Culture

Night School: Oxford’s after-hours curriculum

The first time I saw Nahom and Ethan, it wasn’t on a night out – it was an early morning. I was shuffling through the half-awake crowd when my...

Culture Maya Rybin -

‘Delusions and Grandeur’ at the Fringe

★★★⯪☆ If there is one word to describe Karen Hall’s Delusions and Grandeur, it is...

Culture Peter Hardisty -

The Oxford Revue at the Fringe

★★★⯪☆ Returning for their 62nd annual pilgrimage to the Edinburgh Fringe, the Oxford Revue rolled...

Culture Leon Moorhouse -

Academia is hell, literally: R.F. Kuang’s ‘Katabasis’

R.F. Kuang’s Katabasis touches on a range of near-universal academic experiences: impostor syndrome; frantic,...

Books Charlie Stevens -

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Spotlight: Donald Glover

Donald Glover makes the uncomfortable popular

Disabled characters must no longer be the villains

The representation of disfigurement needs to continue in a way that will do members of the disabled community justice

In search of Irish Revolutionaries

Eric Sheng discusses former Oxford don Roy Fisher’s recent work on Revolutionary Ireland

Redemption for the Fallen Women

The Magdalene Sisters - a film by Peter Mullan - follows the story of four fictional women who writhe against the fate of 30,000...

A Doll’s House preview – ‘a beautiful play to watch’

An intimate cast, toxic relationships, and powerful dialogue magnify a society on the cusp of sexual revolution

Hereafter preview – ‘an ostensible exploration of future technology that shines a light inwards, rather than forwards’

A fresh, emotional take on the future

Conceptual art is a bubble

Art critic Julian Spalding talks to Barney Pite about how art dealers have a stranglehold on popularity

Had Eno-ugh of revision? Give ‘Ascent’ a listen

Exams coming up? Check out this perfect track to help you cope

The insidious power of borrowing

Cultural synthesis has historically been a tool of colonial oppressors

Jacques-Louis David’s artistic revolution

David reinvents old stories in ways we don't expect

Medea Review – ‘vengeful, manipulative, and captivating’

More than just a play: 'Medea' reminds us why we go to the theatre

Grime4Corbyn: How a genre changed an election

A year on from the movement’s explosion, Grime4Corbyn activist Adam Elliot-Cooper and Roll Deep member Saskilla tell Isaac Pockney how Labour instigated change

Pablo Neruda’s subtle patterns show us how to feel

The brilliant simplicity of the Chilean poet is his greatest strength

Confusions – Review

More energetic performances were needed to do justice to the subtlety of Alan Ayckbourn’s comedy

Medea – Preview

A production that promises a masterful portrayal of the struggles of integration, womanhood and belonging

Review – A Midsummer Night’s Dream

The humour, wit and emotional depth contained within the text are lost to the physicality and slapstick

This brave new world is dark and lonely

America’s Cool Modernism shows us a society terrified of the world it created

Interview – The Unstoppable Rise of the Magic Gang

With guitar bands falling out of favour, The Magic Gang seem an exception to the rule

May I Borrow The Tiger Please?

The history of Tipu Sultan’s Tiger is the history of imperialistic acquisition

Travels with a Cross-Dressing friend: A Personal Biography of China

Michael Bristow, a former BBC Foreign Correspondent, hopes his book will challenge the Chinese government

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Culture

Night School: Oxford’s after-hours curriculum

‘Delusions and Grandeur’ at the Fringe

The Oxford Revue at the Fringe

Academia is hell, literally: R.F. Kuang’s ‘Katabasis’

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