Sunday 19th April 2026

Culture

Bridging Communities: Vocatio:Responsio’s Liverpool Tour

Vocatio:Responsio, meaning Call:Response in Latin, is an early music ensemble founded and directed by the Merseyside-based violinist Samuel Oliver-Sherry, a current third year music student at St Anne’s College....
Culture Evelyn Lambert -

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

As a history student, you occasionally come across stories so strange they feel almost fictional. Operation Mincemeat is one of them.
Culture Hattie Simpson -

‘People are so hungry to create together’: Lisa Ko on going analogue, crafting, and writing the future

It’s 11:02am in New York when Lisa Ko appears on the video call. In Oxford, the sun is almost down.
Books Abigail Lakeland -

How 2025’s biggest films made their mark through music

The recent Oscar nominations have allowed us to reflect on how fundamental musical scores are to film, and the highlights of last year’s film soundtracks.
Culture Ruaridh McEwen -
Latest

The Spotify syndicate

We should be wary of Spotify's control over the music we listen to

Strange creatures: monstrosity in Kafka’s ‘The Metamorphosis’

The world of literature is abundant with monsters: physical monsters, psychological monsters, benevolent monsters, evil monsters. However, there is hardly a monster as puzzling...

The appeal of method acting

Many actors go to great lengths in pursuit of an authentic performance

Talaash interview – a fusion of dance, poetry, and identity

A discussion of the cultural significance and community spirit of Talaash

Normal People Review – ‘a novel that speaks to the current climate’

Jenny Scoones discusses the portrayal of masculinity and friendship in Sally Rooney's second novel

The walls that stare – what college portraits tell us about Oxford

They say a picture paints a thousand words. So what do the thousands of portraits hanging around Oxford colleges tell us about the University, and the...

Mojo Preview – ‘gloriously worded script but male dominated’

Cesca Echlin finds this rendition of Jez Butterworth's play hits comic targets, but also reflects on its male-dominated narrative.

Merlin: The magic of kindness

Exploring the continuing relevance of BBC's Merlin

The Band Review – ‘heartwarming and nostalgic fun’

The new Take That inspired musical a great testament to the great British boyband.

Journey’s End Review – ‘powerful commemoration of the centenary’

Adam Radford-Diaper is deeply moved by Cosmic Arts' marking of the centenary of the 1918 armistice

Overlord combines fun, gore, and flaws galore

An entertaining yet terrifying film that will keep you on the edge of your seat

Sufjan Stevens: Saying is believing

Everything about Stevens’ work is an attempt to love right, and to believe right

Journey’s End preview – a play about brotherhood

Bessie Yuill finds an emphasis on WW1's individual soldiers and their relationships in this Remembrance Day production

‘I just try to see the world clearly’: An Interview with Louis Theroux

Louis Theroux speaks to Abby Ridsdill-Smith about politics, popularity, and participating in a sensual eating party

The weight of inheritance

Cultural pilgrimages give us access to the inaccessible

Loveable rogues: why we love a good villain

The old proverb that a hero is only as great as their villain is a valid concept. In order to understand a villain, we...

Bohemian Rhapsody is a poor tribute act to one of music’s greatest talents

Queen Won't Rock You in this half-arsed biopic

How To Save A Rock With A Circle Review – ‘centres a sense of community’

Taiwo Oyebola finds Pigfoot Theatre’s work-in-progress play about the environment funny and oddly optimistic

Factfulness review: On the importance of truth

Dr Hans Rosling's final book reminds us of the enduring importance of truth, says Harry Lloyd

Enchanted by the power of on-screen magic

Serena Arthur explores how our perceptions of magic transform throughout life
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