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What’s the big idea?

Where have all the ideas gone? It’s not a lament t

hat you hear in most circles, but it is one that keeps Claire Fox, Director of the Institute of Ideas, awake at night. It is fair to say that Fox is on a one-woman mission to stoke the intellectual furnaces of the public and make debate a national pastime to rival football or Strictly Come Dancing. She recognises that it sounds a bit kooky, that the ‘Institute of Ideas’ could be just a “vacuous strapline” for an ineffectual talking shop. But she places her organisation in a much grander Enlightenment tradition, where “people sitting in salons or smoky rooms in pubs, writing and philosophising, propelled social change”.

Claire Fox may blame the authoritarian paternalism of New Labour for the demise of the smoke-filled rooms of old, but she says the crowding-out of ideas from the public sphere cannot be laid at any individual’s door. With the fall of the Berlin Wall twenty years ago, Fox argues, we entered a self-consciously post-ideological age, the liberal democratic system seemed triumphant and so ideas became secondary. At the same time, “we seem to have lost faith in the capacity of the public sphere to deal with complex and difficult ideas”; she may reject ‘dumbing-down’ as a rather glib phrase but it sneaks into her discourse. This emanates from many different institutions: government “nannies us”, the media start “chasing, not creating, an audience”, and shockingly, even our top academic institutions elevate the “student as a consumer” and not the expansion of knowledge for its own sake.

Fox’s analysis of “the academy” is interesting, and sharply at odds with current practice. On the one hand she recognises that “the aspiration to open up the ivory towers to greater numbers of people is a perfectly admirable and progressive one”, but she does not want to achieve this at the expense of genuine scholarship. She claims that to avoid this trade-off would have required “a massive commitment in schooling” but instead the government just “puts the onus on the universities to change, not on young people aspiring to universit

y”. There is an assumption that students can never rise up, so they don’t make them try.

This evidently ties in sharply with her comments about the ‘public sphere’ in general, the failure to challenge people intellectually, a satisfaction with consumers who act according to narrow fixed preferences and cannot be inspired to challenge themselves or others. Fox is rather unfashionable in her assertion that “we should, as a society, aim to give everybody as academic an education as we can, for as long as we can”, decrying patronising talk of multiple intelligences and ‘vocational students’. But what lies behind this ambition is a brutal honesty about the status quo: although a third of the population now goes to university, she says, most only go to a building with the word ‘university’ on the front of it, which is not quite the same as getting a university education. One cannot help but concede, as she does, that “in a way they’re being conned, they’re being sold a pup”.

Sensing her protectiveness of old-fashioned scholarship, I ask what she thinks of higher education being subsumed under the super-ministry of Peter Mandelson, anticipating her reaction. More and more, she responds, governments approach universities and insist that “you have to prove your worth according to how much you contribute to UK plc”, an explicit intervention in the life of the academy that instrumentalises education. But she is hard-nosed about the situation: “politicians have always been philistines – so what’s new?” she asks rhetorically. For Fox, the real shocker is that the academics go along with it. She is vehement that they need more backbone and should resist these perennial political pressures.

Claire Fox’s own intellectual development is an unusual one. She went to Warwick University to read Literature, which she describes wistfully as being “allowed to escape from the reality of getting a job, to enter into the world of the mind”. And this exploration of intellectual life, this freedom from the pedestrian work-a-day world, is the context for her passion for ideas. Having only got a 2.2 in her degree, Fox was already preoccupied by her involvement in the Revolutionary Communist Party, editing their journal, Living Marxism (later abbreviated to the more contemporary LM). The RCP at the time was a crucible for discontented young things, and when in the 1990s it ceased to exist in its old guise, many of her peers became involved in the thrusting, debate-oriented web magazine, Spiked Online, while Fox herself went on to found the Institute of Ideas.

Interested by this pedigree I challenge her on the value of revolution in the modern world, but her response is deflated; she concedes that “we’re so far away from the possibility of it that it just sounds hair-brained, a rhetorical flourish”. She has more modest, but no less important aims of “sowing the seeds so that people might actually start believing in social change”. Although her manner may sometimes come across as world-weary or cynical, when you talk to Claire Fox you come away believing that the real misplaced cynicism is in society at large, which has lost the sense of its own agency – a very Marxist critique of the modern world. We are afflicted by “presentism”, she insists; we are intellectually trapped in the present by our negativity about the past and our fear of the future. This is why we are so far away from meaningful progress, let alone revolution: “If you’ve got no future-orientation, you’ve got no social change agenda”.

