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Theatre

Review: Moth – ‘An unabashed, piercing piece of theatre’  

An acute attention to detail marks Moth as a standout in the world of student theatre.

Review: Endgame – ‘Nothing is funnier than unhappiness’

The play invites us to laugh at our powerlessness in the face of an apocalyptic fate.

Review: NUTS – ‘a harrowing portrait of deceit and desire’

NUTS works in its ability to keep the audience on edge, waiting for the delicately thin emotional facades the characters have built to come crashing down. 

Ovid meets modern identities in Sap

This will certainly be a loose retelling of Ovid’s Daphne and Apollo, but a dutiful one nonetheless.

“An ethereal but disillusioned fairytale grounded in historical reality”

Katie Sayer highly recommends 'Yank!', a new musical about gay subculture in the US military during WW2

“Refreshing, original and honest – a genuine delight to watch”

Katie Sayer gives five stars to 'Touch', a brand new sexual comedy from the makers of 'Fleabag', at the Soho Theatre

“Charlie Fink is a genius, and ‘Cover My Tracks’ a triumph”

Katie Sayer is enraptured by Charlie Fink's modest yet outstanding new play 'Cover My Tracks'

‘A visual masterpiece’

Izzy Smith admires The Cursed Child’s combination of nostalgia and freshness

“At times refreshingly witty and sharp, and then lets itself down…”

Hugo McPherson is left questioning by 'Arseholes', a new play about Rimbaud and Verlaine

“Intense and enjoyable to watch”

Nina Crisp enjoys an intense and enjoyable performance

“Exploring what it means to be an intelligent modern woman”

Sîan Bayley finds much to praise in 'Girls Will Be Girls' at the BT Studio

“The biggest student comedy event of the year”: Oxford Revue and Friends

Miriam Nemmaoui chats to Olly Jackson ahead of the Oxford Revue's hotly tipped performance

“A fascinating interpretation of Racine’s masterpiece”

Louisa Cotterhill is left stunned by 'Phèdre', a modern rendition of an ancient tragedy

“Precisely the kind of theatre I would like to see more of in Oxford”

Charles Britton is besotted with the potheads in 'Garden'

“Its clear, accessible acting makes intelligible a foreign tongue”

Martin Newman is captivated by the Oxford Italian Play, 'Mistero!'

“Pleasingly thoughtful and thought-provoking”

Natasha Burton previews 'Rewritten' at the Michael Pilch Studio

“It kept me hooked right until the final denouement”

Harry Hatwell applauds Playlliol's rendition of 'A View from the Bridge'

A day in the life of… a stage manager

Lucy Coupe gives her perspective on why stage managing is the perfect extra-curricular activity

“A marathon-style theatrical whirlwind”

Harry Hatwell is blown away by 'Angels in America' at the West End

“A fierce accomplishment”

Will Austin is absorbed in 'Reigen', a revival of Arthur Schnitzler’s controversial sexual drama

“A moving and engaging performance… beyond the level of most student drama”

Freddie Crowley is impressed by the professionalism and intensity of the dystopian drama POMONA at the Keble O'Reilly this week

“Emotive, vibrant, and politically charged”: Hamilton

Izzy Smith praises Lin-Manuel Miranda’s powerful soundtrack

A day in the life of… A script writer

Stage editor Katie Sayer considers the Oxford drama scene from the perspective of a budding playwright

“Student theatre at its finest”

Miriam Nemmaoui finds 'As You Like It' to be enchanting and captivating

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