Monday 9th June 2025

Culture

‘Love in the face of hate’: A closer look at ‘Blood Wedding’

Emma Nihill Alcorta is the director of a new adaptation of the Spanish masterpiece Blood Wedding, running at the Oxford Playhouse. With flamenco rhythms and Spanish soul, our passionate ensemble...
Theatre Emma Nihill Alcorta -

Duplicity, infidelity and loyalty in ‘Crocodile Tears’

“An Italian summer romance that goes wrong” – this is how Crocodile Tears was...
Theatre Phoebe Davies -

Review: The Great Gatsby – ‘Indulge the extravaganza’

Sophia Eiden’s production of Simon Levy’s script of The Great Gatsby is an undoubted...
Theatre Peter Chen -

Barry Lyndon – Kubrick’s ultimate antifilm?

Barry Lyndon has always been dismissed within Kubrick’s filmography. While he is a filmmaker...
Film Ruby Tipple -
Latest

Overlord combines fun, gore, and flaws galore

An entertaining yet terrifying film that will keep you on the edge of your seat

Sufjan Stevens: Saying is believing

Everything about Stevens’ work is an attempt to love right, and to believe right

Journey’s End preview – a play about brotherhood

Bessie Yuill finds an emphasis on WW1's individual soldiers and their relationships in this Remembrance Day production

‘I just try to see the world clearly’: An Interview with Louis Theroux

Louis Theroux speaks to Abby Ridsdill-Smith about politics, popularity, and participating in a sensual eating party

The weight of inheritance

Cultural pilgrimages give us access to the inaccessible

Loveable rogues: why we love a good villain

The old proverb that a hero is only as great as their villain is a valid concept. In order to understand a villain, we...

Bohemian Rhapsody is a poor tribute act to one of music’s greatest talents

Queen Won't Rock You in this half-arsed biopic

How To Save A Rock With A Circle Review – ‘centres a sense of community’

Taiwo Oyebola finds Pigfoot Theatre’s work-in-progress play about the environment funny and oddly optimistic

Factfulness review: On the importance of truth

Dr Hans Rosling's final book reminds us of the enduring importance of truth, says Harry Lloyd

Enchanted by the power of on-screen magic

Serena Arthur explores how our perceptions of magic transform throughout life

Perceptions of the monstrous

Molly Innes looks at artistic representations of monstrosity and self

There is no place for grief in a house which serves the muse

'The Muse' in Tim Walker's short film and Dante Rosetti's Siddal Portraits

Idle reading: books in praise of laziness

A consideration of two books with different approaches to the same philosophy: the art of laziness.

Feeling comfort while in the uncomfortable

Why are we so drawn to music that puts us on edge?

Collaborators Review – a comedy of Stalinist Russia

Despite its seeming irreverent nature, this play has 'moments of profundity'

How To Save A Rock With A Circle Preview – ‘conveys urgency with a sense of humour’

Cecilia Wang previews Pigfoot Theatre's work-in-progress which focuses on the impact of climate change.

Depraved Genius of Caravaggio

David Alexander on our relationship with morally reprehensible artists

‘It was Beauty killed the Beast’

Monster love tales other marginalised communities

Stephen King’s It: the horror novel that sparked a love affair

The pleasure and terror of reading Stephen King

Characters we love to hate

Sam Millward surveys the rise of the antihero as a problematic but compelling character
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