Thursday 25th September 2025
Blog Page 259

Bumps, Blades, Boating: Summer Eights explained

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As anyone with rowing friends will know, Wednesday will see the start of one of the biggest events on the University’s Summer sporting calender: Summer Eights.  Celebrated by the rowing community, many of its rules and traditions can be confusing to outsiders. Here is our rundown of everything you need to know ahead of Summer Eights 2022.

The Basics

Summer Eights is held in 5th Week of Trinity Term every year and takes place from Wednesday through Saturday. Competition is done following the Bump-racing format. Boats line up in a predetermined start order with just over twenty metres between them. A cannon shot announces the start of the race, the goal of which is to ‘bump’ the boat in front, whilst avoiding getting ‘bumped’ by the boat behind.  A ‘bump’ is awarded when a chasing boat either overtakes or makes contact with the boat in front. Often, if a bump is imminent, the cox of the boat being chased will choose to concede to the crew behind before actual contact takes place; they do this by raising their arms. Once a bump has taken place, both boats involved exit the race by moving to the side of the river.  On the next day, the two will switch places in the running order and if a team ‘bumps’ every day they are awarded ‘blades’.  Similarly, getting bumped every day will see a boat get ‘spoons’.  A boat which bumps to the top of the division also races with the division in front. There are 14 divisions and each is made up of 13 boats. Races take place every half hour, alternating between men’s and women’s crews.  Colleges aim to be the top boat in the first division, after which they are crowned ‘Head of the River’.

The Contenders

The race hasn’t been run since 2019 as a result of the COVID-19 pandemic and its return has been hotly anticipated.  As a result though, rarely has the event been so hard to predict. Back then, it was Oriel who finished as the Head of the River for the men and Wolfson for the women.  That means that in division one, they will lead out Keble, Pembroke and Christ Church in the men’s race. Keble, a college which has made a rapid rise in the rowing ranks over the past years, will be looking to regain the top spot it held in 2018.  In the women’s first division, Pembroke, Wadham, Univ, and Christ Church will follow Oriel.  As ever, results will be hard to predict but Pembroke are will be looking to rise up division one in both categories.

Rowing-On

Rowing-On is the timed qualifying event for crews outside of the fixed divisions who are assured a spot. It was held on the Saturday before Summer Eights.  This year saw Trinity’s third boat lead the way in the men’s and Keble’s second boat in the women’s.  The full results can be seen below:

Logistics

Racing will take place every day between Wednesday and Saturday with racing taking place between 12:15 and 19:15 (and starting an hour earlier on Sunday).  The course stretches from Iffley Lock to Folly Bridge and there is sure to be a party atmosphere at every boathouse every day, especially on Saturday. Spectators are of course welcomed throughout the event; traditionally the final day sees the boathouses host events throughout the afternoon.

So, big tests await all crews. For the spectators, with over 1500 rowers set to participate across the divisions, get ready for a huge amount of fun and partying come the weekend!

Lord Reginald Moreton of Oxfordshire

Poet’s Note: “One of my favourite things to do whenever I visit new areas with my friends is to come up with ridiculous “histories” for the place we visit. Naturally, when I came to Oxford, this tradition continued, and I’ve made up many stories about Oxford’s under-appreciated, obscure locales. My university accommodation faces Moreton Road, the road which is the border between north Oxford and Summertown. I wanted to come up with a story as to why the road was named Moreton. Lately, I’ve been trying to write poetry in a Restoration-era style, so I decided that Moreton Road was named after the totally real Oxonian rake, Lord Reginald Moreton of Oxfordshire. For this poem, I was specifically inspired by the satirical, whimsical, often saucy writings of the famous Restoration libertine John Wilmot, 2nd Earl of Rochester.”

