Friday, May 16, 2025

Culture

Oxford Fashion Gala’s ‘Metamorphosis’ reflects the beauty of change

The Oxford Fashion Gala was back and bigger than ever, with a larger venue, more ticket sales, and a grander vision. On Wednesday 14th May, the Town Hall was...

Tailoring expectations: Couture culture shocks

Academia has a historic relationship with fashion, both officially and unofficially. The former manifests...

No-buy Trinity: A guide to buying less and creating more

For Oxford students, the start of Trinity marks not just the start of the...

Cherubs Grow On Trees: Atmospheric student filmmaking

Making short films is hard. You have anything between two and 20 minutes to...

Lost in Vienna: Reencountering ‘The Third Man’

David Alexander provides a compelling case for the immortalisation of Carol Reed's film noir classic.

Vita and Virginia (2019)- Review

"...probably best left a source of nice stills and Pinterest GIFs."

Disgust: When does shock equal art?

In his Critique of Judgement Kant alleges that the sensation of disgust alone produces a mental response so adverse to enjoyment, that the artistic representation of...

Time to tilt the lens- part 2: which inclusive approaches make sense in fashion?

Inclusivity in fashion is more than just visibility: accessibility of shopping spaces and the actual products are just as important

The perils of the high street: Zara’s polka dot dress.

Should we exclusively shop second hand? The appeal of the "brand-new" and why fast fashion means we all wear the same thing

Review: How to Use a Washing Machine – ‘script and score are full of witticisms that are genuinely amusing’

SLAM Theatre's original musical impresses in Oxford before it embarks on a national tour

What makes a good remake?

From complete overhauls to animation updates, then, what is it that an audience actually want from a remake?

Does the new Lion King roar?

It was only a matter of time before Disney’s 1994 animated film The Lion King fell victim to the ‘live-action’ remake and it should come as...

The Rose Theatre Pop-Up: Shakespeare Goes Portable

The Shakespeare’s Rose Theatre wants its audience to experience Shakespeare as intended – in the bard’s self-designed theatre. But is this immersive theatre experience more pop-art than pop-up? Arabella Vickers reviews.

Last Supper in Pompeii

The enticing title doesn’t do justice, however, to the breadth of the collection: 400 objects from around the Roman world and beyond, covering centuries, showcasing the Romans’ relationship to food and drink.

Flagrant Exhibitionism: The Royal Academy’s Summer Exhibition

Running since 1769, the Summer Exhibition is the world’s largest open-submission art show. From film to photography and prints to paintings (and everything in between) the show brings together the world’s leading artists of all mediums, both household names and total unknowns.

Olafur Eliasson: In Real Life

Olafur Eliasson’s “In real life”, which is on until 5th January 2020, is a truly must-see exhibition at the Tate Modern. All forty of this Danish-Islandic...

Spectacle of Suffering

Representations of violence and torture used to be an integral part of enforcing the social order - but in a world of uncensored live streams and graphic media content, has our attitude to atrocity really progressed - or does it remain an unacknowledged dark obsession of mankind?

Interview: ‘How To Use A Washing Machine’

In the cosy nook of an Oxford hostelry is where Georgie Botham and Joe Davies brainstormed into existence ‘How To Use A Washing Machine’. Little did they know, in Oxford in 2018, that their newly penned and composed musical would also then progress to a national tour. Imogen Harter-Jones interviews them to find out about their experience.

To Infinitears and Beyond

"I realised I’d entirely missed the point of the franchise: it’s not about the owners, it’s about the toys." Chloe Whitehead was (unexpectedly) moved to tears by Pixar's latest offering.

“Oh, what a beautiful claw!”

Why male designers are fascinated by 'deformed' women

A Literary History of the F**kboy

The narrative of resistance and domination in relationships has been the recourse of storytellers since pre-Christian times, with the same lurid, visceral quality evident in Greek myth as in the modern trend of disturbingly violent porn. Yet these primal, animalistic tropes of female subjugation now exist in a ‘civilised’ society, whose vernacular is one of #TimesUp, sex positivity and high-street feminism.

‘The Lost Properties of Love’ by Sophie Ratcliffe

'treads a fine line between a deeply personal memoir [...] and an academic exploration'

Time to tilt the lens – why is the fashion industry ignoring disability?

Part 1 of a two-part series With crammed shops, an almost complete absence of disabled people on catwalks and a lack of inclusive products, the...

Luxury fashion in 2019- will it ever be ‘accessible’?

Anna Wintour once said that one of the things she adored most about the fashion industry is its constant drive to evolve and its...

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