Theatre

Review: Crocodile Tears – ‘Techno-futuristic, but why?’

There is a lot to like about Natascha Norton’s Crocodile Tears. Female lead Elektra Voulgari Cleare is both electric and effortlessly elegant, and male lead Flynn Ivo delivers a...

Theatre Peter Chen -

Review: ART – ‘Charm, jazz, and friendship at its wittiest’

ART is charming. Centred around long-time friends Yvan (Ronav Jain), Marcus (Rufus Shutter) and...

Theatre Lara Machado -

Review: All My Sons – ‘At the end of the American Dream’

Joe Keller, played by Tristan Hood, represents the American dream. He is a wealthy...

Theatre Henry Luo -

Review: The Tempest – ‘Power looks good on her’

All the guests arrived and promptly took their seats, as one of the directors...

Theatre Cienna Jennings -

Latest

Parliament Square – ‘an assemblage of half-formed thoughts’

The Bush Theatre’s production of James Fritz’s new play fails to live up to its full potential, writes John Livesey

All That Fall review – ‘Powerful and perturbing, with something of the uncanny about it’

Sam Rice immerses himself in a stage adaptation of Beckett's radio play

Five minutes with… Sos Eltis

This week, we chat to Sos Eltis, vice principal of Brasenose College and senior member of OUDS

Confessions of a Drama Queen: The Final Showdown

Our drama queen's term ends, not with a bang but a restraining order.

Preview: ‘Lovesong’ – “one of the best pieces of student theatre this year”

John Livesey is blown away by a preview of the sold-out 'Lovesong'

Review: ‘Yellow’ – “sensitive and complex”

Zad El Bacha is highly impressed with 'Yellow', an adaptation of Charlotte Perkin Gilman's 'The Yellow Wallpaper', at the Pilch

Five Minutes With… Hugh Tappin

In our final interview of term, we chat to Hugh Tappin, of Nitrous Cow Productions

Mountains review – ‘uncomfortable and immersive’

Michael O'Connor is impressed by this unorthodox performance.

As You Like It review – ‘Slightly flat, with a twist of theatrical magic’

Shared Experience’s reinterpretation of As You Like It is surprising and worth a watch, writes Harry Hatwell

Five minutes with: Audrey, the mysterious figurehead of The Oxford Revue

This week, we chat to Audrey, the Oxford Revue’s mysterious icon.

‘Twelfth Night’ review – ‘The Luscombe effect strikes again’

The RSC’s new version of Twelfth Night is an innovative reinterpretation, writes Katie Sayer

‘Volpone’ review – “Overdone accents but an otherwise fantastic production”

Amelia Coen enjoys Seeing Hand Production's witty Blackpool update of Johnson's satire

‘Volpone’ preview – “a very potent type of dramatic humour”

John Livesey is excited by 'Volpone', playing at the Keble O'Reilly in 7th week

‘God of Carnage’ preview – “a disgusting and disquieting play”

Jorge Lopez Llorente previews God of Carnage at the BT Studio

‘Retelling Tales’ preview – “I heard stories that got inside my body.”

Lucy Enderby is impressed by the originality and emotive power of ‘Retelling Tales’

Confessions of a Drama Queen 6: Things get worse, again

Our drama queen goes into hiding, after some shocking humiliation.

Under Milk Wood preview – ‘Creative and interesting but overly dramatic’

Though admiring the production's use of space, Zad El Bacha finds the acting of 'Under Milk Wood' excessively solemn.

Five minutes with: Lucy Hayes

We chat to Lucy Hayes, chair of OUDS and manager of Perepeteia Productions, about her experience with Oxford drama, her real-life heroes, and her latest exciting project.

Confessions of a Drama Queen 5: Things can only get better

Our drama queen's unparalleled potential is finally recognised

‘Lieutenant of Inishmore’ review – ‘An excellent understanding of pace’

John Livesey admires the acting in 'The Lieutenant of Inishmore,' but regrets how it shies away from violent visuals

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Theatre

Review: Crocodile Tears – ‘Techno-futuristic, but why?’

Review: ART – ‘Charm, jazz, and friendship at its wittiest’

Review: All My Sons – ‘At the end of the American Dream’

Review: The Tempest – ‘Power looks good on her’

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