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Single review: ‘Diamond Hoo Ha Men’, Supergrass

With their new single, the wonderfully titled ‘Diamond Hoo Ha Men’, Supergrass remain, as ever, comfortably within the mainstream boundaries the band have always been so fond of. The bass seems like a cheap imitation of The White Stripes’ Blue Orchid, and the lyrics ‘I’ve got to get you in my suitcase’ patently echo the band’s desire to reinvigorate the last chagrins of youth and originality which exist within them. And yet, the song is alluring. The bass has a dirty ring to it, and the chords, although simple, have a familiarity that evokes notions of simple, good rock. This, in a sense, has always been both the dilemma and the art of Supergrass – they are wonderful at imitation, but not so much at innovation.

by Dave Wise

Wanted: one Alistair Campbell

The REAL election '08I picked up this election leaflet (pictured) outside Frankfurt University the other day. It's from the far-left Party for Social Equality (they want to install a United Socialist States of Europe), campaigning before next Sunday's state elections.Is it just me, or is this the least catchy piece of election literature ever?They say a picture paints a thousand words, but it seems they've taken that too literally – and instead of a picture have just written a thousand words. PR help seriously need, I'd say. Anyone offering?
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College football roundup

DIVISION ONE

St Hugh's 2, Somerville 3

A scrappy, hard-fought game was played out between the bottom two sides of the league. Somerville got out of the blocks the stronger, taking a comfortable 2-0 lead within the first thirty minutes. Hugh's did fight back, getting their first goal before the break through Adhip Rawal, and a second just after the interval through Ben Millette. Somerville's third, shortly after Hugh's equaliser, took the wind out of Hugh's sails and was enough to ensure Somerville's first 3 pointer of the season. Adhip Rawal

 

 

St Catz 5, Magdalen 2

Magdalen yesterday went down 5-2 to a strong Catz team, which is now a clear favourite for the title. Nonetheless, the match was closer than the scoreline suggests; Magdalen hit the post, had a header brilliantly cleared off the line, and had a re-taken penalty saved after initially having scored. Additionally, a goal was ruled out for a close offside. There were enough positives for Magdalen to be confident about putting a good run together this term, especially with the return of a couple of key players. Alex Canfor- Dumas

DIVISION TWO

Merton/Manfield 4, Queen’s 0

Merton/Mansfield eventually romped to a 4-0 victory after being held to 0-0 by a resiliant Queens defence until half time. A brace by Sam Williams and another from top scorer Robbie Coleman saw them shoot back to the top of the table. Reuben Holt

Single review: ‘Beautiful Burnout’, Underworld

Underworld is the electronic mastermind duo of Rick Smith and Karl Hyde. 2007 saw them return to the arena of exciting and experimental electronica with the release of their new studio album ‘Oblivion With Bells’, from which ‘Beautiful Burnout’ is the second single to be released. The track is a blend of light beats, sinister but strangely beautiful melodies, and the typically emotive and suggestive lyrics of Karl Hyde. Mark Knight provides a remix of the track: a more charged and heated version, with crescendos which prompt dangerously exciting anticipation and suspension in a more traditional, light electro style. Pig & Dan go on to create a high-pitched trance version that adds even more new elements. Underworld have made their mark once again: traditional yet fresh and innovative, light yet dark and heavy, creepy yet strangely beautiful. ‘Beautiful Burnout’ is the perfect mix of contradictions that will leave any listener intensely addicted. Rick and Karl definitely prove that they are by no means in any Oblivion. Bells? Certainly.

 

By Catherine Molony

Great Novels: Disgrace by J.M. Coetzee

Disgrace is a novel rich in symbolism and undertones which address its postcolonial message. The novel focuses on the political conflict rife in post-Apartheid South Africa, as the country struggles to adapt to a world after almost fifty years of racial segregation. The power balance in the country is shifting, and the novel’s protagonist, David Lurie, finds himself struggling with the unhappy realization that political change cannot eradicate human misery; that in some cases, it can exacerbate it. A proud womanizer, Lurie loses his job as a professor in Cape Town after an impulsive affair with a student, and goes to stay with his daughter Lucy for a while in rural South Africa. He cannot comprehend the post-Apartheid world that Lucy lives in, and remains nostalgically concerned with “the old days”. At one point Lucy snaps: “Wake up, David. This is the country. This is Africa”. In the country, a chain of events occur which alters their lives forever, causing Lurie to question almost every aspect of his existence. Coetzee’s novel opens the reader’s eyes to the more subtle problems inherent in a post-Apartheid world, the problems lying beneath the surface, which reside within the mindsets of individuals such as Lurie.

