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UrbanObserver
Friday 18th July 2025
Oxford's oldest independent student newspaper, est. 1920
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Culture
Jacob Collier is on scintillating form at Love Supreme
Despite being a seven-time Grammy Award winner, it was only at the 2025 Love Supreme Festival in Glynde that Jacob Collier had his first major festival headline show. Wearing his...
Music
Susan Yu
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‘Pour summer in a glass’: retracing Dandelion Wine
“You did not hear them coming. You hardly heard them go. The grass bent...
The Source
Cici Zhang
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Reviving the symposium at the Ashmolean Krasis programme
Dara Mohd, herself a Krasis Scholar, converses with Dr Jim Harris about his object-centred symposium program, Krasis, at the Ashmolean Museum.
Art
Dara Mohd
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‘This Room Their Lives’ in Magdalen College’s Waynflete building
Every Magdalen member remembers their first encounter with the Waynflete Building. Sticking out a...
Art
Josie Stern
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Auditioning – what it’s actually like
Beata Kuczynska provides a look behind the curtain at the highs and lows of the auditioning process
The Admirable Crichton Review – ‘a light-hearted antidote to eighth week’
Simone Fraser finds Corpus Christi Owlets' new production to be effective comic relief in eighth week.
The natural world: unconventional spaces for art
"The natural world enhances both creator’s and viewers’ experiences of the art in a way that the setting of a gallery could not."
Blood Brothers Review – ‘truly exceptional theatre’
Katie Sayer is wowed by the quality of a touring production of the 1983 musical.
When and why did Netflix movies get so good?
Prestige talent is coming to Netflix in moves that may revolutionise cinema as we know it
An Unexpected Visitor Review – ‘performed in a unique space but falls short’
The setting of Mercury Theatre Productions' newly written play is impressive but the writing requires reworking.
Dare to be different, or the Devil we know?
Everyone should be watching Daredevil
Brink Review – ‘brilliant from start to finish’
Nitrous Cow Productions' new play has a high standard of acting and great technical sophistication
Little Eyolf review – modern and experimental but lacking depth
An experimental and bold play held back by limited character development
Fantastic Bore And Where To Fail Your Fans
The latest 'Fantastic Beasts' will leave you disappointed
Review: Sweetener by Ariana Grande
Ariana Grande finds produces some intermittent bangers while caught in the changing tides of contemporary pop
Table Manners Review – ‘subtly and successfully updated’
Flared Productions' new take on Alan Ayckbourn's 1973 play is highly enjoyable
An Unexpected Visitor preview – immersive ingenuity
Lawrence Li is won over by the unconventional staging and comedy of this production
‘Brink’ Preview – ‘an exploration into public vs. private spaces’
Alastair Curtis' new play explores how individuals forge connections with others in our modern, digitalised world
‘Riverdale’, get off your hype horse
Jennifer Donnellan roots out the many flaws of the comic turned teen drama
Autumn by Ali Smith: a seasonal portrait of post-Brexit Britain
The first book in Smith's ongoing quartet reminds us that sympathy is possible in our polarised times
‘Widows’ is a celebration of female grit and resolve
Viola Davis leads a group of kick-ass women in a heist film with a lot on its mind
Salome Review – ‘struggles to take audience into another world’
Tea Party Productions' 'Salome' shows the play's continuing power to unsettle
How Charlie Chaplin lost his voice
The rise and fall of the filmmaker and his silent medium
Table Manners Preview – ‘reworked in a highly engaging manner’
Alex Rugman previews Flared Productions' reworking of Alan Ayckbourn's play.
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