I
Lord Reginald Moreton of Oxfordshire,
With his white, well-wigg’d tow’ring coiffure,
Liv’d during our Most Merry King’s reign:—
That bygone era of our Youth profane,
When we lov’d most passionately of all,
Ne’er fearing God’s wrath or a downfall,
Submitting to forces of desire,
Surely we damned to some hot Hellfire—
Yet we liv’d like bucolic swains of yore;
This audience I’ll tell no tale before:
Lord Reginald Moreton was a bright boy
Who took upon his studies with most joy;
He matriculated into Oxford
At just sixteen summers; there he explor’d
Fond friendships, thrilling trysts, amorous loves:
Fellow Wadham youths below and above.
Enjoy’d he the company of all sorts,
Among they: Christopher Wren and John Wilmot—
Wadham call’d ‘em Libertine Argonauts;
In those great halls many a word they wrote,
Creating some numerous anecdotes:
Pageboys and maidenheads so licentious,
Priests, pastors—all clergy—desirous
Frustrated they the don with all their woes,
But they knew not yet a single sorrow;
Their markèd effervesence eternal,
Expanded greatly their bonds fraternal,
Reginald soon known all ‘cross Oxfordshire,
With his white, well-wigg’d towering coiffure.

II
Wren, however, soon left his rakish life,
Pursuing knowledge, avoiding foul strife;
Rochester and Moreton yet did remain,
From few vain diversions they would abstain;
Knew deeply they all physical pleasures,
Even each other’s bodies they’d measure,
Soon, they knew also a new ecstasy,
But quickly approach’d graduation day;
Rusticat’d they: village near Marseille;
There they enjoy’d beaches and promenades,
Making each other toast with marmalade,
‘Till news came His Majesty would report,
Most August, Benevolent Charles Stuart,
Soon arriv’d with lovely Catherine, Queen,
To enjoy that Ocean aquamarine;
The two couples met on those French shores;
Charles told them tales of English Civil War;
The Libertines sung Irish limericks,
Alas! Sweet Queen Catherine became sick!
Off she went to some hospital hidden,
While they engag’d in love forbidden;
Charles purchas’d a bathtub with three ends,
So his Hyacinthines could give him
Such joys from those white bubbles did descend;
When exhaust’d, they’d all cuddle in bed;
Though those languid days were limited so,
Labouring in repose, reading Rousseau,
‘Till June when Catherine’s health did improve,
Of their obscenities she did reprove.

III
Charles cared not; sail’d they to England;
The remaining loves tired of French sands,
Return’d they to their homeland, to Oxfordshire,
Sorely missing that European tour,
But onward did continue their studies—
Really, Rochester drank with his buddies;
Meanwhile, Moreton invested in books,
Each to their whims; a friendship forsook,
Pity, soon forgot; degrees they now held,
Through the next decade of life they propelled.
Pleasure, drink: dominated Wilmot,
Literally went out with a bang, that clot!
The world knew not a better hedonist,
Mist’d all eyes his death did; he was missed,
By Moreton and King Charles most of all,
Embracing in those mausoleum halls;
But from that sorrow arose merriment,
Fescennine love reborn, to Cat’s discontent,
Moreton ascended to the King’s fav’rite,
Golden, sunlit bond, none so close-knit.
Moreton with honours Charles did bestow:
Land in Summertown, Oxford; a chateau,
Its view: French shores three Cavaliers once shar’d;
An Oxford road named Moreton, King declar’d,
And lastly: a certain three-headed bathtub;
An old Moreton’d soak, after supper club;
That rake liv’d hap’ly into late years;
At the funeral said the mourners’ cheers:
“Woe! That sinecure gone so premature,
An epicure ‘mpassion’d with such rigour;
May ‘is mem’ry be bless’d, we shall assure:
With his white, well-wigg’d tow’ring coiffure,
Lord Reginald Moreton of Oxfordshire.”

Names preserved in blue and white: Anthony Wood

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Image Description: Merton Street

In modern times, the ‘Blue Plaque’ has become a staple of British culture. Since its launch in London in 1866, it is almost impossible to go to any larger settlement and not see one. Their purpose is simple and clear; to commemorate a location and its link to a notable person or event. It is perhaps unsurprising therefore, that Oxford is richly endowed with over 70 such plaques. They are a physical link to the past, allowing the history of a building to be maintained and acknowledged, and are almost unavoidable when walking around Oxford. I believe that many are not understood properly, and I want to engage with these plaques in a way which will further my own interests and the reader’s; highlighting the intriguing lives of the people commemorated and their contributions to the city that Oxford is today.