The style of the novel is sparse and concise; like a poem, it reads as if Coetzee has carefully considered the value of every word on the page, and ensured each was truly necessary before committing it to print. The beauty of Disgrace is its ability to link personal identity to wider political conflicts through its use of symbolism and metonymy. Lurie himself is representative of the post-Apartheid confusion in Africa as he constantly wavers in his actions, lacking direction and purpose. His affair with his student is described as “not rape, not quite that, but undesired nevertheless”. Lurie’s treatment of women throughout Disgrace has parallels with the treatment of black South Africans by colonial powers: there is an important comment made by Lucy in which she likens rape to murder, focusing on the symbol of a knife. This is just one of the many examples of sentences and words that resonate throughout the novel, possessing significance as structures in themselves, but also as methods of enforcing the novel’s wider themes and messages. Every one of Lurie’s comments is revealing not only of his personal state, but of the state of the world he inhabits: he muses, “Italian and French will not save him here in darkest Africa”, indicative of the division between North and South Africa. The horrific events experienced by David and Lucy in the country epitomise, in microcosm, the disastrous consequences of such a division. Reading Disgrace is like stopping at an endless series of crossroads, such is the wealth of undertones that greets the reader at every sentence. This is a truly fascinating novel, which raises many more questions than it answers, and even on the fourth read will cause you to consider something new.

by Elly McCausland

The glossy reality of Germany’s news media (not available online)

Germany’s widest-read newsmagazine, Focus (think Economist, but guest-edited by the Private Eye team, plus a bit of Stuff thrown in), celebrated its 15th birthday this week with an impressive bumper section — not available online, unfortunately — on the development of the glossy weekly.

One of the special features was an interesting sweep through the history of scoops produced by the magazine (not available online), which included the first report of the 2005 Volkswagen scandal, when VW money was spent on prostitutes and favours for members of the company’s worker’s council.

Shortly after the Erfurt massacre of 2002, when 16 people were killed when a pupil went on the rampage with a gun inside his secondary school, it broke details about the actions of one heroic teacher who locked the gunman in Room 111 to prevent further chaos (not available online).

In the same year it revealed that one of Germany’s regional prime ministers was moving to Berlin to be a big-shot in Gerhard Schröder’s federal government as minister for the economy and jobs. (Sounds dull, I know, but imagine if Gordon Brown decided to appoint Ken Livingstone as Chancellor).

What’s so special about this? Well simply the fact that these were all broken in a weekly magazine, not in the daily press. Der Spiegel , Focus’ rival, also has an impressive reputation as a ‘scooper’. Compare this with the German newspapers, which, you’ll know by now, are largely unoriginal and on the dull side. Unlike in Britain, the news force is in the glossies, not the papers.

So if you’re ever in Germany and want proper news, not just re-writes of press agency stories, buy Focus. It really is good.

But it has one slight fault. As if you hadn't gathered it yet, the website’s pretty stingy.

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Exhibition review: Little Black Dress, at the Brighton and Hove Museum and Gallery

That iconic garment, the Little Black Dress, or 'LBD', was born in the 1920s when Coco Chanel took dreary, black, mourning dress and created a modern, chic classic, known as 'Chanel's Ford'. Like the car, the LBD was an immediate success, appealing and available to women of all social classes.

This exhibition, curated by leading fashion designer Andrew Fionda (of the label Pearce II Fionda) charts the history of the LBD, its changing form, and lasting appeal. Beside exquisite examples of tailoring from the 1920s and 1930s are contemporary interpretations of the classic, including a long dress covered in volcanic eruptions of starched fabric. Such pieces challenge the tradition of beautiful cut, understated decoration and simple design.

Haute couture mixes with high street fashion, with pieces by Giles Deacon, Barbara Hulanicki (Biba), Betty Jackson, John Galliano, Nicole Farhi, and Zandra Rhodes. The dramatic floor-length fishtail dress by Julien MacDonald and worn by Victoria Beckham in his book, That Extra Half Inch, is one of the more attention-grabbing pieces; there are also dresses once worn by Joanna Lumley, Joan Collins and, of course, it being Brighton, drag queen Dave Lynn.

