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Pembroke ball tickets provoke controversy

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As students count down the weeks to Pembroke College’s ninth week Commemoration Ball, anger over “inaccessible” ticket prices has mounted. Regularly priced tickets for the ball sold out upon their release, leaving only VIP tickets priced at £446, advertised to alumni. Over 1200 people tried and failed to obtain tickets at the release.

Chloe Pomfret, an undergraduate student at St Catherine’s Collegem who co-chairs Oxford’s Class Act Campaign, decried the prices on Twitter, posting “you wonder why Oxford is so inaccessible for working class students… £446 for one college ball.”

The pricing received national attention. In response to the controversy, Pembroke alum and former Big Brother contestant Derek Laud offered to cover the cost of tickets for “socially disadvantaged” Pembroke students. The Daily Mail also featured the story. 

Standard student tickets sold for much cheaper, at £166. Last month, Pembroke Ball organisers released £106 “community tickets” designed to help increase access to the ball for students who would be unable to pay the student ticket price. This is higher than typical ball access tickets, which range from £40-60. 

The controversy follows the publication of a report detailing the differences in funding, amenities, and other resources available to students across colleges, published by the  SU-supported College Disparities Campaign. Pembroke College falls on the lower end of the funding spectrum; its rent and accomodation fees are some of the highest across the university. 

Pembroke Ball has also banned ticket resale and name change for most student tickets, leaving some students unable to transfer tickets to friends. In their online statement, Pembroke Ball explained that the limits are designed to prevent extreme markups on resale prices.

This hasn’t stopped current ticket holders from advertising on Oxtickets and other platforms in an effort to find available tickets. One seller offered a student ticket for £360, more than double the original price. 

Pembroke ball president declined to comment on the matter.

The hidden Oxford experience: Transparency in college disparities

Image Credit: Camille Simon

In a January 2023 address, Chancellor Lord Patten welcomed the new Vice-Chancellor, Irene Tracey, and discussed the challenges which lay for Oxford University, and its collegiate structure, in the future ahead. There he acknowledged the “wide divergence in the funding of individual colleges from their own resources” which “can lead to what many believe is sometimes an unequal student experience across the same university.” 

“When we look at some of these individual internal issues, I recall the wise advice of Tancredi in the greatest European political novel, The Leopard – ‘things have to change in order to remain the same.’ Vice-Chancellor Irene Tracey has also previously referred to “unevenness” between colleges, but compared it to differences in quality across departments or in the varying experience of the University’s academics. 

A Cherwell investigation into the University’s rhetoric, its communications to prospective applicants, and the financial structures underlying and attempting to address the divergence in college funds uncovers the administration’s current approach with regards to college disparities. A conservative suite of remedial measures is the preferred solution to an unequal University experience across Oxford’s 39 colleges. 

College financial structures

College financial structures are long-standing and interconnected. The University’s total endowment, valued at above £8 billion in 2023, is the largest amongst British universities. Colleges account for around £6 billion of this, and rely on the gains from their endowment to provide the annual income which funds day-to-day operations and scholarships, prizes and grants. Christ Church College relies on its endowment to provide nearly half of its annual income, and it expects this dependency to “almost certainly increase in future years as other sources of income are likely to grow slowly, if at all, in real terms.”


The endowments of colleges have long-term consequences on their finances and their ability to provide for students. The University has a designated fund manager, Oxford University Endowment Management, which is responsible for the endowments of the majority of Oxford colleges – though some, like Jesus College, do not opt in. 

The fund describes the management of the endowments of colleges as “unlike traditional investment management because of the nature of the beneficiaries. For most pools of capital, such as pension funds, the beneficiaries are alive. For endowments, the beneficiaries may not even be born yet.”

The long-term nature of endowments means that current inequalities may have lasting consequences. The endowments of wealthy colleges like St John’s College or Magdalen College can total over £700 million; for poorer colleges like Mansfield College or Lady Margaret Hall, endowments can be below £50 million. Worse, the gap is growing: in 2009, Christ Church College’s endowment (£261 million) was worth about eleven times St Anne’s College (£24 million) – now, Christ Church College’s endowment (£758 million) is worth about seventeen times St Anne’s College’s (£44 million).