Whenever people come to visit during term, I always take them to Merton Street. The cobbled road, strikingly old buildings and Merton’s sizeable chapel give a classically ‘Oxford’ impression. Just opposite Merton’s entrance there is an ancient mediaeval cottage with mullioned windows, known as the Postmaster’s Hall. It was here that Anthony à Wood (1632-1695) was born, lived and died, with his Blue Plaque commemorating him on the wall just to the right of the cottage. He was educated at New College School and Lord William’s grammar school in Thame, where his education was halted by a minor inconvenience known as the English Civil War. Nevertheless, he went on to matriculate at Merton in 1647. Interestingly, he was not considered a talented student, and it took him until 1652 to graduate (I dare say Merton would not be impressed with his lack of Norrington Table contributions). But he soon immersed himself in what he was to become best known for; antiquarian studies (studying the past with the use of evidence such as archaeology, manuscripts or, in Wood’s case, archives). 

“Whenever people come to visit during term, I always take them to Merton Street.”

He began by trawling through the registers of Christ Church until Dr John Wallis allowed him access to the University’s archives in 1660, as he was their Keeper. It was here that he discovered William Burton’s The Description of Leicestershire (1622) and Sir William Dugdale’s Antiquities of Warwickshire (1656). These works had an enormous influence on Wood, so much so that he was determined to pen a similar great work about Oxfordshire. He drew on another project by an earlier antiquary, Brian Twyne, and systematically searched through the legal documents of all the colleges. It’s a shame Wood didn’t have SOLO to use, but as we all know from last minute searches, the college library doesn’t have everything. In the year 1667 he made his first visit to London, meeting with more people who were able to provide him with even more libraries. After consulting more parish and city archives than one could ever imagine, his writings were finally ready to be published. In 1669 Dr Fell, the Dean of Christ Church and an influential figure in the university press, offered to publish Wood’s work. From this Wood would earn £100 (Just over £23,000 today), on one condition; it had to be published in Latin. Wood duly consented, and in 1674 The History and Antiquities of the University of Oxford appeared in two volumes. The first detailed a general history, the second that of specific individuals and colleges. Wood’s book was successful, and established his reputation as an antiquary. 

Dr Fell suggested another project which Wood undertook enthusiastically. Alongside John Aubrey, he compiled another great tome of Oxford history. It took them both the rest of the 1670s and the entire 1680s to finish, but in 1691 the first volume of Athenae Oxonienses was published. It detailed all of the many writers and bishops who had been educated at Oxford since the year 1500. Unfortunately, the book was met with mixed reviews, and in 1693 Wood was even sued by Henry, the Earl of Clarendon, for the portrayal of his late father. One could only assume that accusing someone’s father of corruption was quite bad. Anthony Wood (the à was his own later addition) fell out with Aubrey, blaming him for the book’s questionable reception. He died in 1695 and was buried in Merton’s chapel, where he had once been that supposedly mediocre undergraduate. 

What struck me when researching this first plaque, was his sheer determination to finish his projects and the legacy which he left behind. Aside from his works, he bequeathed 127 manuscripts and 970 books to the Ashmolean Museum, which are now housed in the Bodleian. From these papers his autobiography, The Life and Times of Anthony Wood, was compiled from 1891-1900 by Andrew Clark. It is written in the third person and is an excellent collection of the most minute details of his life. Wood had a reputation for being a rude and disagreeable person. But it is difficult to look at the Postmaster’s Hall on Merton Street and not imagine Wood toiling away long hours within. The fact that his two main works took up so many years of his life is a testament of his commitment to knowledge, and something which a Blue Plaque could never fully convey. When I next return to Merton Street, I will remember that this plaque is not just notifying the viewer of someone interesting, but of a man whose obsessive research led to perhaps two of the most thorough academic works to come out of this city.

Image Credit: Flickr

Oxfordshire authorities set up cycling safety group amid calls for “fundamental change”

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In the wake of three cyclist deaths across the city in six months, Oxfordshire County Council has set up a working group to improve the safety of cyclists and pedestrians. 

With a mandate to “prevent any recurrence of the recent tragic accidents involving cyclists”, the group’s remit is set to focus on “locations of concern” – sites associated with road fatalities and other accidents – and consider both immediate and longer-term measures to guarantee safe road access for cyclists. 

