Saturday 2nd August 2025
Blog Page 2009

Win tickets to see The Disappearance of Alice Creed

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The Cherwell is offering its readers the opportunity to win a pair of tickets to a screening of The Disappearance of Alice Creed, starring Gemma Arterton.

‘On a suburban street, two masked men seize a young woman.  They bind and gag her and take her to an abandoned, soundproofed apartment. She is Alice Creed, daughter of a millionaire.  Her kidnappers, the coldly efficient Vic and his younger accomplice Danny, have worked out a meticulous plan. But Alice is not going to play the perfect victim – she’s not giving in without a fight. In a tense power-play of greed, duplicity and survival we discover that sometimes disappearances can be deceptive…’


The screening will take place in the Vue Ozone Leisure Park in Oxford. The tickets are non-specific in terms of dates or time. Please e-mail [email protected] as soon as possible to receive the tickets.

http://www.alicecreed.com

 

 

 

 

Review: Dear John

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Hailed as one of the must see romantic films of the year by American critics (and the market judging from its Box Office success), Dear John does not deliver for the British audience.

The storyline is most at fault; it dictates a slow pace that never quite grabs the attention. The two protagonists (Seyfried and Tatum) fulfil their roles adequately although one does wonder what Seyfried sees in the silent, hulking (sometimes gurning) latter. The use of letter-writing as a device is clever but not original (see Seyfried’s other film Letters to Juliet), although the romantic sentiment sometimes borders on the sickly. The cringe-worthy moments surrounding Tatum’s statement “wherever you are in the world the moon is smaller than your thumb” (not really a revelation considering perspective) are particularly agonising while the overuse of John’s name starts to wear very quickly and elicited laughter from the audience.

The poignant moments of this film are to be found in the supporting roles. Richard Jenkins as Tatum’s father portrays an endearing eccentric who is responsible for the more emotional scenes in the film. The discussion and treatment of his autism (his obsession with coins lends a useful backbone to the story) leads up to a cathartic moment that could have been over-dramatised but actually is incredibly touching. Luckily Channing’s slightly dodgy speech about him being a coin (“I was rimmed and stamped”) returns this film safely back into cheap rom-com mode.

Towards the end of the film the plot becomes tired – the pace becomes quicker and the characters rip through years with little explanation or emotion. This rapidity combined with some odd twists means that the film is never really resolved. My final thoughts were that Channing should never grow a goatee and that the best thing about this film is the title.

 

Volcanic ash is no excuse

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The return of students and staff to Oxford this week has been severely disrupted as volcanic ash has again forced the cancellation of flights in and out of the UK.

The flight ban is causing huge problems for those finalists who are due to sit official University examinations in 0th week. Other Universities, including Cambridge, have now postponed examinations till later in the term.

However, Oxford has stated that all examinations will continue to be held as timetabled.

Modern Language oral exams are taking place this week, despite numerous candidates being stuck overseas. A spokesperson for the Faculty of Ancient and Modern Languages commented that “All those unable to attend [their examinations] have been referred to the proctors”.

All undergraduates are due back in residence this Thursday. But it is anticipated that many international students, as well as those holidaying abroad, will be unable to return in time to sit their collections which are being held on Friday and Saturday.

Colleges are currently trying to determine how many students and members of staff will be missing from the University.

St John’s College is among those worst affected by the flights ban. Its President, Finance Bursar, Director of Development, Chaplain, Alumni Officer, Organ Scholar are all stranded overseas. Several members of its choir are unexpectedly stuck in the US.

The disruption is not just affecting academic work at Oxford. Former Bond man Roger Moore’s appearance at the Oxford Union was scheduled for this week.

The Union assure members that the talk will still go ahead this week, as he was able to reschedule his flight from Paris.

Oxford Earth Science finalists have also fallen ironic victims to the volcano which is preventing their return from a Greek volcanism fieldtrip.

A facebook group for stranded Oxford students has been set up by St Anne’s student Kai Alexander Mueller. One member of the group wrote, “No idea what will happen with my collections, or whether my college will charge me for this week’s residence (I wouldn’t be surprised).