Fox’s insistence on dynamism and progress through debate resonates with the principles of the Institute of Ideas’ annual conference-cum-workshop, the Battle of Ideas (BoI). She isn’t interested in having show-trial debates, where the conclusions are already ordained by political correctness. That’s why the BoI is questioning orthodoxies around anti-bullying campaigns, sex education, human rights and other pet-projects of the self-styled liberal-left. Fox may not shy away from calling herself Left-wing but her allegiance is far from tribal. Intellectual honesty and rigorous debate are the personal principles she has built into the architecture of her Institute of Ideas and which she will daub on her banners in the Battles ahead.

The Battle of Ideas takes place this weekend in London. A Satellite debate on ‘Post-recession Ideologies’ will be held in St.John’s Auditorium, Oxford, on Wednesday 4th November.

 

The white suit confronts the MPs

 

Martin Bell, veteran BBC war reporter and former independent politician, is the author of the recently published book, ‘A Very British Revolution: The Expenses Scandal and How to Save Our Democracy.’ It is perhaps unsurprising that the man, who once stood as an independent candidate in the Tatton constituency in 1997 against Neil Hamilton, with his anti-sleaze campaign, is vocal yet again about the need for more ‘honest politics’. When I meet him in his house in north London, he is dressed in one of his trademark white suits, whose dry cleaning bills he assures me later, he footed himself.

As a former member of the Committee on Standards and Privileges, he is a fierce critic of both the weakly regulated parliamentary system that allowed MPs to claim for extravagant expenses and the corrupt MPs themselves, who gleefully took advantage of the lax rules. He comments, ‘I was so appalled that I decided to write the book and as I wrote the book I found it actually wrote itself. It only took ten weeks from start to finish. I think it’s probably the most polemical and I hope it’s the one with the greatest effect because our MPs cannot go on as they have been.’

He attributes the dismissal by the Speaker and the House of Commons Commission of Elizabeth Filkin, the second Parliamentary Commissioner for Standards, as the ‘critical moment’ in the deterioration of Parliament. ‘The message that sent to the MPs was that they could abuse the allowances as much as they liked and they could get away with it because the regulation system was so light.’

For Martin, MPs have no one to blame but themselves. ‘This was not something done to them, this was something done by them.’ However, many MPs have argued that they receive relatively low wages and the allowances are necessary for them to adequately perform their job. Is this a valid excuse? ‘You’re far too kind’ he begins. ‘We know how this happened because repeatedly for political reasons they felt they could not vote themselves the substantial pay rises they thought they were entitled to, so they took it through the back door by creating new allowances. I was amazed they’re allowed to claim their grocery bills on the taxpayer. And then of course they cheated and they stole, I mean we’re talking here of thievery and corruption.’

He believes Labour faces the ‘greatest damage’ following the scandal and that the economic recession has worsened the public backlash. ‘I don’t think it would have been so extreme, so severe if the good times were still rolling.’ Did the affair drive

voters away from the mainstream parties in the European Parliament elections? He responds, ‘They were already disenchanted with them.’

Martin is critical of the general culture of dishonesty and lack of transparency within the House of Commons, which was revealed by the MPs’ expenses claims and their subsequent attempts to hide their actions. ‘If the details hadn’t been leaked surreptitiously, we wouldn’t have known what was going on from the House of Commons’ own version: the so-called redacted expenses. We wouldn’t have known about the flipping of homes, the duck island or even the phantom mortgages; we would have known very little. There was a deliberate attempt to obstruct by the House of Commons. They’re answerable to that.’

The Telegraph bought the leaked expenses data. Should we be wary of chequebook journalism? He disagrees, ‘I cannot think of an example of chequebook journalism with a greater public interest defence…we’re talking about the looting of public funds.’ He praises the rigorous and neutral handling of the scandal by the conservatively aligned newspaper, which was critical of both Labour and Conservative MPs. ‘Okay so the Telegraph started off with cabinet ministers but it was hugely criticised inside the Conservative party for its even handed attitude. It was very unpopular with its own MP.’

