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Keep Off The Grass
John Evelyn
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Cartoon
Keep Off The Grass
John Evelyn
The last tutorial: Let the nostalgia – and the...
Booking needs binning
Ovid meets modern identities in Sap
Oxford’s first Hip-Hop Society breaks it down
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Oxford's oldest student newspaper
Independent since 1920
News
Comment
Features
Sport
Profiles
Life
Food
Culture
Books
Art
Culture
Music
Film
Stage
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The Source (Creative Writing)
Puzzles
Print Editions
More
Cartoon
Keep Off The Grass
John Evelyn
Visual Art
Leonardo da Vinci and his devilish… boyfriend?
When we think of Leonardo da Vinci, the first things that come to mind are usually the Mona Lisa, The Last Supper, or his myriad inventions and anatomical sketches....
Art
Phillipe Luna
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The artist and the photographer: An analysis of Francis Goodman’s Film negatives
An unusual dynamic is consequently captured between the photographer and artist in the photograph of Lucian Freud.
Art
Taya Neilson
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A Future in the Light of Darkness review: Imagined engines of desire
Modern Art Oxford’s exhibit Frieda Toranzo Jaeger: A future in the light of darkness...
Art
Alif Aziz and Yoshimi Kato
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Freida Toranzo Jaeger’s Prophetic Glitter
Freida Toranzo Jaeger names her paintings like items in a manifesto: Extinction is the...
Art
Madeleine Jacob
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Frank Auerbach’s Charcoal Portraits review: Self-Portrait of a Stranger
The Griffin Catalyst Exhibition, The Charcoal Heads, shows the early career of Frank Auerbach...
Art
Taya Neilson
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Perceptions of the monstrous
Molly Innes looks at artistic representations of monstrosity and self
There is no place for grief in a house which serves the muse
'The Muse' in Tim Walker's short film and Dante Rosetti's Siddal Portraits
A vision of fear, a vision of hope
Exploring higher states of human experience in William Blake’s and Tracey Emin’s early sketches
Melodrama in the Grid
Exploring the paintings of Agnes Martin
Egon Schiele and Francesca Woodman Tate Review- ‘a triumph of comparison’
Artists separated by time and medium together depict torment and isolation
Conceptual art is a bubble
Art critic Julian Spalding talks to Barney Pite about how art dealers have a stranglehold on popularity
The Pitt Rivers must face its dark past
Museum director Dr. Van Broekhoven agrees that a future must be found for the Pitt Rivers' colonial history
Charmed Lives British Museum review – “you can almost feel the sea breeze darting across your face”
Place is the essence of this exhibition, which celebrates the beauty of Greece and its impact on the life and work of three famous bon vivants
Oxford International Art Fair Review – Open to all
Oxford international arts fair offers a accessible approach to curation for better or worse
‘Artivism’ review – avoidance and awkward silence
The first half had the art but the second lacked the activism.
The changing face of the Virgin
Chris Ofili's new depiction of the Virgin Mary is shocking and enticing in equal measure
Impressionists Tate review – ‘impressive and surprising’
Jonathan Egid is underwhelmed by parts of this exhibition, but impressed by its final three rooms.
The Scythians British Museum review – ‘a vivid and intriguing exhibition’
A vivid depiction of an ancient culture excites at the British Museum
Rachel Whiteread Tate review: ‘her pieces are embodiments of domestic memories’
William Hosie's mind is changed as he appreciates the ways that Whiteread's sculptures speak to our shared domestic reality.
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