Boulevard Productions’ Oleanna leaves something to be desired, but what it lacks in production value it more than compensates for in audacity; so much so that David Mamet would be proud
When The Anti-gone begins, the only thing onstage is a lectern – stark in the harsh white light and terribly lonely – before Ismene (Kitty Brown) walks uncertainly down the aisle and stares, torn and lost, into the audience.
I first heard about Work.txt when I was asked by a friend (or coworker?) if I was free Saturday night. And this was a gilt-edged proposition I just couldn’t turn down.