Sunday 8th June 2025

Culture

‘Love in the face of hate’: A closer look at ‘Blood Wedding’

Emma Nihill Alcorta is the director of a new adaptation of the Spanish masterpiece Blood Wedding, running at the Oxford Playhouse. With flamenco rhythms and Spanish soul, our passionate ensemble...

Duplicity, infidelity and loyalty in ‘Crocodile Tears’

“An Italian summer romance that goes wrong” – this is how Crocodile Tears was...

Review: The Great Gatsby – ‘Indulge the extravaganza’

Sophia Eiden’s production of Simon Levy’s script of The Great Gatsby is an undoubted...

Barry Lyndon – Kubrick’s ultimate antifilm?

Barry Lyndon has always been dismissed within Kubrick’s filmography. While he is a filmmaker...

22 July: Netflix dramatises Norway’s darkest day

With 22 July, Paul Greengrass has answered the question of how to convert tragedy into film. In handling the harrowing 2011 Norway attacks that...

Living in a material world

Why the 80s and 90s have made a comeback

The Threepenny Opera Review – ‘both unsettling and wildly entertaining’

Faye Heron reviews this term's Playhouse show which she finds serves to bring up important social issues whilst simultaneously being vigorously entertaining

The Oxford Revue: Best of the Fringe Review – ‘these are emerging talents’

The Oxford Revue's desires to experiment creates some hilarious moments, but perhaps lacks through-line to bring the show together

The Threepenny Opera Preview – ‘promises to be exhilarating’

This term's Playhouse show paints a heightened portrait of the inner-city's criminal underworld.

Lessons From Tranquility Base Hotel and Casino

A retrospective look at this controversial project reminds us of the danger and importance of risk-taking in music.

‘A Star Is Born’ as Bradley Cooper makes an impressive directorial debut

"It's the same story told over and over; all an artist can do is say how they see it"

Bringing Doctor Who out of the past

Regeneration, one of Doctor Who’s most iconic plot ideas, bakes the theme of rebirth in the show’s very DNA, yet it is important to...

Interview: OUDS President Francesca Amewudah-Rivers

Cesca Echlin meets this year's OUDS President to discuss post-Medea hype, the need for increased representation in theatre, and what she wants to change about Oxford student drama.

Phenomenally Intricate: Iglooghost

With his recent releases, Iglooghost takes experimental electronic music to the next level

Krypton: Reinventing the Superhero genre

By virtue of being a prequel, Krypton already had critics poised to question whether we really needed a TV show exploring Superman’s homeworld. Surely...

Brockhampton: The Internet’s First Boyband

‘Met all my friends through Kanye West and I ain’t met him yet’.

The Bodyguard: Recovering from the TV event of the year

It’s not hard to figure out why the nation has been so gripped by The Bodyguard this September. The show is a political thriller...

The appeal of dystopian drama

Why have we produced so many stories about the end of the world as we know it?

Taking Oxford by storm: the Magic Gang sells out the O2

The Magic Gang aren't just another band - they're something much more unique

‘The Fishermen’ Review – a ‘mesmerising’ and ‘almost biblical’ tale

A story of Nigerian brotherhood frames personal and national tragedy

Coming to Oxford: Shy FX

“I got fired because they wanted me to clean the toilets and I weren’t really on that.”

Crazy Rich Asians review — a rom-com deserving of the big-screen

Whether it's a landmark in Asian representation on film, a slap in the face to Netflix, or a great romantic-comedy, Crazy Rich Asians can be enjoyed by pretty much anyone

Neglected discontents: what did Oxford’s most famous students really experience?

The University has a longstanding tradition of exalting its most famous alumni, but the truth of their time here may not be as pleasant as history remembers.

‘No Offence’ and ‘Antinuous: Boy Made God’ at the Ashmolean

A review of the museum's latest exhibitions which are dedicated to telling LGBTQ+ stories

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