“Generally, I think that both university and College could be a bit more helpful, because clearly I’m not the only one who has this kind of problem (I guess around 25% of students will be affected in some way, either because they’re international or because they can’t get back from holiday on time).”

The University did not offer any comments regarding the situation but stated that updates will be submitted to the student gateway website.

Students who are unable to return to University have been advised to contact their College Office or Department Course Administrator. Those unable to sit an examination are also instructed to notify their college immediately.

Many are now embarking on journeys via rail, coach and ferries. Services are however in high demand as an estimated 150,000 Britons attempt to struggle home.

Following a meeting this morning with the emergency planning committee Cobra, Gordon Brown announced that he will use three Royal Navy ships to pick up stranded British citizens.

Details of the government’s rescue plan are still emerging, but it is thought HMS Ark Royal and HMS Ocean will both be docking in France whilst HMS Albion will head to northern Spain where it is already due to pick up 220 troops. The Defence Minister, Lord West has talked about the possibility of picking up around 3,500 people across the fleet.

Such news, along with recent speculations that the volcano’s activity may be declining, has prompted some cautious optimism.

Second year Somerville student Matt Waksman remained upbeat, despite being stranded in Jerusalem. He said, “I’ll just have to catch up on collections and work when I’m back, there’s nothing I can do and I haven’t received any official advice from Oxford.

“At the moment I’m planning on getting to Rome next week and hoping to get home from there. More promising is Brown’s announcement that they will fly UK Citizens stranded outside of Europe to Spain, where they will be picked up by the British Navy.”

Flight restrictions were this morning extended by air traffic control service Nats to 1am on Tuesday. The announcement comes five days after ash from the Eyjafjallajökull volcano in Iceland first contaminated the atmosphere.

 

 

Vacation in Pictures Blog

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For 0th week, a selection of photos from different Vacation experiences this Easter…

 

Boulders Beach, Cape Town – Katie Leithead

 

Masks for sale at a shop in Barri Gótic, Barecelona – Jaani Riordan

 

 Una Kim – Female only Parking in Seoul, Korea

 

Andrew McCormack – Restaurant Tissemlal Casa Hassan, Marocco

 

Roses are Red, Marocco – Rachel Chew

 

Berlin Museum Man – Niina Tamura

 

Glass dome, Galleria Vittorio Emanuele II, Milan – Michelle Tan

Review: I Speak Because I Can

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I think I should probably state this up front: there are few people to whom I prefer listening than Laura Marling. As far as I’m concerned, she’s one of the best artists around at the moment, in one of the most interesting music collectives that London has seen in a good while.

Now that my bias has been fully established, I can proceed with less guilt.

I Speak Because I Can is one of life’s small joys.

Not small because it isn’t a truly great album, but because it is so completely understated and unpretentious. The follow-up to Alas I Cannot Swim shows Laura Marling on her way to becoming one of the great songwriters working today.

At first listen you could be forgiven for thinking that this was a different artist. The shyness that always characterised Marling’s live performances is gone, and in its place is a vocal style that is more muscular, displaying a far greater range of emotions.

The sense of growing maturity can be seen lyrically, in songs that explore womanhood, loss and the pain of growing up. The cryptic wordplay that characterised her debut has been scrapped in favour of songs that are small stories in themselves. I love this album mainly for its lyrics, for the precise way in which Marling captures feelings, imagining her way into situations in a way which is haunting.

The standout track What He Wrote displays this. Addressed to the longest suffering wife in mythology, Hera, it was inspired by wartime letters between a soldier and his girl at home, and poignantly captures the difficulties of long-distance love. Listening to her sing ‘He had to leave, though I begged him to stay’, their pain becomes very present.

Musically, Marling has also changed, and the songs show a great diversity of sound. Overall the album is darker, from the banjo led stomp of Devil’s Spoke to the pared back simplicity of Made By Maid. It is also mercifully nothing like as overproduced as its predecessor. Ethan Jones’ production is unobtrusive, while also giving the album a “sound” as a whole.

