Thursday 4th December 2025

Culture

Fashion around Oxford – Joe Osei

Joe Osei, budding stylist and general fashion icon, shares his style secrets and where he’s shopping right now. Cherwell’s current fashion inspiration is Joe Osei, a third-year PPE student at...

Brown boots, black boots, and the politics of autumn style

Autumn always brings a question of existential importance: brown boots or black boots? It’s...

“You’re going to make mistakes”: Katie Robinson on fashion and sustainability

Katie Robinson is a sustainable fashion journalist, content creator, and campaigner, with experience working...

Alternative Oxford: The changing stereotypes surrounding body modifications

Cienna Jennings visits Oxford’s renowned tattoo and piercings studio, Tigerlily, to speak with the...

Becoming Hir

The play’s cathartic nature hinges on New York playwright Taylor Mac’s darkly playful approach to gender issues.

Oxford student street style

Whether it be the edgy hoodie or the Keith Haring top or the khaki chinos, there is always a spark of "fashpiration" to glean from any Oxford student strutting down Broad Street.

Fashion forecast: what fresh fits will define 2021?

Pandemic attire may have been extremely comfortable, but its time in the spotlight should end.

Winter wardrobe essentials

The only possible way to remedy the shortened days and Tupperware skies of winter is to imagine yourself as a sexy, mysterious, no-time-for-your-bullshit, French woman striding around snowy Paris.

Time Alone

"The echo in the chapel chimes as I take my unlikely seat."

The Potter

"Did you ever meet the man, Who lived once in this place?"

The Crown’s Unspoken Words

'I think, when it comes to any biopic, "real history" has to be deprioritised. If an accurate and chronological rendering of history is what you're looking for, watch a documentary!' Maebh Howell writes on the dichotomies of the biopic, asking which is to be prioritised; accurate truth-telling or entertaining story-telling.

The Beginning of the End

Maybe we like the idea of being the protagonist of a gritty Doomsday story?

Drawing Attention

'I'm making mistakes I'm crossing them out I'm making it ugly I'm making it shout'

Review: Mischief Movie Night

"Mischief Movie Night is a funny and engaging show that is sure to brighten up even the darkest lockdown night."

Reinvention: rethinking gender and race on stage

"Marginalised actors should not just be shoehorned into pre-existing plays without any respect or provision for the stories they have to tell. To do so is to package diversity into commercially successful morsels that are digestible for largely white, middle-class audiences."

Little Giveaways

"Jazz was being played over the stereo like theme music, as if they were acting in a television drama where each character had some essential trait, some crucial role."

Mother

"I waltzed in her arms down the high street"

Rules to Live By in Your New Home

"No 1. Label your collar to avoid feeling ornamental."

Best Reads of 2020

Hamnet — Maggie O’Farrell The subtle majesty of Hamnet, Maggie O’Farrell’s eighth novel,would have been welcome in any year, but it was a particular blessing...

Cherwell’s best films of 2020

Our film team have put together a list of the years best, from the stylish and disorientating, Waves, to Charlie Kaufman's mind-bending masterpiece, I'm Thinking of Ending Things, and the slow-burning romance of A Portrait of a Lady on Fire.

Revisiting Godard’s ‘Breathless’ 60 years on

'Godard gives us a film that shows the white knight as the charlatan we always knew him to be and offers us the anti-hero instead. And after decades of excessively moralistic cinema, this breath of fresh air was thoroughly needed.'

Gift-Giving in 2020

"a difficult balancing act, between thoughtfulness and practicality, and between social responsibility and reception"

‘Femboys’, fads and anti-boy-band fashion: is gender fluid dressing still a distant dream?

We can only hope that, as trends usually do, the co-ed conception of fashion will trickle down from high fashion into the high street.

The Show Must Go On…but not in every region of the UK

Several regional theatres have struggled to cope in the pandemic, due to persistent negligence and underfunding for decades, both by regional funding bodies and the government themselves.

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