University communications

The University of Oxford’s online portal for Admissions, its principal means of communications with prospective students, provides some general indication about the present inequalities between colleges. But these statements of difference are often phrased ambiguously or without much detail. 

The implication is that the perception of an unequal University experience shared “by many” rather than the financial divergence among colleges itself which constitutes the real challenge to the continuity of the collegiate structure. But these statements of difference are often phrased ambiguously or without much detail. 

A section on the Oxford page College Life, states “each college is unique, but generally their facilities are pretty similar.” Similarly ambiguous statements are found with references to the difference in financial support offered by colleges under Help with the cost: “Many colleges have generous support funds or awards which may be available…”

Official Oxford promotional material portrays the collegiate system as a quirky feature of Oxford life and the applicant’s choice of a college as a relatively unimportant decision. The admissions page “What are Oxford Colleges” advertises a 2019 video which asks “Does it matter which college you go to?” before answering with an emphatic “Not Really.”  It goes on to assure the viewer that “once you’re [at Oxford], you’ll no doubt think your college is the best.” 

The financial disparities between colleges are nonetheless acknowledged by the University in a different section titled Do I pay to live in my college? which provides prospective students with a table displaying the differences in accommodation costs across all of Oxford’s colleges, updated to reflect the academic year 2023-4. The table shows an estimate of likely costs for accommodation and meals as £6,201 for St. John’s College, against £8,989 at University College. That “costs vary across colleges and are likely to increase annually” is noted for reference.

The rate of open applications provides further evidence that a non-negligible number of prospective applicants do not assign great importance to their choice of college: in the most recent application cycle, 16% of applicants made open applications. In view of the evidence provided, this may be related to the University’s ambiguous rhetoric on the importance of a college choice.

In a 2021 Telegraph article, Dr Samina Khan, the University’s Director of Undergraduate Admissions, advised students thinking about making an open application to go for it: “Sometimes students worry about having to make a college choice, so we encourage students to make open applications.”

St Hilda’s College told Cherwell they would encourage students to look at factors of a college such as size, age, location, distance to departments and onsite facilities as factors that they would encourage prospective applicants to look at – and concluded that they “wouldn’t advocate applying to a college solely because it’s wealthy.” 

Nonetheless, the wealth of a student’s college can have a major impact on their Oxford experience. Previous Cherwell investigations have shown that a college’s wealth is strongly correlated with the rent it charges students and their academic performance in Finals.

The College Contributions Scheme

Awareness of college disparities isn’t new: in 1997, the North Commission of Inquiry stated that “concerns arising from differences in the levels of resources available to different colleges have been the subject of much discussion in Oxford in recent years.” The Commission assessed the measures put in place at the time to remedy college disparities, and succinctly concluded that “successive schemes over the last thirty years (…) have certainly not succeeded in “solving the problem” of the poorer colleges.”

Thirty years later, the University finds itself at a similar juncture. The University’s current flagship programme aimed at attenuating college disparities, the College Contributions Scheme (CCS), has been criticised by poorer colleges and Private Permanent Halls for being “ineffective.” 

The CCS, approved as part of the University’s Statutes in 2009, is aimed at redistributing wealth amongst colleges. Poorer colleges apply for grants from the College Contributions Committee, and the Committee awards grants from the College Contributions Fund, which is funded by wealthier colleges.

In the current academic year, a group of 12 colleges, including St. Peter’s College, Keble College and St. Anne’s College were recipients of grants administered by the committee – most of the almost  £3 million distributed among them are to be allocated towards ‘Maintenance and refurbishment’. 

Only St Edmund Hall will utilise a grant of  £18,500 to cover teaching costs, alongside a further £38,500 which has also been allocated to the college for use across the following two academic years, however, access to funds in subsequent years “shall be dependent on the success with which each college meets certain conditions laid down by Council on the recommendation of the College Contributions Committee.” 

Colleges which accept a high proportion of state-school students are also likely to have a comparatively small endowment, while state-school students may be the ones most in need of generous financial support. Of the ten colleges which accepted the highest proportion of state school students this year, four have been recipients of grants from the Oxford College Contributions Fund in the last three years, including Mansfield College, where a University-leading 93.2% of the British student body are state-school educated.

The collegiate system is rife with divergences, and the University is keenly aware of this fact. For the time being, however, it appears to be attempting an iterative ‘band aid’ approach to primarily remedy the impression of inequality, which it regards as more problematic than the widening financial disparities across college funds in themselves. 