The Western world has often perceived its systems and values as superior and has been willing to impose them on other countries. I ask him whether he thinks the scandal will bring some much needed humility to Britain and an honest re-evaluation of the way we operate. He comments, ‘I hope so. We dared to impose democracy on other countries from Afghanistan to Iraq, or we seek to and fail, while our own democratic system is manifestly unrepresentative in that our voting system doesn’t reflect the popular will and it’s defective, it’s actually corrupt in itself.’

He argues that Britain could learn from the American system, which he acknowledges is not without its shortcomings. ‘Once elected, an American representative of the people has to be absolutely transparent in his or her expenses; everything is out there. I think we can also take a lesson from the Americans in the huge surge of enthusiasm for Barack Obama in the last campaign, which translated into terrific fundraising support so that he didn’t have to prostitute himself to big businesses. If we can get a politics which appeals to people’s ideals, you know how little it does now, then I think many of the problems we have now are going to be solved.’

Martin declares Oxford University is ‘largely to blame’ for the alienation between the political class and the public. He criticises the direct route taken by many MPs, who go straight from Oxford and Cambridge University into politics. Holding a ‘proper job’ first, he argues, would help MPs to better connect with their constituents.

From the mock Tudor beams to the bath plugs, which was his favourite expenses claim? Af

ter some pondering he replies, ‘The pork pies claimed by Derek Wyatt. Can you imagine the connotations?’ ‘If you could claim for one thing fully funded by the taxpayer, what would it be?’ The question makes him uncomfortable and he tries to dodge it, ‘Pass. I can’t think what it would be. I am a happy man.’ I tempt him, ‘How about another white suit?’ He replies conceding, ‘I am running out of them. By the way I did pay my own dry cleaning bills.’ Yes we know Martin, let’s hope other MPs may learn from your example.

 

 

5 Minute Tute: The UK Supreme Court

What is the UK Supreme Court and how does it differ from the Law Lords?

The Supreme Court is a formally independent body with its own premises. By contrast, the Law Lords were – although independent when deciding cases – technically a committee of the House of Lords and were housed in the Palace of Westminster. Law Lords were full members of the House and could participate in its debates. Although the current Supreme Court Justices were all previously Law Lords, they are now excluded from the House until they retire as Justices (while still using the titles ‘Lord’ and ‘Baroness’), and future Justices will not be members. However, the formal powers of the Supreme Court are no different from those of the Law Lords. Some thus describe the Court’s creation as merely a presentational exercise. However, others argue that due to the Court’s formal independence, it will have a stronger sense of constitutional legitimacy and thus be more assertive than were the Law Lords.

Is our Supreme Court like that of the USA?

It’s different in three crucial respects. First, unlike the US Supreme Court it does not have the general power to set aside legislation (statutes must be set aside if incompatible with EU law, but this power comes from the EU and UK courts have acknowledged it for twenty years). The UK Court is thus weaker. Secondly, the UK Court is not always the last court of appeal. Cases involving EU law may go on to the European Court of Justice (ECJ) and cases involving European Convention rights to the European Court of Human Rights. Some people therefore argue that the ECJ, rather than any national court (whatever it happens to be called), provides the better European analogy to the US Supreme Court. Thirdly, the UK Supreme Court has three extra Justices (12 rather than 9), and – as with the Law Lords – the appointment process is far less openly partisan.

How does it affect me as a citizen?

Since the Supreme Court’s powers are formally no different from those of the Law Lords, in theory citizens won’t be affected beyond the general point that making the Court independent of Parliament confers greater legitimacy on the entire judicial process. But in the longer term, it’s possible that things may alter if the Supreme Court, relying on the perception that it is more legitimate than were the Law Lords, becomes more ambitious in interpreting and using its powers. For example, in cases where human rights compete with national security arguments, we can certainly expect to see the current tensions between politicians and the courts continue. But it’s an interesting question whether the tensions might grow stronger if the Supreme Court interprets and uses its powers more ambitiously than did the Law Lords. How a court eng

ages with such matters is often as important as the formal scope of its powers.

How controversial is the change? Why has it occurred?

The legal foundation for the Supreme Court lies in the Constitutional Reform Act 2005. It may seem odd that the Court is only now opening for business, but the process of replacing the Law Lords has been difficult for technical reasons. On the ‘controversy’ point, some lawyers have argued for years for a Supreme Court because it would be, or appear to be, more independent than the Law Lords and thus more legitimate. Opponents have claimed either that a formally independent Court would make little difference, or that it would provoke unwanted controversy if it in fact turned out to be more assertive than the Law Lords. These arguments aside, cynics suggest that Tony Blair (Prime Minister at the time) proposed creating the Court only as a pretext for easing his mentor, Lord Irvine, out of office as Lord Chancellor.