The group brings together elected officials from county, city, district, and parish councils, including Cllr. Jemima Hunt, Oxford City Council’s Cycling Champion, along with representatives of civil society, such as leading members of cycling and active travel groups. 

Three locations in particular have come under scrutiny; The Plain, Oxford Parkway, and the junction of Headley Way and London Road, each associated with a fatal collision. Dr. Ling Felce, a postdoctoral researcher at Nuffield College, was killed in a lorry collision on The Plain on 1 March, while Ellen Moilanen died near Oxford Parkway in February, and Jennifer Wong was killed at the Headley junction in September 2021. 

Specific measures to be implemented as soon as possible include lowering speed limits, vehicle capacity reduction, and additional signage to improve road safety. Longer-term changes currently under discussion might include barriers to effectively segregate cyclists from vehicle traffic, along with wholesale redesigns of particularly dangerous sections to guarantee pedestrian and cyclist safety. 

The working group also intends for a broader review of cyclist provisions at junctions across its jurisdiction. The council’s move follows a petition by the campaign group Cyclox, which advocates for better cycling infrastructure, safer pavements and junctions, traffic-reducing measures, and more effective enforcement. 

“Any death on our city’s roads is one too many”, said Cyclox chair Alison Hill, who delivered the petition, pointing out that a disproportionate number of the recent fatalities have been women. 

A “fundamental change” in road design and planning priorities is needed, the campaign group argues, including an explicit commitment towards zero road deaths and greater consideration for “people who walk and cycle”, while retaining existing targets for a zero-carbon transport network. 

A consultation on the County Council’s Local Transport and Connectivity Plan, which closed on the 16th of May, has led to the adoption of such a commitment by cabinet members, the Vision Zero principle, to praise from the council’s working group. 

Oxford University itself has become involved in this push towards change, lobbying with local authorities for greater investment in roundabout safety following the death of Dr. Felce. And the matter has reached the attention of Oxford’s parliamentary representatives, as well. Layla Moran raised the subject in a meeting with Transport officials, pushing for greater investment in road safety, and Cyclox has met with Shadow Cabinet member Anneliese Dodds to push for greater and immediate action. 

Vigils for the dead cyclists have been held across Oxford throughout the past six months.

Image credit: Waldemar Brandt via Unsplash

In conversation with the creatives behind Top Girls

Caryl Churchill’s 1982 play Top Girls is considered one of the best and most influential British plays of the 20th century, exploring what it took for a woman to succeed in 1980s Britain – and it’s coming to LMH Arts Week in an exciting new staging by Oxford students. Cherwell Stage spoke to co-directors Bella Stanford-Harris and Flora Symington, and producer Mia Hollingsworth-Smith, about their experiences working on Top Girls.

What drew you to Top Girls?

Bella: I am an LMH student, and I wanted to get involved in LMH Arts Week. Caryl Churchill is an alumna, and still has links to the college, so she’s very much present in college life. It is quite a big moment for LMH drama to be able to stage her play. The feminist history of the college is something we always hear about, so it’s nice to be able to pay homage to that.

Flora: I did a bit of research into [Caryl Churchill], and she was very involved in student drama here, so this is very much taking us back to its roots. I think it’s such a good use of theatre as a form, because you have the visuals with which you can present onstage two concurring narratives that are both true. She’s used the form to examine the ways women can and can’t be successful in such a brilliant way. Every play Caryl Churchill writes has revolutionised theatre. I’ve never directed before but I thought if I were to direct something it would be this.

Mia: I love how the play’s socio-political messages are shown in an almost didactic Brechtian way with its episodic structure, historical characters and absurdist scenes, but at the same time it has moments of lovely moments of realism – dramatic family scenes that really expose the destructive effects of Thatcherism. 

This is your directorial debut. How has your experience been directing a play?

Bella: It’s so interesting being on the other side [of theatre production]. I acted quite a lot at school, and I always thought how interesting it would be to direct. Having ideas as an actor, but not really being able to implement them because it’s the director’s role, is now a fantasy come true.