Oxford pays full-time lecturers higher than nearly all Russell Group Universities

Image Credit: Winky / CC BY 2.0 via Wikimedia Commons

New data reveals Oxford University is one of the best paying Russell Group universities. The University ranks sixth for percentage of full-time academics paid in the highest category — over £65,578 per year — out of 24 Russell Group institutions. Over 30% of full-time academics at Oxford fall into this group. 

According to an annual survey conducted by the Higher Education Statistics Agency (HESA), there are six relevant wage groups for academics in the UK. This data only concerns academics who are employed full-time on a contract by a UK university.

Oxford does not pay any of its full-time academics below £27,131 a year, which includes the two lowest groups. The majority of full-time academics at Oxford are paid in the fourth group, between £36,386 and £48,841 a year.

Moreover, analysis conducted by The Tab reveals that some members of the Russell Group pay their staff between £21,197 and £27,131 a year, the second wage group. Oxford is not among this group, which includes Cambridge University , Durham University, Queen’s University Belfast and Birmingham University. 

However, according to HESA’s data, Oxford does pay 720 full-time academics between £27,131 and £36,386 a year, the third wage group, which is still less than Cambridge’s 920 academics in this group.

The universities that pay a higher proportion of their full-time academics the highest salaries include the London School of Economics, the University of Liverpool, Queen Mary University of London, King’s College London, and University College London. The highest of the group, the London School of Economics, pays nearly 53% of its academics over £65,578 a year. The University of Cambridge ranked 14th, paying 24% of its staff in the highest wage group.

This data comes after a year in which some of the University of Oxford’s staff, including those not employed on a full-time contract, have been protesting against their working conditions. Throughout 2023 staff members marched and engaged in boycotts because “our members refuse to stand by while pay is eroded and staff are shunted onto gig-economy contracts”. Additionally,according to the University of Oxford’s 2022-2023 financial statement, the University has had a lucrative year. In 2022-2023 Oxford had a Comprehensive Income of nearly 133 million pounds, an increase of more than a hundred million compared with the prior year.

No admissions tests for English and Geography in 2024

Image Credit: Daniel Stick

The University of Oxford’s Faculty of English and Faculty of Geography and Environment have confirmed that neither the English Language Admissions Test (ELAT), nor the Geography Admissions Test (GAT) will be set for the October 2024 undergraduate admissions cycle.

This announcement follows both faculties’ decisions to disregard the admissions tests results in November 2023, after technical issues left some candidates waiting up to an hour for passages of text to load. English candidates were also mistakenly given the previous year’s theme to guide their analysis, leading to confusion and anxiety among applicants.

The Faculty of English has expressed that they are “committed in the long term to the value and efficacy of setting a standard test for all applicants’”and “hope to be in a position to run the Oxford ELAT again” in the future.

Following the disrupted admissions tests in 2023, the University severed ties with Tata Consultancy Services (TCS) as its test provider, after only one year of a partnership aimed at digitising the testing process. The University has since announced that they are working on new arrangements for all other admissions tests, which are set to continue in October 2024. 

The most recent major change to the University’s admissions testing process was the permanent removal practical test for candidates applying for Fine Art, a decision made as part of the transition to remote interviews in 2020.

A spokesperson of the University of Oxford told Cherwell: “We are putting in place arrangements for our admissions tests in 2024, and will be communicating with applicants, schools and test centres shortly.” 

Oxford is not the only university to revise their admissions test procedure. Until recently, most selective US colleges had adopted a ‘test-optional’ policy, not requiring candidates to disclose SAT or ACT results as part of their application. This attitude was largely adopted over concerns regarding the close link between a candidate’s results and their race and family income, as well as the opportunity for coaching for advantaged students. In recent years, however, many elite colleges, including Harvard University, Yale University and MIT, have reversed their stance, reinstating standardised testing as a required part of a candidate’s application.

Can the St George’s flag ever be reclaimed?

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I only really know the date of St George’s Day because it’s two days before my sister’s birthday. Beyond hazy primary school memories of dragons and knights, the day had passed me by for nineteen years now with little significance. 