Is it worth the money?

This depends on the view you take about the previous questions. The estimated rough cost of setting up the Supreme Court is £56 million. If you think the Court will make no real difference (not least because the first 11 members were all previously Law Lords), then probably it is not money well spent. But if you think that an independent Court will confer greater legitimacy on the judicial process, your answer may well be different – especially if you believe that courts need to be still bolder in scrutinising the actions of politicians and that the new Supreme Court will help in this respect. As in just about any constitutional debate, plausible answers need to engage with theory as well as practicality.

Nicholas Bamforth is a Fellow in Law at Queen’s

 

 

 

Should JCRs be autonomous from SCRs?

David Barclay, OUSU Presidential candidate

“We are adults and should be treated as such”

The current fiasco at Queen’s has once again rammed home the brutal truth of Oxford life – the SCR always wins. Whether it’s quality of accommodation, student discipline or Entz events, the interests of students are consistently undermined by tutors who somehow feel competent to dictate college rules from on high. They trample upon pretensions of college equality and reveal Oxford’s rhetoric of modernism for the sham that it is.

 Two strands of argument stand out as to why JCR’s deserve serious levels of autonomy. The first is perfectly simple – we are adults. In college we are charged with cooking, cleaning, organising our time and shaping our extra-curricular lives. In tutorials we are asked to think for ourselves, to question received wisdoms and forge new and innovative arguments and solutions. At the ballot box we are entrusted with choosing our JCR committees to represent our interests. In all these we are told that the University is preparing us to be the leaders of tomorrow. And yet when any situation arises where the interests of JCR and SCR might possibly diverge, all the talk dissolves and college order is imposed. We are given curfews, fined and threatened at will. And when we complain and stand up for ourselves our university careers are dangled in front of our faces with breathtaking callousness.

 The second strand follows from the first – namely, that as responsible adults we are in fact more likely to make good decisions about our lives than SCRs ever could. As JCR President of Worcester, I encountered many members of the SCR whose intelligence and aptitude was matched by their care for students. I also come across many who were so out of touch with the lifestyle of students that even when they did care they were incompetent to legislate properly. And, it is sad to say, I also came across some for whom the welfare of students was a secondary consideration behind the ‘glory of the college name’. Ultimately for many the Norrington table is king and student welfare will time and again fall by the wayside in the attempt to achieve academic perfection.

JCRs, on the other hand, have much purer intentions. Committee members are always likely to know and care more about the students of a college than any SCR could. As intelligent adults JCRs should therefore be afforded the power to make decisions which are purely related to the student community. Should individuals fail to discharge this duty effectively, there are clear democratic processes in place in every college for them to be removed from their position by their peers.

If we as students are serious about ourselves and our public life at university, we should stand up against the dominion of heartless and outdated SCRs and reclaim the power that is rightfully ours to make the decisions which affect our lives.

Oliver Willmott, Geography, St John’s

“We are here to work. We agreed to these terms”

The JCR presidents’ outrage at Queen’s College SCR for stripping their JCR president of his title fundamentally misses the point. Let us be clear as to what the issue is not. It is not a question of the outgoing president’s actual academic performance, whether being JCR president may be deleterious, or whether a 2:2 is indeed ‘too low’. It is not even about students’ right to autonomous self-representation – this is not under threat per se.

The true core of this debate is the SCR’s legitimate right to hold individuals accountable for their own academic performance. We should be under no illusion that, ultimately, we are here to work. We were all admitted primarily on the basis of our academic potential and, explicitly or implicitly, agreed to a social contract which committed us to try to fulfil this. In Nathan Roberts’ case it was decidedly explicit. Of course, we can do other things while here. Indeed, most engage in an incredible range of extra-curricular activities, and I am sure even the much-demonized Queen’s SCR would agree that such things are desirable. However, if the university deems our performance undesirably poor, and that other commitments may impinge on our work, it is no good claiming that we didn’t realise that, in their eyes at least, we are here to work. We agreed to these terms. We competed against others to accept them, many of whom were denied the unparalleled opportunity to study here.