Flora: It is a collaborative process, but sometimes you think ‘I would have done this differently’, or made a different decision. But I find it’s the same on the other side; [as director] I think, ‘I want to be acting in this!’. The cast have been so good to work with. They have their own ideas which they bring to it, and they’ve been very receptive to us.

Top Girls is set in 1980s Britain, with the rise of the right wing and Thatcherism, as well as feminism. How have you tackled the political side of the play?

Bella: I think it speaks for itself. It’s hard to pinpoint the political message of the play. We know Caryl Churchill is quite active in left-wing politics, but if you didn’t know that and watched the play, you probably wouldn’t be able to tell. That’s why it’s so interesting for an audience to take what messages they will from it.

Flora: The way that it’s written elicits sympathy for both sides. I think ultimately the play does come down on the left, but it speaks for itself. It would be very easy to write a left-wing play that just exposes all the problems with Thatcherism but [Churchill] hasn’t done that, she’s done something more complex.

Bella: You can’t draw out a black-and-white feminist message from it either. It portrays so many different versions of women, so many different ideas of a successful woman, and the path to being a successful woman, that it complicates the issue, and you don’t leave with a clear sense of what it means to be a successful woman.

Flora: It’s unusual to see a production where the cast is all women. It gives you space to bring out so many different aspects of the female characters. Removing men from the equation gives a new complexity to it, as women now embody all of these positions.

Bella: All of them are complicated, and it shows famous women from history, who are an interesting comparison with the modern day characters.

Flora: For a 2022 audience, we would probably all sympathise more with Marlene, who is also very socially right wing. It will complicate people’s sympathies, and I hope they will leave it thinking there’s more to this kind of politics than they would first imagine.

Mia: I think the 80s setting really highlights how Marlene on the one hand reflects the feminist aspects of female figures of power like Thatcher but at the same time shows how Thatcher’s power was destructive. Coming from an ex-mining town myself, I definitely relate to the destructive effects of Thatcherism, especially on small communities. The way Marlene chooses her career and essentially abandons her family is reminiscent of Thatcher’s capitalist mentality of “there’s no such thing as society”.

Any memorable moments from rehearsals?

Flora: My most memorable moment was the first time we rehearsed Act 3, and we had the two principal members of the cast in the room together for the first time, and it was chemistry. Magic.

Bella: That was the first time I took a step back from the play and saw it as if I was an audience member.

Tell me something that would only make sense if you’ve seen the play.

Flora: There’s so many things that don’t make any sense! “You can kill someone with a brick.” That’s all I’m going to tell you. [Starts leafing through script] “Bums have faces in hell.” I’m trying to find Joan’s speech because I feel like that’s my favourite bit of the entire production.

Bella: When you give birth during a papal procession.

What makes your production of Top Girls unique?

Mia: I think our production of Top Girls is different because the recent #NotAllMen movement, sparked by the tragic murder of Sarah Everard, means the issues the play raises about feminism are demonstrated in a new light that is especially relevant to a contemporary audience – and our wonderful actors portrays them in a really refreshing way!

Flora: We’ve thought a lot about Act 1, which doesn’t relate to the rest of the script chronologically. It takes place in what we would now class as a semi-real, semi-surrealist space. It could be a dream, but could also fit into the surrealist landscape of the play. We’ve changed the order of that, so that that’s not the first thing you see. We’ve put a different scene at the start. I think nobody can come out of this with a clear view on what they think. It will make people question their own views, hopefully, and make people realise that it’s always more complicated than it appears at first sight.

Top Girls runs as part of Lady Margaret Hall Arts Week on Monday 23rd and Tuesday 24th May. Tickets are available here.

Image credit: Niamh Jones

Bank of America pledges £1.2 million to Oxford for greenhouse gas removal

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Oxford University is due to receive £1.2 million from the Bank of America to fund research into greenhouse gas removal and sustainable finance. This project to tackle climate change and improve sustainability within financial services will be carried out at the Smith School of Enterprise and Environment.

The research will cover two key areas and will be split across two sites. The first will identify methods of taking greenhouse gases out of the air in an environmentally, socially and economically sustainable manner. It will be based at the Greenhouse Gas Removal Hub (CO₂RE). Dr Stephen Smith will direct this project.