The flag has had a greater prominence. Despite lacking the legal backing that most national flags possess, the St George’s Flag has been adopted as England’s emblem. Red crosses have been used by English soldiers since the thirteenth century. Likely snaffled from the Genoese, the English have done a good job in convincing everyone that they have the primary claim to it. Nearly 300 years ago, the monarchy stopped paying a fee for the use of the cross, and since then we’ve exercised relatively consistent usage of the symbol. 

Proudly hung up every World Cup and bashfully drawn in before the final; in my sleepy rural neighbourhood it nearly exclusively belongs to sports fans. Being English is a relatively sports related phenomenon, and even then, we’re British when Andy Murray’s playing. If you asked for ‘the nation’s flag’, you’d be pointed to the Union Jack. That’s the flag hung by residents intent of displaying their patriotism or filling a space in a summer fayre flyer. 

To hang the St George’s flag spontaneously would be odd. It wouldn’t be deemed racist or bigoted, just quite intense. We know we’re in England. The action comes across as needlessly political, and only a few feel the need to emblazon their driveway with party signs every election. We live in a nation where the majority of the population engages in politics within their homes and at the polls, if that. There simply isn’t much reason to display it. So nobody does. 

The flag is, therefore, mentally relegated to its main users, the far right. When the English Defence League parade it around beside signs reading “never submit it Islam” and “England: love it or leave it”, it’s hard to form a positive view. I’m not alone in this, a recent YouGov poll concluded over a quarter of adults have a negative view of those who fly the St George’s flag, this figure jumps to 37% for under 25 year olds. 

The use of the St George’s flag is inherently political. English nationalism, rightly or wrongly, occupies a different space to its Scottish and Welsh counterparts. In the public consciousness, left-wing beliefs and nationalist ideals seem somewhat incompatible, despite their concurrence over the borders. 

This is not to say there haven’t been attempts. Labour campaigned on the issue of English devolution in 2015. Nationalism has deep roots within the working class, who have historically voted for more liberal candidates than their upper and middle class counterparts. The shift towards a right-wing working class was no doubt influenced by the left-wing departure from nationalism.

There is also, as often seems to be the case in England, a class angle to all of this. It is the upper classes who are immune to politics, who are truly apolitical. The working classes rely more deeply on the decisions of those in power. Middle class aspirations cannot truly part with these worries, but they can separate themselves from the parts of governance less critical to them, namely, nationalism. 

It becomes quite simple then. The middle class don’t want nationalism, and the parties want their vote. As a result mainstream parties, particularly Labour have left nationalism be. It becomes relegated to the fringes, nationalism is made more extreme. As such, the return to nationalism by Labour can be explained. The party can claim a sizeable portion of the middle class, but they need the working class to win, and hence the St George’s flag appears. 

The St George’s flag is the flying banner of nationalism, despite Keir Starmer decrying the need for symbols. It is inherently linked with the kind of glaring nationalism that the middle classes shy away from. The argument can be made that the Conservative vote, in part, is being lost by the treatment of migrants. Reminding people of their privilege of being born English is uncomfortable. Flying the St George’s flag, bellowing that we should be proud to be English, just seems brash, ignorant and boastful.

To reclaim the flag would be to embrace the idea that England has its merits. England is a comparatively brilliant place to live, very few would deny it, but very few would openly pronounce it all the same. Showing the St George’s flag is garish, a flashback to a time when all that most English people had to be proud of was the flag. It has developed since then. The nation has the capacity for great schools, free healthcare and innovation. We have so much more to be proud of than a flag commemorating ‘Georgios of Lydda’, a man who never even stepped foot here. It is for that reason, then, that I do not believe the St George’s flag will be successfully reclaimed, at least any time soon.

Byte-sized buzz: The craze for short-form media 

Image Credit: Solen Feyissa/CC BY-SA 2.0 via Flickr

It feels essential to state that ‘short-form’ media, in its clips and images, is inevitably never a short-term experience. We’ve all opened our phones searching for some momentary respite, only to look up after what feels like seconds to see the hours have flown by, a deadline has been missed, your window plant has died, and the seasons have changed. Our phones provide an immediate escapism, an instant detachment from an intellectual hole we have dug for ourselves in some dark corner of our degrees. We used to read books; now we just close the eleven SOLO tabs and open Instagram Reels. 