The JCR presidents’ statement says “It is the undeniable right of people to choose their representatives through their own democratic process.” Of course it isn’t. Ignoring that it has indeed been denied, let us remember that we are small collections of students who are, like everyone else, also represented in government. Why do such small groups have this natural right? JCRs only exist because our colleges finance them. They have the final say. But in any case, it is not the existence of JCRs that is under threat but rather whether one particular individual can stay in office. An MP will be stripped of their position if they are convicted of an offence, the ultimate arbiters being the law and their party. Similarly, if a JCR president breaks their contract with college then they must face the consequences, and we must ignore appeals, disingenuous appeals, to the natural rights of students. Let us not forget why we are here.

 

Staircase 22: 2nd Week, Part 2

Dr Britannica goes all Guantanamo while Ralph discovers the downside of college fame. Is Kati really going to let someone else take the blame for stealing Lawrence of Arabia?

Remember you can catch up on previous episodes of Staircase 22 on the podcasts page of cherwell.org.

Seasick Steve – Man From Another Time

Seasick Steve is back with his new album ‘Man From Another Time’. He’s bringing us no surprises; he retains the same unique, personable style that can only be achieved by a man who spent the earlier half of his life living ‘rough’, and now waxes lyrical about these past life experiences, accompanied by his now well-known array of ancient, defective guitars and makeshift percussion instruments, as time-worn and knockabout as the man himself.

Steve’s latest offering treats us once again to his unique, raw style of accomplished blues guitar playing, and his simple but effective storytelling charm – his sparsely worded nuggets of wisdom and anecdotes both humorous and poignant make for a touching narrative that will engage most listeners, even if on only the most basic of humanitarian levels. Four albums in, however, the phrase “you can’t teach an old dog new tricks” springs to mind, and it’s arguable that Steve is making music in a dated style, and presenting it unfashionably. Yet, if Seasick Steve were to thrice pluck his ‘Three String Trance Wonder’ and have all of his fans simultaneously appear in the same room, it would be a diverse bunch of people. Whereas many blues records being produced today exhibit a studio gloss far from its humble route, Steve produces raw and intimate affairs, and seemingly, this still has the capacity to appeal to a wide demographic.

Many of his tracks feature his Norwegian rhythm section, The Level Devils, but it’s his solo moments that prove the most effective. Take, for example, the title track of the album, which is about finding yourself older than you ever thought you would. With just his voice and his string deficient guitar, it’s moments like these that give this album its value.

It’s not poetic genius, and the songs couldn’t be described as ‘catchy’, but that’s not what the blues are for. The blues are raw, soulful, and real; and that’s what we’re given here.

 

Staircase 22: 2nd Week, Part 1

Paul’s first tute gets off to a bad start while Sarah fails to get an article in Cherwell. Did Ralph and Sarah really sleep together last night – or is it all a figment of his imagination?

Don’t forget you can catch up on previous episodes on the podcasts page at cherwell.org.

The BNP will forever claim it is a victim

The BNP have complained that they were victims of Question Time and that the show’s format had been changed to completely target their party. If Nick Griffin had eloquently defended his views which underpin BNP policies and delivered a polished performance, I imagine we would be hearing something very different. Question Time is about addressing the topical issues of that week and the BNP’s controversial appearance on the programme was an important topic to be discussed. It therefore did spark many questions from audience members, who wanted to interrogate the BNP on its viewpoints. Griffin criticised the cross-examination of his opinions and said that “People wanted to see me and hear me talking about things such as the postal strike.” Well, no Nick, actually that’s the last thing I want to hear you talking about. While the postal strike is an interesting issue within itself, having an extreme right wing group in the national forum for the first time, meant that I, like the audience, was far more interested in questioning Griffin on the BNP’s immigration policies that affect “non-indigenous” Britons like myself.

“If the BNP leader cannot even explain his beliefs now, what would it be like if the BNP were to come to power and had to account for much more?”

If Griffin had given a smooth delivery, he would now be congratulating himself on his opportunity to explain to eight million viewers his opinions on issues such as immigration and homosexuality. However, he gave a jittery and incompetent performance. He showed that his viewpoints crumble when under robust questioning, revealing the ignorance and idiocy that lie behind them. He has now therefore adopted the role of the victim in order to try and reduce the damage done to the credibility of the BNP. If the BNP leader cannot even explain his beliefs now, what would it be like if the BNP were to come to power and had to account for much more?