The second group will be led by Dr Ben Caldecott and will investigate using environmental data about the climate and nature-related factors in financial decision-making. This will be based at the Oxford Sustainable Finance Group and the UK Centre for Greening Finance and Investment (CGFI).

The funding will support three years of research into these two critical areas, as well as contribute funding to a Director’s Research fund. This will allow the School to undertake other sustainable research opportunities.
This partnership is pivotal, according to Bernard Mensah, president of International at Bank of America. “Successful partnerships between business, academia and governments are critical if we are to accelerate the transition to sustainable, secure and affordable energy and bring forwards the path to net zero,” he said. It is the first partnership of its kind for Bank of America in Europe.

The Climate Change Committee (CCC) and other climate change activists and organizations have also stressed the need for international cooperation and a global response to climate change. Chatham House wrote in its article commenting on the latest Intergovernmental Panel on Climate Change (IPCC) report on 6 April 2022, “To deliver a world that restricts global warming to 1.5°C — an internationally agreed target — systemic change is needed.”

This collaboration between the University and the Bank of America is a move to a more international approach to tackling the climate crisis. Mensah said he feels it “has the potential to transform scalable carbon capture and greenhouse gas removal and also the integration of nature-based metrics into sustainable finance frameworks.”

These projects endeavour to make influential progress combatting climate change. The research is key to moving towards a more sustainable future and achieving the goals outlined by the IPCC and governments by 2030. The Bank of America itself published their commitment to environmental sustainability on their website, with a goal to achieve net zero greenhouse gas emissions by 2050 in support of the Paris Climate Agreement.

The results and data from the research will be used to inform financial services decision making. It seeks to inform more implementable, sustainable business models. Professor Cameron Hepburn, director of the Smith School, commented, “This project has a pressing need considering the current climate crisis. It hopes to make impressive and influential progress combatting climate change, to one of action.”

The Smith School is taking a key role in driving systematic change in combatting climate change. Previously they have worked with 20 separate governments worldwide in finding solutions to green recovery. Its research is influential, directly informing global financial institutions across the globe.

Image credit: Marcin Jozwiak

BREAKING: Oxford Union and Student Union to merge into Union Union 

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Like this has not already happened right before everyone’s eyes, it was announced today that the Oxford Union, known for its hacks and chums, will merge with the Student Union, known for its jazz hands and vegan sausages. The stellar deal is worth £506 million. The merger organisation will be called the Union Union. 

The new Union Union is sure to think they are way more important than they actually are. New political systems will be in place with a 385436845786-page constitution that absolutely no one will read. The new “Secretary” of the Union Union will be in charge of making sure as many scandals happen as often as possible. Anonymous tipsters will be encouraged to approach newspapers all over the country. 

The new Union Union president is keen to hack double the amount of people that they already do. Lichme Bumcheek shamelessly told Cherwell: “Hello! I hope you are well! Are you a member? Basically, I know we have never met before, lol, but basically I’m running in the Super Union election basically. I am going to be on seccies team for #innovate and would super massively enormously absolutely love for you to pre-register for the vote in 2 months. It would mean a lot :)))) I hope you like all the things that we do not do in office. Would make a massive difference to be supported by a stranger like you. Anyway, let’s go for a coffee sometime? I’d love to meet you! Follow me on Twitter as well! @LichmeBumBum. Cool, see you in the Bridge smoking area, lolol.”

Lots of cancellable speakers will be invited to the Union Union chambers, including activists for the repressed art of hate crime and corrupt billionaires. 

While white tie will be mandatory for debates, speakers will be prohibited from making noise of any kind to keep up with the core culture of the former Student Union. The use of alcohol and drugs will be actively encouraged. 

There will be no toilets in the headquarters, as the Union Union believes that this is a necessary change for the sake of environmentalism, in order to offset the damage caused by the amount of hot air the Union produces regularly. 


The Goldman Sachs executive who mediated the merger deal was the Oxford Union Chief of Hacks’s daddy. He told Oh Well!: “I am wonderfully delighted that my esteemed privilege still serves me well today. It’s marvellous to see our young generations build such valiant characters during their time who won’t get offended by everything! Out with sodding woke bigots!” Little did he know that he would get cancelled upon his first visit to the Union Union.