Oh Reels! Where would I be without you? Probably more in control of my life. I was never one for the Tik Tok craze, since the Gen Z energy smothering it reminded me too much of a Musical.ly childhood (and that’s trauma I’m yet to unpack, trauma that can be left behind in the world of Reels). Snuggly tucked into my Instagram homepage, countless worlds zoom past at my fingertips; the best National Trust spots in Somerset that you must visit this summer, three mistakes you’re making with bacon, and an absurdist collage of mournful racoons staring out of windows to Olivia Rodrigo’s Driver’s Licence. As you can see I’ve kept these examples intentionally vague – allowing someone to scroll through your Reels feels as violating as finding out your parents have been through your browser history. 

I used to spend hours staying up chatting to friends on my first phone, an Alcatel Pixel that didn’t have the capacity to download apps. Now my friend and I exchange Reels about bowel movements and tarot card readings without a word passing between us. Liking it suffices. Sharing with someone something they’ll relate to, find enjoyment in, or take offence to – well, that takes a personal understanding of who they are. Is sharing Reels simply a new form of communication, or should we decry this new way of expressing friendship? Humanity survived the transition from stamping letters to instant, direct messaging. So why not this? 

Perhaps because its speed and pace makes us prone to overload and overstimulation. In no time, we’ll all be downloading compressed Reel compendiums into our brains at 1000 TB a second. In my degree we (my tutors) ask whether there is a limit to growth we should not exceed. Never mind all that economic bullsh*t, is there a limit to the amount of content we can consume? I can just about cram a few hundred references into my mind palace before feeling like an academic aneurysm is approaching. Yet, how come I can watch a few hundred Reels (is that a shocking amount? It’s certainly an honest one) and feel nothing but glee, before the Reels come-down hits hard. My essays remain unwritten and emails unanswered. The reason is dopamine, and he’s a mean guy. I give it agency only to abandon all responsibility for my own lack of self-control. 

Over the past 20 years, young people have been spending more and more time on our phones, and yet we face the same challenges and daily to-do lists. While the scrollaholic may struggle to complete these tasks, more often students are getting less sleep as a sacrifice to time spent on social media. Flicking through BeReals, losing ourselves in a Youtube Shorts rabbit-hole, or in a Vinted shopping basket – it’s often the last thing we do before going to bed and the first thing we wake up to in the morning. Perhaps this reveals more about my own behaviours than I’d care to admit, but I am not the only one. Chronically sleep deprived, and yet doing nothing to change it.. I’m that guy face-down in the library or precariously swaying in the back of a lecture. Far from ground-breaking, but if I put the Reels aside and took  a break from that infamous ‘blue light’ (did you just roll your eyes?), then perhaps I’d have more energy to talk to my friends with words, not just Reels. 

Sunak’s Samba with the fashion industry

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In Rishi Sunak’s recent Downing Street Interview, his words and promises were certainly not the star of the show. Showing off his Adidas Sambas, the Prime Minister took British media by storm. News outlets broadcasted a sudden decline in sales of the once popular shoe and young members of the public expressed outrage at the wealthy leader’s attempt to be a ‘regular every man’. The fashion community was genuinely disgusted by Sunak’s choice of footwear, suggesting that he had simply ruined the trend for everyone. However, the Samba has a much longer track record than Rishi’s short time in office, which illustrates the deeper connection between the PM’s choice to wear them and the social connotations this gave. Was he successful in his stylistic decision, or cause a crash faster than Truss did?

The fashion origin of the famous 3-stripe Sambas lies in the football stands of the 1970s. Although it was created in 1949, intended to be a football shoe equipped to survive icy conditions, it became a statement of class culture only 2 decades later. Famously a working class shoe, alongside the Reebok classics, the Samba has strong roots in the British community as a durable and affordable option for playing sports that could also be worn more casually. 20 years later, their functions expanded and they became a staple of the skater community. This was a strong marker of their transition from sportswear to streetwear as they were a clear indicator of this aesthetic. Meanwhile they were famously shown off by artists like Oasis, which gave them a strong platform in English culture throughout the 1990s and maintained their roots in the working man’s style. They maintained some popularity by the 2010s, but were overtaken by Converse in sales due to their pedestal in the fashion community. Nowadays, however, the Samba has returned in an american resurgence. Supermodel Bella Hadid and pop icon Rihanna have both expressed a devotion to the trainers, often papped sporting them in their casual looks. By early 2024, Sambas were selling out at every release in a rapid comeback instigated by the ‘it-girls’ of the 21st century.