Andrew Fionda takes a more personal approach to the LBD than its obvious association with celebrity figures, exploring its significance in the lives of local women. In a short video, several women tell the tales of their very own LBD: where they got it, where they wore it, how it makes them feel. This is certainly a more imaginative exploration of the wearers of the LBD than simply displaying images of the ubiquitous Audrey Hepburn (don't worry – there is still one to be seen), but I can't say that the story of Kate's 50 pence charity shop bargain – which she altered and is now perfect – is wildly captivating.

'Little Black Dress' will appeal to anyone who has ever looked at a still from Breakfast at Tiffany's with envy, or longed for just a little bit of 'chic' in their life. It re-affirms the LBD as a rare garment that can make any woman look and feel good, one which seems likely to remain a fashion icon in its own right well into the future.

By Ruth Simister

'Little Black Dress' is on at the Brighton & Hove Museum and Gallery until June; there are various related events throughout this period. Free admission.

Alternative Clubbing: Narcissists

Have you had your fill of Filth? Is the ‘VIP’ area at the Bridge starting to lose its appeal? Are you feeling unable to face another bop standing in the corner sucking face with your college dad to the sound of ‘hilarious’ 90’s pop ‘classics’? Then Cherwell24 is here to save you. Every week this term, we’ll be reporting on a regular Oxford club night that offers something different from the run of the mill, something beyond the dreaded ‘cheese’, something that, just maybe, you might even consider dancing to sober… Not that sobriety has much to do with Wednesdays at Baby Love bar, situated on King Edward Street, just off the High. Every other week, this cocktail-bar-and-club plays host to Narcissists, which is pretty much the daddy of the indie/alternative clubbing scene around these parts. If you’re the kind of indie kid who likes your guitars squashed up against your electro beats in the company of girls with unfeasibly cool hair and emotionally scarred, heavily mascara-ed boys, chances are you’ll fit in here. So, exactly what kinds of sounds keep the regulars coming back? The emphasis is firmly on the danceable. A typical night sees the likes of LCD Soundsystem and Le Tigre merge naturally into harder, scuzzier electro sounds as the night wears on, and singalong Strokes songs followed by a remix of 1-2-3-4 (that song off the iPod ads) where Leslie Feist’s vocals float over a sea of brooding techno. A girl stands outside the bar with the smokers. Why does she come to Narcissists? “It makes me feel wholesome.” Wholesome? “Yeah – there are a lot of pretentious indie people here, and I feel wholesome compared to them.” She pauses. “Like – like wholemeal bread, you see.” She staggers back into the club. Some would argue that, as it enters its fourth year, being a self-confessed Narcissist has become passé. True, the cloakroom isn’t free anymore, and the drinks were never cheap, and chances are you’ll hear roughly the same tunes and see roughly the same faces every time you go. But they’re not bad tunes, really, are they? They’re not bad faces. Not compared with the Baywatch theme song at Filth.

Union Re-Poll in Turmoil

The Union re-poll due to take place at the end of 2nd week following presidential candidate Krishna Omkar’s disqualification by an election tribunal has been plunged into turmoil after the Returning Officer received no valid nominations.

The unprecedented situation has forced Alex Priest, the current Returning Officer, to issue an interpretation and ruling on how the Union will now proceed, as there are no rules specifically covering this outcome.

In what appears to be an attempt to avoid suggestions of undemocratic handling of the elections, the Returning Officer’s ruling has gone contrary to what had been expected by those close to the Union and what had been reported in the press.

The original tribunal hearing disqualified Krishna Omkar from last term’s overturned Union presidential election, and forbade him from running in any subsequent Union elections.

The tribunal board directed that a re-poll for the position of President should be held, and laid down criteria for eligibility, namely that those eligible to run for President at the original election, except Krishna Omkar, would be eligible to run in the re-poll.

Charlotte Fischer and Claire Hennessey, who was Secretary in Michaelmas, were both eligible to be nominated under the criteria. However, Fischer resigned from Standing Committee on Monday of 1st week, citing sexual harassment from committee members and “personal attacks”.

As Cherwell24 has now learned, Hennessey has not stepped forward to run, leaving no nominations for election.

