Theatre

Review: All My Sons – ‘At the end of the American Dream’

Joe Keller, played by Tristan Hood, represents the American dream. He is a wealthy businessman with a traditional family with a surviving son that is about to marry. Like...

Theatre Henry Luo -

Review: The Tempest – ‘Power looks good on her’

All the guests arrived and promptly took their seats, as one of the directors...

Theatre Cienna Jennings -

Review: Bush! The Musical – ‘Is our actors singing?’

While the genre of historical musical theatre centred around US politicians may be dominated...

Music Milo Man -

Review: So Far, So Good – ‘Counting down the fall’

Student theatre has always thrived on experimentation, collaboration, and the courage to speak up....

Theatre Mercedes Haas -

Latest

Ballet: bewitching, beautiful, bold

I have loved ballet all my life. Since day one it has been filled with Barbie ballet DVDs, ballet dolls and of course ballet lessons. While...

An unhealthy obsession? The cult of Andrew Lloyd Webber’s ‘Cats’

I must confess – I am quite obsessed with Cats. Not the animal, of course, but Andrew Lloyd Webber’s seminal 1981 musical and the 2019 film...

Coriolanus: Review

Coriolanus is set in the early stages of the Roman republic, in the midst of plebeian revolts for grain. Caius Marcius (Tom Hiddleston), nicknamed...

A Midsummer Night’s Dream: Interview

Video may have killed the radio star, but Jazz Hands Productions’ radio play A Midsummer Night’s Dream aims towards resurrection, encouraging audiences to “escape...

Review: The Globe’s Macbeth

Touted as one of their ‘relaxed performances’, the Globe’s Macbeth seeks to “break down walls to cultural access and empower teenagers to develop their...

“I don’t want realism, I want magic”: NT Live’s A Streetcar Named Desire

“Don’t you just love these long rainy afternoons when an hour isn’t just an hour—but a whole little piece of eternity dropped into your hands—and...

Being True to the Book

Adapting books for the stage or screen seems to be completely irresistible. We are compelled to take words on a page and transform them...

Are we blind to the need for blind casting?

Perhaps the biggest debate surrounding ‘gender-blind and colour-blind’ casting (with which actors are cast regardless of the traditional race/gender of their role) is the...

Bare derrieres for bums on seats? Shock value on stage

By the time Iqbal Khan’s Anthony and Cleopatra reached its dénouement at the RSC, we were almost three hours in and, despite the production...

Stage Adaptions: Midnight’s Children

Iconic, encyclopaedic, and kaleidoscopic, Salman Rushdie’s Midnight’s Children has garnered a healthy sense of both wariness and respect from critics and readers alike over...

A ‘Clean Break’ from crime?

After mastering the downward facing dog-chaturanga-upward facing dog transition, my isolation development peaked and it was time to do some work. I watched the Donmar Trilogy’s...

The Last Five Years: Review

00 Production’s performance of The Last Five Years pulls off the ambitious project with surprising grace. I say surprising because bringing a musical to the small screen,...

The Last Five Years- Preview

Having watched the preview, I am excited to see and listen to the full-length production of the musical. Both Maggie Moriarty as Cathy and...

Review: Richard II

Not Way Forward Productions has managed to put up a brilliant virtual version of ‘Richard II’ in pre-recorded video format. It is well-executed -...

Ralph Fiennes: from Hamlet… to Lear?

With his aquiline nose, translucent skin and deep pale eyes, Ralph Fiennes certainly makes an impression. And that is even before he speaks or emotes -...

NT Live’s Twelfth Night: Review

The French philosopher and moralist Jean de la Bruyère once remarked “life is a tragedy for those who feel, and a comedy for those...

‘The Last Five Years’: discussing adaptation, distance and theatre’s survival

Imagine if you could see how your relationships would end as soon as you started them. In The Last Five Years, this premise is...

The intimacy of isolation: reflections on performing alone

“Lights up. The actor is alone” - type aspiring playwrights all over the world, unconsciously in unison. I anticipate reading this line (or something similar) over...

A Taste of Honey Today

A Taste of Honey, a play by the Salford-born writer Shelagh Delaney, debuted in 1958 and is widely considered to be a landmark work...

The era of digital drama

When you imagine ‘going to the theatre’, an image of you in your dressing gown, sitting on the sofa and eating popcorn probably doesn’t come to mind....

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Theatre

Review: All My Sons – ‘At the end of the American Dream’

Review: The Tempest – ‘Power looks good on her’

Review: Bush! The Musical – ‘Is our actors singing?’

Review: So Far, So Good – ‘Counting down the fall’

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