews this term's Playhouse show which she finds serves to bring up important social issues whilst simultaneously being vigorously entertaining

The Oxford Revue: Best of the Fringe Review – ‘these are emerging talents’

The Oxford Revue's desires to experiment creates some hilarious moments, but perhaps lacks through-line to bring the show together

The Threepenny Opera Preview – ‘promises to be exhilarating’

This term's Playhouse show paints a heightened portrait of the inner-city's criminal underworld.

Lessons From Tranquility Base Hotel and Casino

A retrospective look at this controversial project reminds us of the danger and importance of risk-taking in music.

‘A Star Is Born’ as Bradley Cooper makes an impressive directorial debut

"It's the same story told over and over; all an artist can do is say how they see it"

Bringing Doctor Who out of the past

Regeneration, one of Doctor Who’s most iconic plot ideas, bakes the theme of rebirth in the show’s very DNA, yet it is important to...

Interview: OUDS President Francesca Amewudah-Rivers

Cesca Echlin meets this year's OUDS President to discuss post-Medea hype, the need for increased representation in theatre, and what she wants to change about Oxford student drama.

Phenomenally Intricate: Iglooghost

With his recent releases, Iglooghost takes experimental electronic music to the next level

Krypton: Reinventing the Superhero genre

By virtue of being a prequel, Krypton already had critics poised to question whether we really needed a TV show exploring Superman’s homeworld. Surely...

Brockhampton: The Internet’s First Boyband

‘Met all my friends through Kanye West and I ain’t met him yet’.

The Bodyguard: Recovering from the TV event of the year

It’s not hard to figure out why the nation has been so gripped by The Bodyguard this September. The show is a political thriller...

The appeal of dystopian drama

Why have we produced so many stories about the end of the world as we know it?
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