“Griffin is angry because London, like many other cities, does not fit with the BNP’s propaganda that depicts societies in racial conflict as a result of ethnic diversity”

Griffin claimed that the composition of the audience had been unfairly slanted against him. According to him, he faced a “lynch mob”, a “totally non-violent one” I hasten to add, from an “ethnically cleansed” London that was “no longer British”. He suggested that the programme should have taken place in Stoke, Burnley or Thurrock. Firstly, Griffin wants to focus on hot spots such as Burnley because the BNP has stirred up and exploited the racial tension that exists there. I’m far from saying racial conflict doesn’t exist but it is not as widespread as the BNP would have us believe. We were right to hold Question Time in London, a city which is an example of the mostly harmonious and tolerant multi-cultural society that we live in. Griffin is angry because London, like many other British cities, does not fit with the BNP’s propaganda that depicts societies in racial conflict as a result of ethnic diversity. Secondly, it wasn’t a completely anti-BNP audience as the BBC made sure that BNP supporters were present. Why didn’t these supporters speak up more and ask questions that underlie BNP voters’ concerns? Thirdly, Griffin was asked questions about his views, views that he alone had devised. He should have been able to adequately account for them whether he was in Burnley or in London.

“After a while he was beginning to sound like a backing singer for Shaggy’s ‘It Wasn’t Me’ track”

You would have thought Mr Griffin would have come thoroughly prepared, ready with an articulate defence of his beliefs. However, the man was reduced to an incoherent, babbling and quite sweaty buffoon when under questioning, whose only defence every time was that he had been “misquoted”. After a while he was beginning to sound like a backing singer for Shaggy’s ‘It Wasn’t Me’ track. Although the panel heavily relied on their list of BNP quotes rather than directly engaging with and challenging BNP policies, they did reveal the false moderate party image that Griffin has carefully tried to cultivate. Although Griffin chanted “The colour is irrelevant” when challenged on his definition of British, he didn’t deny the quote about wanting the country to be 99% ethnically white. Griffin was pinned down over his deceptively moderate stance by the YouTube video brought up by Dimbleby, which shows Griffin sharing a platform with the former leader of a Ku Klux Klan. In the video Griffin advocates that until they have gained enough public support, the BNP must carefully twist their ideas into an acceptable, moderate package, focusing on “freedom, security, identity, democracy”, when what they really mean is “racial purity”. Hopefully many BNP and non-BNP viewers would have been encouraged to go and look at the video and see, for themselves, the lie that is the BNP’s carefully PR controlled image.

I was very disappointed by the way in which the mainstream parties dealt with the issue of immigration. Jack Straw played into the BNP’s hands when he refused to acknowledge that the “government’s misguided polices on immigration” had aided the BNP’s success in the European Parliament elections. His refusal will have reaffirmed the thoughts of BNP supporters that the government is still not willing to listen to their concerns about immigration. Question Time was meant to allow for an honest debate on immigration and for the mainstream parties to show the public that they can offer feasible, alternative solutions that aren’t racist or inhumane. By continuing to deny that there are some communities who are worried about the pace of change within their area, the government is continuing to isolate sectors of the public, which the BNP will all too happily try and attract.

Question Time could have been more structured and precise in its interrogation of BNP policies. A longer version of the programme was necessary in order to give the panel and the audience enough time to properly grill the BNP leader on his stance on different issues. There were times when panellists were shouting over each other and when they didn’t allow Griffin to finish what he was saying and started firing multiple questions at him. If we are through vigorous questioning going to reveal the ignorance and illogicality that lies behind BNP policies, then it is only fair that we give Griffin the chance to finish his answers. Also the producers should not have encouraged and allowed booing. Immature jibes such as “Dick Griffin” and booing is the type of language that I would expect at a rowdy BNP meeting. Why lower ourselves to their standards and give them ammunition to portray themselves as the victims. It’s far better to reveal the fluff that makes up Griffin’s policies through intelligent, probing questions and reasoned arguments.

Overall Question Time did go some way in exposing Nick Griffin for his incoherent and racist views. However, the mainstream parties could have done much more to thoroughly analyse and tear apart his polices and so show why they are better placed to address the concerns of the British public.

 

 

Review: Go Back for Murder

The danger with staging a whodunit is that the performance can easily end up as a crude rehashing of an episode of Poirot. Posh accents, country houses, hysterical swooning from left to right are all elements that seem now to have become prerequisites of any murder mystery.