If you are someone who will be put off by the label “folk”, then let this album be your opportunity to reconsider the genre. There is nothing beardy or vegan here, just a collection of beautiful songs which will stay with you long after the music stops.

five stars

Ten pound charge to replace university cards

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All students and staff who lose their University card from the 1st August 2010 will be charged a replacement fee of £10.

Charges for replacement University cards are not new, but the University Card Office is intending on becoming “more robust in its charging policy”.

A spokesperson from the University said, “It is standard practice in universities to charge a fee to cover the costs of replacing cards”.

The replacement fees are to cover administration costs. Each year, approximately 2,300 replacement cards are produced.

Payment will be made through the University of Oxford Online Store. Cardholders who provide evidence that their card has been stolen will not be required to pay for a replacement card, but they will need to present a police incident number.

Billionaire to fund new economics institute at Oxford

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Billionaire financier and philanthropist George Soros has pledged $US 5 million to fund a new economics institute at Oxford.

This amount was put forward by Soros’ think-tank, The Institute for New Economic Thinking (Inet). It will be part of the James Martin 21st Century School for graduate level study of Economics. The school’s founder, Dr James Martin, has matched Inet’s figure.

Together, they aim to develop a five-year programme of research that will address recent failures in economic theory and practice.

The centre at Oxford is the first of many that Mr. Soros hopes to set up at leading universities across the world, including Princeton and Columbia in the USA.

Inet’s director, Mr Robert Johnson, said, “The economic crisis and the failure of economists to predict it and protect society illustrate that economics as a profession needs to re-earn its reputation and regain its mantle of expertise.”

The new institute, as yet unnamed, will take a broad and interdisciplinary approach to economic theory, utilising history, psychology and natural science as well as traditional mathematical modeling.

Current students have welcomed news of the new institute. Emma King, a first-year Economics and Management student, said, “You can’t help but be excited by the prospect of a lot of funding for a new Economics school in Oxford. The fact that the new institute will attempt to challenge existing economic theory has to be a good thing as most recent funding has been rooted in researching existing economic thought.”

OUSU Academic Affairs Officer, Jonny Medland, praised the philanthropic nature of the funding. He commented, “Donations play an increasingly important role in Oxford’s development and George Soros’ generosity will help ensure that Oxford stays on the cutting edge of economic thinking… This sort of research is only possible as a result of donations.”

This was a view echoed by Dr Ian Goldin, director of the James Martin 21st Century School, who commented, “This new institute will benefit from linking up with some of the best minds at Oxford. I am excited that, due to the vision and generosity of George Soros and James Martin, we will be developing an interdisciplinary team of world-class academics.”

The new institute will be led by Professor Sir David Hendry, Professorial Fellow at Nuffield College and former head of the Department of Economics. More details and information about the new institute will be announced by the James Martin 21st Century School on 28 April 2010.

Balliol Ball Cancelled

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The Balliol Speakeasy Ball has been cancelled as a result of “underwhelming” ticket sales.

An online statement issued by the Balliol Ball Committee explained that it was “economically impossible” to go ahead with the ball, as ticket sales outside of the College were not strong enough.

The decision to cancel the ball was taken by College authorities, after increased attempts at raising the publicity of the ball had failed to boost demand for tickets.

The Committee said they were “incredibly disappointed and frustrated that this has happened”.

The Ball Secretary explained, “Few sales were made outside of the college. Almost all tickets that were purchased outside of the battel system were bought by close friends of college members, or alumni. We were unable to sell enough tickets to even approach breaking even.”

The negative press which followed Balliol’s last summer ball has been cited to as a factor contributing to a lack of interest in this year’s event. Last year’s Midsummer Night’s Dream Ball was followed by complaints relating to the availability of food and drink, as well as the quality of entertainment on offer.

In a letter to Balliol JCR, the Ball Committee referred directly to the damage caused to the reputation of Balliol stating such negativity had subsequently “spiraled”.

Of the ball’s cancellation, a fourth year Balliol student commented, “In a large part it was due to the bad publicity that they were burdened with from last year. I heard that a large part of the budget was spent on securing DJ Yoda’s appearance, which could have been a mistake.

“Most people at Balliol are upset that it has been cancelled. Our balls may not be as glamorous as other Colleges but they are always fun if you’re at Balliol”.