In the absence of nominations, it was expected that current Librarian Ed Waldegrave would assume the presidency for Trinity Term, with the subsequent elevation of officers below him.

However, the Returning Officer has instead directed that the re-poll be deemed to have not occurred, and so another poll will be held, with nominations closing Friday of 3rd week.

To ensure a contested election, the eligibility criteria have been relaxed so that more candidates are able to be nominated. Cherwell24 is aware of at least six potentially eligible candidates.

In the interpretation and ruling, the Returning Officer notes that, “The democratic election of Officers – especially that for the Office of President – is a fundamental principle which underpins all for which this Society stands.”

He goes on to state that he believes that the ruling is in the “best interests of [the] Society and its members.”

Sources close to the Union have told Cherwell24 that elements within the Union had “exerted extreme pressure” on the Returning Officer to avoid holding another poll and instead appoint Ed Waldegrave as President for Trinity Term. However, when contacted, the Returning Officer was unable to comment.

It is, however, understood that the original tribunal and appellate board chairmen, as well as several other senior figures within the Union, were in favour of a democratic solution.

Nominations for the poll open Friday of 2nd week and close 3pm Friday of 3rd week. Presidential elections for Michaelmas term are still scheduled to take place in 7th week this term.

Organ players

 Lewis Goodall comments on the opt-out organ donation proposal.  

At last, some bold progressive thinking from the Brown government. Attempting to shake off the malaise that gripped what is being perceived in some quarters as his increasingly embattled administration during the dying weeks of 2007, the Prime Minister has got the New Year off to a good start by unveiling his new policies on organ donation over the weekend. Heeding the advice of the Chief Medical Officer, Sir Liam Donaldson, the government is proposing that everyone should be presumed to give consent for their organs to be used after death to save the lives of others. This is a reversal from the current ‘opt-in’ situation where a person has to give their permission before death and quite different from those of Continental Europe where the ‘opt-in’ approach is still the method of choice.  

In 2008 it is estimated that 8,000 people will wait for organs (a number increasing by around 8% a year), but a mere 3,000 will actually receive a transplant. 10,000 more could have their sight saved or long-term disease cured. Many die after a long period of appalling suffering, just waiting for someone – anyone – to show a bit of compassion and generosity. To most people, the way forward seems obvious and according to opinion polls – it is. 90% of people favour organ donation. Interestingly, only 25% actually get around to doing it. The government’s proposals overcome that most intractable problem: apathy. In so doing, an extra 1,000 people could be saved each year.  

Someone once said (well, Stalin actually) that one life mattered but 1,000 was just a statistic. The next time the Church of England, the Daily Mail and other narrow minded right-groups choose to criticise the scheme on the grounds of immorality (the war-cry has already emerged from the Bishop of Southwark) they would do well to remember that these are people’s fathers and mothers, sons and daughters. These aren’t Cold War statistics – these are people. I ask the aforementioned Bishop: where exactly is the morality in condoning the death of thousands for the sake of some lofty arcane relic of theological principle? The bottom line is plain for all to see – the dead do not need their organs. We should seize the one positive that can possibly come from death: life for others. 

Equally objectionable to me is the idea that somehow an opt-out system of organ donation is the latest devilish wheeze in the so-called Nanny State’s unending quest to see and control all. Conservative blogger Iain Dale talks of ‘Brown wanting to nationalise our bodies’, sentiments echoed by Tory Health Spokesman Andrew Lansley. How quickly the ‘new’ Cameronite Conservative Party retreats to its old sins, pandering to their reactionary base and thundering on about points of facetious ideology on the rights of the state over its citizens’ bodies. Were it a totally compulsory system, one might see some truth in this; as the proposals stand however, should a citizen find the idea of saving another’s life after death totally repugnant, they need only tick a box and the thought need never cross their minds again. If Cameron’s brand of ‘Compassionate Conservatism’ were worth the time of day they would and should support the measure when the time comes in the House of Commons. 

Critics point out, four years ago, the government had precisely the opposite position, bleating about the immorality of such proposals. Tony Blair himself led the campaign against such a measure. However, Blair is history now and a sinner that repenteth is welcomed. Whether for reasons of politics or compassion (perhaps both) Brown has finally seen the light. All those that value human life should welcome his conversion.

This comment represents the views of the writer and not of Cherwell24