Theatre

A day in The Sun: ‘Ink’ at St John’s

James Graham’s Ink, directed by Georgina Cooper with the St John’s Drama Society, dramatises Rupert Murdoch’s acquisition of The Sun in the 1960s, tracing its astonishing surge to unprecedented popularity.

Culture Beatrix Arnold -

‘Crawling with personality’: ‘Little Shop of Horrors’ in conversation

Last week, I infiltrated a rehearsal for Cross Keys and 2046 Productions’ upcoming Little Shop Of Horrors.

Culture Rebecca Harper -

Techno, tragedy, and medieval monologuing: ‘Brew Hill’ in conversation

Pecadillo Productions’ ‘Brew Hill’ watches the deterioration of the romance between Nat (Trixie Smith) and Gordon (Jem Hunter).

Culture Charlie Bailey -

A bold choice for limited space: ‘Tick, Tick…Boom!’

This ambitious take on a classic struggled in the space constraints of the Michael Pilch studio.

Culture Charlie Bailey -

Latest

Drop dead funny

James Lamming is impressed by the originality and comic maturity of the Oxford Imps’ latest production

“It’s about the ways that hope and faith fill up the cracks in pain”

Hannah Chukwu is moved by the sensitivity of this production of 'Dying Light'

In conversation with the directors of ‘Anna Karenina’

Jeevan Ravindran discovers how the three directors developed this new musical

Preview: Suddenly Last Summer

Jorge Lopez Llorente is transfixed by a dynamic production of a Tennessee Williams' hidden gem

Preview: Three Men in a Boot: A Rather Sketchy Show

If your finger isn’t on the pulse of the Oxford comedy scene, this comic extravaganza may be just the thing you need to pull...

A word from the stalls

Miriam Nemmaoui accosts a teary-eyed audience member emerging from the Burton Taylor Studio, after the final showing of STOP

Review: ‘Two Way Mirror’

Alice Robinson reflects on an admirable attempt to tackle a difficult pair of plays

Don’t miss your STOP

Hannah Arndt is full of enthusiasm for a preview of an original student musical

Review: ‘Collaborators’

Tilly Nevin rates this student production as amongst the best she has seen in Oxford

Review: STOP

Amaris Proctor admires this play's refreshingly frank attitude towards mental illness

A fusion of movement, light, and sound

Christopher James Goring finds much to admire in the complexity of Illuminated

Review: John Hodge’s ‘Collaborators’

Bessie Yuill finds herself simultaneously amused and disturbed by this dark tragedy about a fictional meeting between Stalin and Bulgakov

Review: ‘Edward II’

Susannah Goldsbrough is captivated by Oxford's finest acting talents and their leather leggings

‘Enter First Lobster’

Miriam Nemmaoui plays the drama queen and attacks the state sector's failing arts curriculum

Preview: Edward II

Callum Luckett waxes lyrical about this new production of Marlowe's masterpiece

In conversation with the creators of ‘STOP’

Suzy Cripps talks mental illness and magic with the writers of a new musical

Review: Bowie’s Lazarus

Julia Alsop is perplexed by the stellar complexities of this production at the King’s Cross Theatre

Time Tunnel: Edward II

Susannah Goldsbrough delves into the archive to discuss Marlowe’s Edward II

Brutalist Russia and Bowie: Marlowe’s Edward II reimagined

Alex Barasch talks to the cast and crew of this radical new take on Marlowe’s masterpiece

A fresher’s first forays into Oxford theatre

Christopher Goring reveals his first experiences in the Oxford drama scene

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Theatre

A day in The Sun: ‘Ink’ at St John’s

‘Crawling with personality’: ‘Little Shop of Horrors’ in conversation

Techno, tragedy, and medieval monologuing: ‘Brew Hill’ in conversation

A bold choice for limited space: ‘Tick, Tick…Boom!’

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