By April, even the Prime Minister was swept up by the trend, flaunting a pale pair with navy chinos and a white shirt. Immediately, fans of the Samba took to social media to express their outrage at Sunak’s fashion statement. Footwear stores quickly expressed their concern that the politician’s love for the retro trainers had massacred their resurgence. Defending himself, Rishi claimed to have always loved the look of the Adidas Samba, reminiscing on receiving them as a gift from his brother one Christmas. Although he issued an apology for his fashion choices that day, the PM’s decision to wear Sambas may have been more complex than a Christmas present. In a desperate attempt to be perceived as a regular civilian, he may have switched out his Oxfords for Adidas. Rishi is well aware of how his image has been damaged by Tory sleaze and elitism, so his Sambas may have been a political move to appear less isolated from the general public. However, all he did was tarnish the image of the Adidas Samba.

Since the interview, Adidas have released a statement expressing their huge profits in the first quarter of 2024, which has put young minds at ease about the sudden death of a trend they may have just bought into. Despite this, Sunak has certainly left a mark on the iconic appearance of the Samba. Whether that is for better or for worse is not completely clear, but it is evident that the Sunak-Samba controversy is an unforgettable moment where politics and fashion aligned.

The Human Body review: ‘A Socialist exploration of healthcare and romance’

I recently attended my first production at the Donmar (https://cherwell.org/2024/01/24/review-of-tennant-as-macbeth-an-auditory-experience/ – shameless self plug!) and fell in love with the energy of the space and the risks the writers and directors were taking within it. So I was excited to see that they were doing a production of one of my favourite modern playwrights, Lucy Kirkwood’s, plays: The Human Body. A British playwright who has received acclaim for many of her plays, including (my personal favourite) The Children, shows here that she is not done in her brilliance yet. Published only a few months ago (29 February 2024), The Human Body is new to the drama scene yet it definitely holds its own on the Donmar stage. 

A Socialist exploration of healthcare and romance is perhaps an unexpected way of defining a play, but this is essentially what it was. We follow Iris Elcock (played by Keeley Hawes), a practising GP, Socialist, Labour party councillor and aspiring MP, in her efforts to implement Nye Bevan’s National Health Service Act; a revolutionary change in healthcare, making it free for all. She is the exemplary post-war woman, working hard in a day job whilst maintaining a happy home with her daughter and ex-Navy husband turned GP Julian (Tom Goodman-Hill). But everything starts to change when she meets apolitical and apathetic George Blythe (Jack Davenport), a local boy who has now made it to Hollywood but is home visiting his sick mother, turning her world inside out as she is given the glimpse of “more”. 

Keeley Hawes takes on the role of Iris and embodies her completely. I was captivated by her from the beginning. I could have spent the whole play just watching her face, subtle in everything she did but emotive, powerful and strong. We see her marriage be tested, questioning whether love can survive against politics, when partners have different views. Love vs Politics being central to everything in this play. And I felt for her at many points, her down moments felt particularly poignant to me. Kirkwood keeps the story blurry but we can only assume she attempts to take her own life near the end of the play, as she cannot deal with the demands put on her both professionally and emotionally. I could have cried when she woke up in the hospital bed, or even more so ten minutes earlier when she turned away from her future with George, lying and telling him she would have never left her husband, despite just doing so in the scene prior. The dramatic irony Kirkwood employs here can only be described as heart wrenching. 

The play was undoubtedly brilliantly acted but I also have to commend Michael Longhurst (​​Artistic Director of the Donmar Warehouse from 2019 – 2024) for his execution of such a well written script. The set was dynamic with a circular revolve base that sped up and down throughout the production in moments of tension and calm. There were crew members holding cameras with a live feed of the action on stage projected across the back screen, fog machines, sound effects – succinctly timed to perfection – and a striking all NHS-blue set from the furniture, to the cigarettes the characters smoked, all the way down to the small blue canapes they ate at the dinner parties. This reminded me of the Old Vic production of Caryl Churchill’s A number that I saw a few years ago, with an all red set; perhaps a modern theatrical choice these female, British, playwrights have chosen to share. Thanks to Longhurst’s direction all of the scenes happened seamlessly and the actors moved around, on and off stage with ease and a certain unmistakeable elegance. I enjoyed how the live stream effect created a very cinematic feel to all of the moments between Iris and George, a fitting style to their dramatic and forbidden romance, as well as serving to emphasise how the play is about how the left tells stories, or sometimes fails to.