The Ball Committee has confirmed that all those who purchased tickets for this year’s ball will be refunded. In a statement addressed to attendees the Committee said, “We can only express our great unhappiness about this unfortunate situation, and apologise to all JCR members that such events have transpired”.

The Speakeasy Ball was scheduled to take place on the same night as six other College balls. It faced competition from St Hugh’s Secret Garden Party, which has sold over 2000 tickets, and The Keble Ball, which recently increased its proposed attendance to over 1000 people.

The ball was due to be held on Saturday of second week. It promised to transport guest “to a secret world of recklessness and elegance” and was set to feature the hip-hop artist DJ Yoda.

The terms of the cancellation will be discussed in detail at the first Balliol JCR general meeting of next term when a Ball Committee report will be delivered to JCR members.

 

Review: Erasing David

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Erasing David follows David Bond as he decides to go on the run. Leaving behind his daughter and pregnant wife, he attempts to uncover the truth about the nature and lack of personal information in our country today. This is done through a series of meetings with victims and enforcers of information collection, interviews with privacy experts and David Bond’s ongoing attempts to evade two hired private investigators.

 

All of which makes this film sound less like the small British documentary that it is and more like a Hollywood thriller. And it does bare some resemblances to that particular genre. The eerie music composed by the Golden Globe winning Michael Nyman, jittery camera shots and the rising sense of paranoia ensure that the film is far more entertaining than the average anti-surveillance documentary. Having said that, this film is certainly about more than quick thrills – it is a perturbing exposé of the rapid loss of privacy in Britain.

 

Often, the film isn’t telling us anything we don’t already know. Most British people are probably aware that their details and web browsing history are stored, that their thrown out mail is easy to get to and that information databases are prone to error. What Erasing David does is give viewers an insight into the sheer magnitude of stored information in these databases on every single British citizen and how revealing this personal information can be when put together.

 

This is demonstrated in one of the film’s most unsettling scenes, when David Bond visits a private investigator’s office in which he sees hundreds of documents, pictures and maps pinned to the wall which collectively seem to expose everything about him. Things like his daughter’s date of birth, a photo of his mother, the name of his secondary school; information which on its own is not threatening and information which any of us could have given up to databases in the past without a second thought.

 

The truly impressive thing about Erasing David is that it manages to be deeply affecting without becoming uncomfortably dramatic. By the end of the film, it’s very easy to feel quite frightened. But what of? There are no tangible villains at all. We meet a perfectly polite woman who has installed fingerprinting devices in a school to take the register and even the private investigators never seem sinister, mainly because most of their tricks are carried out with such ease. Any of us could type a name into a social networking site or use a birthday to find out the time and date of a hospital appointment. There isn’t even a sense of some malevolent forces at work. We have little to pin our anxiety to, other than the general sense that as a country we’ve taken a step too far in the direction of security at the cost of our privacy.

 

For most of its 80 minute running time, Erasing David is a skilfully balanced film. Politically minded without straying into polemic and personal without losing its objectiveness, it will certainly make you think twice about the information you share every day.

 

Star rating – four stars

 

Erasing David will be shown at Picturehouses across the country on the 29th of April followed by a live streamed Q&A with Will Self, Michael Nyman, Shami Chakrabarti and David Davis

 

www.erasingdavid.com/trailer

 

http://www.picturehouses.co.uk/cinema/Phoenix_Picturehouse/

 

TV debates: who’s got the X factor?

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Walking into the brilliantly white reception of the New Statesman’s Blackfriars office was like entering a scene from Stanley Kubrick’s Space Odyssey. An entire wall was covered by TV and computer monitors, displaying an array of news channels. New media technology is definitely upon us. Jon Bernstein, former Multimedia Editor at Channel 4 News and deputy editor of New Statesman, agrees.

With the onset of the political leaders’ TV debates in the UK, I wondered if all this ‘new media’ lark really mattered in politics. Will the televised debates simply be like watching another inconsequential episode of X-Factor where, to extend the comparison, each leader is singing the same old uninspired tune?

