Theatre

‘Controversial but compelling’: ‘Women Beware Women’ Reviewed

CW: Sexual assault The Michael Pilch Studio might just have been the perfect venue for Women Beware Women. Intimate and beguiling, the audience were made to feel almost as naked...

Culture Abigail Lakeland -

GCSE drama nostalgia: ‘The Detention’ review

The Detention provided its fair share of giggles, but whether that was a result...

Culture Elyce Croker -

‘Undeniably and uniformly exceptional’: Uncle Vanya reviewed

It is a privilege to attend the most anticipated production of the term, and...

Culture Mair Andrews -

“You will kill my children!”: ‘A View from the Bridge’ reviewed

The stellar cast of Labyrinth Productions’ A View from the Bridge delivered a layered,...

Culture Charlie Bailey -

Latest

Under Milk Wood preview – ‘Creative and interesting but overly dramatic’

Though admiring the production's use of space, Zad El Bacha finds the acting of 'Under Milk Wood' excessively solemn.

Five minutes with: Lucy Hayes

We chat to Lucy Hayes, chair of OUDS and manager of Perepeteia Productions, about her experience with Oxford drama, her real-life heroes, and her latest exciting project.

Confessions of a Drama Queen 5: Things can only get better

Our drama queen's unparalleled potential is finally recognised

‘Lieutenant of Inishmore’ review – ‘An excellent understanding of pace’

John Livesey admires the acting in 'The Lieutenant of Inishmore,' but regrets how it shies away from violent visuals

In conversation with Layo-Christina Akinlude

Katie Sayer talks Shakespeare and the pursuit of happiness with the star of 'As You Like It'

‘A Familiar Friend’ review: “a masterful intensity”

Shamika Tamhane highly recommends 'A Familiar Friend' at the Michael Pilch studio

Lady in the Sheets review – ‘powerful and horrible but comic for all the wrong reasons’

Amber Sidney-Woollett says 'Lady in The Sheets' should leave the laughs at the door and stick to emotional impact

Intruder and Seven Princesses review -‘Twisted and ghoulish delight’

Charles Britton is won over by the plays' disturbing horror

The right production but the wrong play

The production is imaginative but the choice of play is inappropriate and bizarre, writes Susannah Goldsbrough

The Lieutenant of Inishmore review – ‘fast moving and extremely funny’

Whip-smart dialogue ensures this black comedy leaves its mark

‘Lights Over Tesco Carpark’ review – “equal parts inspired and bonkers”

Charles Britton is abducted by laughter in 'Lights Over Tesco Carpark'

Five Minutes With… John Livesey

This week we chat to John Livesey, the manager of Klaxon Productions

Confessions of a Drama Queen 4: I meet my Romeo

In the next instalment of 'Confessions of a Drama Queen', our eponymous diarist becomes infatuated with a fellow thespian

Preview: Lady in the Sheets – “chaotic, hilarious, uncomfortable”

Jimi Cullen is excited by the potential of 'Lady in the Sheets'

‘Random’ review – ‘Nuanced and fresh’

Kitty Horsfall admires the cohesion of the different elements of this performance

‘Death and the Maiden’ – ‘Intimately, excruciatingly personal’

As part of our look back on the Russian Revolution, Izzy Smith admires Dorfman’s complex but visceral examination of the aftermath of revolution in his play Death and the Maiden

Confessions of a Drama Queen: A Change of Career

Under-appreciated in her own time not only as an actress but also as a reviewer, our melodramatic fresher is driven to desperation, even considering writing for Cherwell.

‘Random’ preview – “Convincing and jarring”

Izzy Smith is impressed by what she sees of this masterfully emotive performance

Five minutes with Markus Beeken, Light Entertainment Society’s Community Officer

We chat to Markus Beeken, a member of the Oxford University Light Entertainment Society (commonly referred to as “owls”), about his involvement with drama at Oxford.

Strong musical talent and an excellent script

Jacob Greenhouse declares 'Cyrano de Bergarec' a triumph.

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Theatre

‘Controversial but compelling’: ‘Women Beware Women’ Reviewed

GCSE drama nostalgia: ‘The Detention’ review

‘Undeniably and uniformly exceptional’: Uncle Vanya reviewed

“You will kill my children!”: ‘A View from the Bridge’ reviewed

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