See the Oh Well and the puzzles section on the back page of print.

Prince Charles talks to University College students about access

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During his recent visit to Oxford, Prince Charles spoke with a group of 12 ‘under-represented’ students to hear about their experiences and challenges. The 30-minute conversation took place in the residence of Baroness Amos, master of University College (Univ), after the Prince’s visit to unveil the new Levine building at Trinity college last Thursday. 

Baroness Amos is the first black head of any Oxford college and the co-founder of the Amos Bursary program for talented students of African and Caribbean descent. Recipients of this bursary as well as others who had participated in the Opportunity Oxford program were invited to the meeting. He was eager to hear about their journeys to Oxford and thoughts on access at the university. 

The conversation came at the request of Prince Charles, who is working on some projects to make university more accessible for students from a variety of backgrounds. Chloe Bardou, Univ JCR Access and Equality rep was one of the students who spoke to Prince Charles. She talked highly of the conversation, saying that although she “was a little bit starstruck”, he made everyone feel at ease and “was keen to hear our feedback on what did and didn’t work” in regards to Prince Charles’ ideas. 

The visit comes as the JCR at Univ is pushing for access to be a main priority for the college in the coming years. The college hosts regular visits from schools in Univ’s linked areas in South-East England and engages with direct outreach to these groups from student ambassadors. 

Additionally, the college participates in the Opportunity Oxford academic program, which aims to support students who come from under-represented state school backgrounds to prepare for Oxford teaching and living. This year also saw many new events put on by Univ’s JCR and MCR this year to improve inclusivity including a Diwali bop, Chinese New Year celebrations, candle lighting for Hanukkah and a college-wide Iftar. Bardou is pleased with progress like this. However, she hopes the college will do more to make it easier to put on such events and allow small changes that can make students feel more welcome, like rewriting aspects of their Flag policy. 

The meeting left participants optimistic about Univ’s inclusive future and the Prince’s decision to discuss such matters with students did not go unnoticed by those he met with, and the many others who gathered outside the master’s residence to spot him leaving afterwards.

Image credit: Ed Nix

Government cuts ties with NUS over ‘antisemitic rot’

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CW: Antisemitism

After a series of scandals, the government has cut all ties with the National Union of Students (NUS), accusing it of having “antisemitic rot at its heart”.

The NUS, which is affiliated with 600 student unions and claims to represent seven million students nationwide, will no longer be allowed to send members to sit on government panels in the Department of Education, Office for Students, or the Student Loans Company. In their place, the government will seek alternative representation, including from individual student unions.

The universities minister, Michelle Donelan, told The Times that she was “deeply disappointed” to have to take what she sees as a “necessary step”. “NUS Presidents of the past, present and now future have now faced antisemitism allegations, yet not one has resigned over the matter — this is evidence of an antisemitic rot at the heart of the NUS,” she continued.

In 2016, three former NUS Presidents accused then President Malia Bouattia of “antisemitic rhetoric” after she described Birmingham University as “someting of a Zionist outpost”. The comments were described as “outright racism” by a Commons select committee.

More recently, the invitation of the rapper Lowkey to perform at its centenary event. Jewish students expressed concern that Lowkey has made comments referring to the “Zionist lobby” in the context of global finance, and accused the media of “weaponising the Jewish heritage” of the President Volodymir Zelensky of Ukraine to “stave off genuine enquiries” about the Ukrainian far-right.

The President of the NUS, Larissa Kennedy, allegedly told students who were upset by his presence to “self-segregate” and leave the venue. Lowkey cancelled his performance following the backlash, and the NUS released a statement expressing regret that the rapper had been the victim of “harassment and misinformation”.

More recently, the President-elect of the organisation, Shaima Dallai, was condemned for historic tweets in which she invoked the seventh century massacre of Jews in Khaybar, saying “Mohammad’s army will return #Gaza”. She has since apologised for the tweets, and said that she expected the backlash as a black Muslim woman who had taken a “pro-Palestinian stance”, which she says she has seen before.