As concerns rise in the news now surrounding the future of the NHS, The Human Body reminds us exactly what we could be losing by putting it directly in front of our eyes on the stage. Does Iris win in the end? In some ways yes, in others no. The bill gets passed, but she turns away from her political pursuits, she gets divorced from her husband but doesn’t end up with George, and she remains a GP but with the implied new and overbearing demands a free healthcare system will present. The play is about how difficult it is to have a revolution both politically and in our personal lives, and this is emphasised by Iris at the end. The play ends with Iris centre stage, doors opened to the general public, and she projects ‘Who’s next?’ to the crowd as we cut to a final blackout. We end with both loss and a way of looking forward for Iris, and for our societal system in general. It was a play well suited to showcasing the benefits our free healthcare system offers without being overly showing-it-down-your-throat political. I look forward to what grand idea Kirkwood has in store for us next. 

The Human Body is running at the Donmar Warehouse 17 February 2024 – 13 April 2024

Sushi Bowl: A sensational start

Storefront of Sushi bowl, with counter and refrigerated section
Image credit: Amanda Li

There is a new sushi restaurant in town! More than just another Wasabi and Itsu, Sushi Bowl in the Covered Market is a well-located new spot for a roll or poke bowl on the go. On the corner of the Covered Market, next to the fruit stand and Sartorelli’s, the restaurant opened fairly recently yet has already been getting busier and busier. I stopped by on a Saturday afternoon in search of a little treat to celebrate finishing my collections.

Sushi Bowl had only been open for a few hours by the time I arrived on their opening day. The fish looked fresh and bowls were flying out the door. I was most intrigued by the salmon poke bowl displayed on the counter – pieces of salmon and avocado arranged into a flower-like swirl on top of warm sushi rice. They had other bowls with more ingredients, but I thought the salmon-avocado bowl best fit my cravings. Sushi Bowl also has a refrigerated shelf offering other Japanese foods: steamed and fried gyoza, mochi with ice cream, and even fried chicken. All the food was made fresh and some even fresh to order, with veggie options in both sushi and sides. 

Sushi Bowl is a grab-and-go restaurant, with the fridge and counter taking up most of the space on the corner. Compared to most of the other restaurants’ large seating areas within, it certainly was cramped, with the only seating being some small tables outside of the restaurant. The indoor space was still cozy, well-lit, and it was certainly entertaining to watch people come and go outside. Unlike Wasabi and Itsu, which make their food in the morning and set it out until the night, Sushi Bowl consistently cooked throughout the day and was willing to make food on the spot, which alleviated my worries of having unfresh fish. 

The owner, Yaning Xiao, was just setting out samples of her chicken gyoza. The tantalizing savory scent had me take a bite; immediately I was hooked. The gyoza had umami and a bit of broth, with a crunchy outside – just what a gyoza should be. I ordered a full order of six  immediately and Xiao quickly made a batch of gyoza for me. They were hot out of the fryer and stayed warm on a chilly day all the way to Christ Church Meadows. Despite being a rush job, the gyoza were just as good as the sample. The sushi bowl’s rice was not too sticky, and the fish was cold and fresh, with the perfect texture. Paired with the avocado and a bit of soy sauce, it was delicious and not too heavy on sauce like many other sushi bowls. The fact that the bowl didn’t have mayonnaise made me feel like it was more authentic. The overall experience of ordering and eating good sushi in less than ten minutes was phenomenal, and I was so happy to catch the restaurant on its first day.

Xiao and her husband run Sushi Bowl as a family business. Their daughter attends university here; the restaurant is connected to the community. You can see the love they have for both their business and their craft in every dish. The owners source Scottish salmon and pacific tuna, pairing high-quality ingredients with great techniques learned from years in the restaurant business. Their bowls and dishes are more than just your standard Itsu, and for not too expensive of a price tag (£10 for a bowl is only a few pounds more than Wasabi for a higher quality, quick meal). The gyoza was a bit expensive, but the taste made up for it. If you’re in the Covered Market, why not stop by just to try one of their side dishes, or make a quick meal of it – you can’t go wrong!