“It’s entirely possible”, says Jon. “There’s always the danger that after about half an hour of the first one, people will literally switch off, never to switch back on. In fact, the only time they do switch back on is if someone alerts them to an enormous gaffe.”

He explains that because the politicians are acutely aware that it’s just as likely that a gaffe will be the main headline as some winning argument around a piece of policy, it engenders a sense of conservatism about what the politicians say. “What starts out as something that is potentially quite heavy going and turgid turns into something that is incredibly turgid and boring because no one wants to make a mistake.”

The 2008 US presidential TV debates: ‘The low point of the whole year’

Jon argues that the debates between John McCain and Barak Obama in 2008 are an example of this. “The low point of the whole year was those debates. There was a bit of churlishness from McCain, and plenty of wonkery from Obama, but it wasn’t a great watch for anybody but the really political aficionados.”

So is there something fundamentally wrong with TV as a podium for political debate? As Jon sees it, “there’s nothing inherent in TV that makes it a dull platform. If you witness some of the best TV interviews that Jon Snow does on Channel 4 News or Jeremy Paxman on Newsnight – that is really compelling politics on the TV. Why? Because it is confrontational in nature; that makes interesting TV, and that makes politicians honest”.

The problem with these debates is that there are incredibly complex guide lines which foster very little real interaction between the politicians. “Whether it’s Alistair Stuart for ITV, Adam Boulton for Sky, or David Dimbleby for the BBC – these guys aren’t going to be really confrontational as they could be”.

“TV can do it”, Jon reassures me. It’s just the setup of the leaders debates is not the way to go about it.

Even so, in an age of ‘freedom of speech’, the selective coverage of only the three main parties doesn’t really seem fair. However, Jon highlights the counter-argument. “Maybe it should just be between David Cameron and Gordon Brown because Nick Clegg doesn’t stand a chance of becoming the leader. You could say, actually, it should be less, not more.”

‘A lot of what happens on Twitter and Facebook is preaching to the converted’

I asked Jon whether he thinks that the internet is, instead, the main platform for providing marginal parties with exposure. “The mistake people make about new media”, he clarifies, “is seeing it in mass broadcasting terms; the one-to-many communication. In fact, the internet is about many-to-many conversations between like minded people. So a lot of what happens on Twitter and Facebook is, if you like, preaching to the converted.”

As I learn, most people get their politics mediated through the telly and newspapers. “The internet isn’t going to harm the electoral chances of these smaller parties. But I’m not convinced it’s going to increase their chances either.”

‘Politicians absolutely should bother with the internet’

Jon also thinks that the “people who use new media more creatively are the insurgents: the people that don’t have the power.” In the Bush years, it was the left that led the way in new media with sites like MoveOn.org. “The people first to the blogosphere in UK politics”, such as Paul Stains and Tim Montgomery, “were all right-of-centre – in a sense, they were the insurgents”.

An interesting twist on this, however, is that the broader left has now got its act together. This is because, having been behind in the polls, “now they feel like the underdog.”

E-petitions, pioneered by Number 10 a few years ago, were an “interesting experiment”, Jon tells me. “But the stuff that really caught light was things like Jeremy Clarkson for PM. It’s fun, but doesn’t necessarily deliver on engagement and transparency.”

As for the promised data deluge of online government statistics: “are they going to pick and choose what they make available? Of course they are.” While Jon recognises that the direction of travel is positive, and that politicians “absolutely should bother with the internet”, he’s not convinced it’s a revolution in the way politics works.

In Space Odyssey, Dr. Bowman bravely pulls the plug on ship’s defective on-board computer HAL 9000. Fanaticising a little, I wondered what difference it would make to the election if you pulled the plug on the internet. Referring back to his previous point, Jon tells me that it would be political organisation, rather than broadcasting, that would suffer. “But then again, in the 2014 election we’ll probably look back and think people were getting excited about some pretty trivial things.”

The televised debates are 90 minutes each, aired on ITV, SKY and the BBC, at 8.30pm – 10.00pm on Thursdays April 15 and 22, and Wednesday April 29. They are themed: covering domestic, foreign, and economic policy respectively.