Theatre
Review: ‘Long Day’s Journey Into Night’
I walked into the Wyndham Theatre’s production of Long Day’s Journey Into Night by Eugene O’Neill half-expecting a night at the London Theatre like any other. Beer in hand,...
“Tragic but thought provoking”, ‘An Enemy of the People’: Review
Ibsen has re-entered the drama scene with the current production of his classic play...
“Extremely vulnerable”: Review of The Sun King
It is difficult to imagine the stiflingly intimate space of the Burton Taylor transformed...
The Oxford Revue: A Room with Revue
'a simple and clever production which ranks as one of the most enjoyable shows I've seen all year'
Dynamic, Chaotic and Physical: Review of Frantic Assembly’s Metamorphosis
"Frantic Assembly takes on a new challenge, taking a decades old Kafka novel, The Metamorphosis, and putting it to the stage in their signature physical theatre style."
‘The Optimists’ at the Fringe review – “A farce with the potential to shine”
Sarah Wright is optimistic about 'The Optimists' at the Edinburgh Festival Fringe
‘Hotter’ at the Fringe – experimental and warm, but just short of hot
Ela Portnoy leaves this piece of feminist theatre with a smile on her face
The Oxford Imps at the Fringe review: ‘High energy and entertaining’
Izzy Smith couldn't stop laughing at this silly but witty improvised comedy show
‘Peer Gynt’ at the Fringe review – “a masterfully crafted production”
Set in a timeless world of trolls, princesses and flying deer, Peer Gynt tells the story of a young man’s adventure after he leaves...
‘Queen Anne’ review – ‘a complex portrait of our political inheritance’
Ethan Croft is impressed by this tale of a reluctant yet innovative monarch
“A fresh and beautiful contemporary jazz repertoire”
Ela Portnoy is overwhelmed by The Oxford Gargoyles' a capella performance at the Edinburgh Festival Fringe
Our Ladies of Perpetual Succour review – ‘Fizzing with energy and bravado’
'Our Ladies of Perpetual Succour' impresses Izzy Smith with its audacity and heart
‘Road’ review – ‘A formidable fusion of poetry, movement and humour’
Lucy Miles finds bleak topicality in Jim Cartwright's 'Road', recently revived at London's Royal Court
‘STOP’ at the Fringe review – “it deserves an award for excellence in storytelling”
STOP, an original student musical at the Edinburgh Fringe, is a powerful engagement with today's mental health crisis, writes James Tibbles
Fringe 2017: ‘Radio’ review – “yet another gleaming success for Sunscreen Productions”
Christian Bell finds recognisable features of university life in 'Radio', an original student play at the Edinburgh Fringe
Oxford Takes The Fringe
Katie Sayer presents Cherwell's comprehensive guide to the 2017 Edinburgh Festival Fringe
Bucking the trend and defying Britishness: a preview of STOP
James Tibbles takes a sneak peek at STOP, the OUDS touring musical
“An ethereal but disillusioned fairytale grounded in historical reality”
Katie Sayer highly recommends 'Yank!', a new musical about gay subculture in the US military during WW2
“Refreshing, original and honest – a genuine delight to watch”
Katie Sayer gives five stars to 'Touch', a brand new sexual comedy from the makers of 'Fleabag', at the Soho Theatre
