Theatre

‘Our House’ in the middle of Beaumont Street

'Our House' ultimately becomes not just a story about crime or morality, but about the vulnerability of growing up and the frightening uncertainty of trying to decide who you are.

Culture Gavriella Epstein-Lightman -

Testing my patients: ‘The Effect’ at the BT Studio reviewed

Necessarily navigating the difference between ‘side effects’ and reality, the play strikes a fine balance between what one thinks and what one feels.

Culture Billy Skiggs -

‘The Harrowing of Hell.26’ reviewed

Fundamentally, The Harrowing of Hell.26 is a finely acted, well-produced play which was enjoyable enough to watch, but its conclusion is unsatisfying.

Culture Arun Lewis -

Behind the red curtain: ‘Stories From an Abandoned Warehouse’ reviewed

Leo Jones reviews Crazy Child Productions' performance of 'Stories From an Abandoned Warehouse', the first English staging of the play.

Culture Leo Jones -

Latest

‘Half Breed’ at the Fringe Review: ‘Beautifully articulated’

Izzy Smith is overwhelmed by Natasha Marshall's play about race, friendship and finding a voice

‘The Inevitable Quiet of the Crash’ at the Fringe – “a piece that glows with a soft power”

Ela Portnoy falls in love with 'The Inevitable Quiet of the Crash' at the Edinburgh Festival Fringe

Titus Andronicus at the RSC – “Why dost thou laugh? It fits not with this hour”

Will Austin finds the RSC's new production of 'Titus Andronicus' to be an intriguing blend of gore and farce

‘The Optimists’ at the Fringe review – “A farce with the potential to shine”

Sarah Wright is optimistic about 'The Optimists' at the Edinburgh Festival Fringe

‘Hotter’ at the Fringe – experimental and warm, but just short of hot

Ela Portnoy leaves this piece of feminist theatre with a smile on her face

The Oxford Imps at the Fringe review: ‘High energy and entertaining’

Izzy Smith couldn't stop laughing at this silly but witty improvised comedy show

‘Peer Gynt’ at the Fringe review – “a masterfully crafted production”

Set in a timeless world of trolls, princesses and flying deer, Peer Gynt tells the story of a young man’s adventure after he leaves...

‘Queen Anne’ review – ‘a complex portrait of our political inheritance’

Ethan Croft is impressed by this tale of a reluctant yet innovative monarch

“A fresh and beautiful contemporary jazz repertoire”

Ela Portnoy is overwhelmed by The Oxford Gargoyles' a capella performance at the Edinburgh Festival Fringe

Our Ladies of Perpetual Succour review – ‘Fizzing with energy and bravado’

'Our Ladies of Perpetual Succour' impresses Izzy Smith with its audacity and heart

‘Road’ review – ‘A formidable fusion of poetry, movement and humour’

Lucy Miles finds bleak topicality in Jim Cartwright's 'Road', recently revived at London's Royal Court

‘STOP’ at the Fringe review – “it deserves an award for excellence in storytelling”

STOP, an original student musical at the Edinburgh Fringe, is a powerful engagement with today's mental health crisis, writes James Tibbles

Fringe 2017: ‘Radio’ review – “yet another gleaming success for Sunscreen Productions”

Christian Bell finds recognisable features of university life in 'Radio', an original student play at the Edinburgh Fringe

Oxford Takes The Fringe

Katie Sayer presents Cherwell's comprehensive guide to the 2017 Edinburgh Festival Fringe

Bucking the trend and defying Britishness: a preview of STOP

James Tibbles takes a sneak peek at STOP, the OUDS touring musical

“An ethereal but disillusioned fairytale grounded in historical reality”

Katie Sayer highly recommends 'Yank!', a new musical about gay subculture in the US military during WW2

“Refreshing, original and honest – a genuine delight to watch”

Katie Sayer gives five stars to 'Touch', a brand new sexual comedy from the makers of 'Fleabag', at the Soho Theatre

“Charlie Fink is a genius, and ‘Cover My Tracks’ a triumph”

Katie Sayer is enraptured by Charlie Fink's modest yet outstanding new play 'Cover My Tracks'

‘A visual masterpiece’

Izzy Smith admires The Cursed Child’s combination of nostalgia and freshness

“At times refreshingly witty and sharp, and then lets itself down…”

Hugo McPherson is left questioning by 'Arseholes', a new play about Rimbaud and Verlaine

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Theatre

‘Our House’ in the middle of Beaumont Street

Testing my patients: ‘The Effect’ at the BT Studio reviewed

‘The Harrowing of Hell.26’ reviewed

Behind the red curtain: ‘Stories From an Abandoned Warehouse’ reviewed

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