Fortunately, though, a clever script and some imaginative directing have lifted this production of Go Back for Murder above the level of ITV Sunday night drama.

Having said that, this play does include all the classic ingredients we expect from Agatha Christie. Our expectations are repeatedly confounded as we struggle to tread a path strewn with red herrings.

What makes the play unusual, however, is that the murder is being investigated sixteen years after it was originally carried out. This allows for a sequence of flashbacks that depict retrospectively the day of the murder itself. But since these flashbacks are narrated by the various suspects, we never know whether what we are seeing is actually the truth.

The director Robert Holtom has handled adeptly the various problems that the complex temporal pattern presents. The flashbacks occur in the same space as the modern day action so that the movement between past and present never feels contrived. The regular scene changes that pervade the first half could have resulted in a lack of continuity but the directors have countered this problem by splitting the stage into four sections and lighting each one in turn.

The script requires its actors to maintain a sense of intrigue throughout, something that this cast achieves with formidable skill. Joe Robertson plays Justin Fogg with an air of bemused indifference that fits his role as investigator perfectly. Elsa Greer, played by Chloe Courtney, switches skilfully between softly spoken spite and brazen anger in an attempt to conceal her own insecurities. The only character that doesn’t quite deliver is Carla Crale, who, since we already know her to be innocent, has a rather flat and uninteresting role to play. However, Jenny Ross does her best to make the role as convincing as possible.

Whether you fancy yourself as an amateur sleuth or you simply want to witness an innovative piece of student drama, Go Back for Murder will not disappoint.

four stars

Go Back for Murder is at OFS Studio from Tuesday-Saturday of 3rd Week. Tickets £9/7

 

Review: The Imaginarium of Doctor Parnassus

There are many painful things involved in watching The Imaginarium of Doctor Parnassus but by far the worst is the realisation that this, of all films, is to be Heath Ledger’s epitaph.

Upon finally escaping the cinema the lasting impression left on me was not the promised sense of child-like wonder but an all too adult sense of pity for Ledger, as he deserves a far better film as his swan song. The sad truth is that apart from the fascinating use of CGI there is very little to commend here: the film consists of a dark alignment of a loose plot, a lamentable script and some remarkably wooden acting, not to mention the persistence of rather ill-fitting motifs.

The film opens in a bleak 21st century London and follows the wandering troupe of the thousand year old Dr Parnassus (Christopher Plummer) on his eternal quest to open up the imaginations of the public by taking them through the Narnia-esque portal on his stage. Dr Parnassus is accompanied by Anton, a young magician and actor (Andrew Garfield), an assistant named Percy (Verne Troyer) and his ethereal daughter Valentina (Lily Cole). It soon transpires that Parnassus made a bet with the devil (Tom Waits) some years ago and as a consequence will have to surrender Valentina to him when she turns sixteen, which happens to be in three days’ time.

The devil offers Parnassus one last chance to save his daughter: the first to claim five souls wins and the battle for these souls will be waged in the fantastic world through the portal. Crossing Blackfriars Bridge after another unsuccessful night they stumble across Tony (Heath Ledger) hanging beneath them. Tony is on the run after defrauding the children’s charity he once ran. With his cheeky showmanship and sleight of hand Tony gives Parnassus’ troupe the edge in their contest with the devil.

Conceptually this does not sound too bad as a plot line. However, almost anything that could work in this film does not. The only memorable performances are given by Waits, who clearly had been waiting for this role his whole life, and, thankfully, by Ledger himself. Lily Cole, though visually ideal, suffers in the parts where she is required to speak. In fairness she is hamstrung by poor dialogue, which includes such killer lines as ‘Sweet sixteen, the age of consent’. Garfield, in his role as Anton, seemed to have given up on any pretence of trying to act his part well and instead delivered each line with febrile desperation; as if he too couldn’t wait for the film to end.

Then there was the whole host of other minor sins which made the film unwatchable: the pastiche of a Russian oligarch and his bodyguards, the scene where a row of London policemen line dance in drag in front of a sign saying ‘Join us if you love violence’ and, perhaps most unforgivably, the scene where Depp soliloquises by the riverfront as photos of Princess Di, James Dean and Rudolph Valentino float by: ‘They are forever young; they won’t grow old’.

Neither will Heath Ledger, but the sooner this film is forgotten the better he will be remembered.

one star