The ten best iced lattes in Oxford

iced latte on ship street
Image credit: Amanda Li

Summer has arrived! Well, not quite, but as the weather picks up, more and more of us will be needing icy cold beverages for fuel and refreshment. Fortunately, my iced coffee addiction is non-seasonal, and I’ve been generous enough to try a plethora of iced lattes and rank them so you don’t have to.

Some disclaimers before we get into the list: firstly, this list is entirely based on my opinion. Secondly, I am yet to try every café in Oxford, so if your favourite is missing, that’s probably why. Finally, prices may vary depending on how you like your lattes; I have judged the list based on the price for a medium drink with no additions.

10. Pret A Manger

Price: £3.85 (or £30/month subscription) Taste: 5/10 Experience: 5/10 Overall: 5/10

Perhaps it’s because I drank way too many of these when I had a subscription, but I really don’t like the taste of Pret’s coffee anymore. However, if you do have a subscription and buy a lot of drinks, this is the most economical option.

9. Starbucks

Price: £3.95 Taste: 6/10 Experience: 4/10 Overall: 5/10

The Starbucks on Cornmarket Street not having seats is a shame. That being said, I consider Starbucks’ speciality to be their extremely sweet and customisable Frappuccinos, not their basic coffee, which is nothing special and generally regarded as overpriced. 

8. Taylors

Price: £3.80 Taste: 7/10 Experience: 6/10 Overall: 7/10

This is where the list gets good! Taylors’ coffee is nice and their cafés can be found all over Oxford, which is great for an independent shop, but I have nothing too special to say about the iced lattes in particular.

7. Vaults & Garden

Price: £3.80 Taste: 7/10 Experience: 8/10 Overall: 7/10

The iconic Vaults & Garden café right next to the Rad Cam is a must-visit for its delicious food and beautiful interior, but their iced lattes are great too. I would probably not go here just to get a coffee, but if you wanted some food or a pretty space to sit along with it, then this is your best bet.

6. Black Sheep Coffee

Price: £4.09 (£2 on Mondays with UNiDAYS) Taste: 7/10 Experience: 7/10 Overall: 7/10

Personally, I only ever go here on Mondays to take advantage of the student discount, because I think the drinks are otherwise overpriced. I really like their digital kiosks and the fact that you can choose which beans you want your drink to be made with.

5. Joe & the Juice

Price: £4.30 Taste: 9/10 Experience: 7/10 Overall: 7/10

The iced lattes from here are creamy and tasty, but unjustifiably expensive. It is also relatively far from the city centre, located at the back of Westgate. However, if you are willing to go the distance and to pay more for your coffee, then I do recommend it.

4. Ole & Steen

Price: £3.85 Taste: 8/10 Experience: 8/10 Overall: 8/10

Ole & Steen makes a really tasty iced latte, as well as great sweet treats. I also never have trouble finding a seat there. It is quite pricey, but if you download their app you can earn free drinks.

3. Society Café

Price: £3.70 Taste: 9/10 Experience: 9/10 Overall: 9/10

Definitely one of my favourite coffee shops to sit in, Society Café has a wide choice of beans if you like to customise your drink. Although it does get busy inside, they do have outdoor seats too, which are great now that the weather is improving. 

2. Colombia Coffee Roasters

Price: £4.50 Taste: 10/10 Experience: 8/10 Overall: 9/10

You can really tell that they care about their coffee here, and this is reflected in the incredible taste of their drinks. Unfortunately, they don’t have that many seats and their iced latte is quite pricey, but for a takeaway while you shop around the Covered Market, there is nowhere better.

1. Caffè Nero

Price: £3.75 (or £3.19 with student discount) Taste: 9/10 Experience: 9/10 Overall: 9/10

I always find myself coming back here because the iced lattes are just that delicious, refreshing and creamy. All of the Caffè Neros in Oxford are nice spaces to work in, but the one inside Blackwells is a particular favourite. They also have a loyalty system: if you get the app and link it to your uni email, you get 15% off, and every 5th drink is free if you use a reusable cup.