Dallai has also referred to a Muslim cleric who said he would “shoot Allah’s enemies, the Jews” as a “moral compass for the Muslim community at large”.

Donelan has written to the Charity Commission to ask for an investigation into the NUS, and the Equality and Human Rights Commission to ask them to help the NUS resolve the situation.

Education Secretary Nadim Zahawi said he was “appalled” to hear of so many reports of alleged antisemitism linked to the NUS. He continued: “Jewish students need to have confidence that this is a body that represents them and, until the NUS have shown they can speak for all students, we cannot have them acting as student representatives on DfE boards.

“From the NUS’s initial response to our concerns, I am confident that they are keen to address these issues and welcome further updates from them. Antisemitism has no place in our society and we will stamp it out, wherever it occurs.”

The Times reported that a spokesperson from the National Union of Students said: “We are disappointed that the universities minister has press released that they will be disengaging with NUS rather than seeking to engage with us directly.

“Following a complaint about antisemitism we launched an independent investigation. We will be appointing a QC, in consultation with UJS [Union of Jewish Students], next week.

“We have sought to undertake the investigation in a serious and proper way, and are working in collaboration with UJS at every step of the way. Once the QC has been appointed we will be able to update on the process and timeline. We look forward to working with the government constructively on this matter.”

Faces of Oxford: a morning with Hertford Porter Nikki Benton

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In those nervy interview days, the first person you met at Oxford was a porter. They handed over the keys to your new abode for the next few nights. We see porters every day, yet few understand or fully appreciate what they get up to.

It was when I locked myself out of my room in freshers that I first met Nikki.i. I had never seen a female porter before, which both surprised and interested me. Whilst Nikki is not the only female porter in the university, nor the first female porter that Hertford has had, she is one of a small minority of women in the profession.

The gender disparity that really jumped out to me. However, Nikki highlighted that being a woman in the role ‘hasn’t affected me at all’. Describing some of her main roles as a fire warden, first aider, email responder and student conversationalist she said that ‘all those jobs a woman can do’. You just need confidence, courtesy and professionalism. 

In recent years there has been much attention dedicated to narrowing the gender equality gap in the workplace. However, there are still many sectors that seem traditionally gendered. Nikki pointed out how strange and nonsensical it is, noting that one of her sons works as the only nurse practitioner in a nursery. It is just a societal norm that certain jobs are considered to be more feminine or masculine, but that doesn’t mean that it is right or impossible to change. Films such as Meet the Fockers emphasise the gendered stereotypes further by constantly promoting that Ben Stiller’s character is a male nurse. But, just as Nikki and her son prove, there is no reason why careers need to be gendered in this way. 

As a student, Nikki dreamed of being a chef, another sector which is heavily male-dominated. After missing out on the course she applied for, she went down the route of baking. However, that was not all she hoped it would be as she said that icing 400 donuts in the morning was not quite the career she had imagined. It was the hotel industry where Nikki felt she grew and developed the skills that she now implements in her day to day tasks as a porter. 

Perhaps one of the most fundamental parts of the job is looking after the college cat, Simpkin, and it turns out that liking cats is part of the job description. Interviewing for the job as a porter at Hertford, Nikki was asked if she was allergic to cats. This just goes to show how central the little black cat is to the college. Simpkin IV is part of the team as he joins the porters on their daily patrols around the grounds. Nikki describes him as a cantankerous character who can be stroked twice but never more. A tip that is good to know as a Hertford student. He is, as a result, a bit of a divisive figure and students, as well as Walter the Exeter cat, have faced the consequences of his third stroke. Although Nikki did note that in the notorious cat feud with Walter that Simpkin ‘always comes off worse’. 

However, Simpkin is not the only source of excitement. As gate-keepers of the college, porters are the first point of call for not only students but also celebrity guests. It was hard to miss the Hollywood buzz around Hertford last term as the set of Wonka landed onto the streets of Oxford. Students camped out in the Hertford marquee, eagerly waiting for a glimpse of Mathew Baynton, Jim Carter or Hugh Grant. However, always maintaining professionalism, the porters were tied to their office, (when they weren’t checking the Bridge of Sighs to ensure students weren’t hanging out the window). Although it must be noted the porters were on the student’s side, often having to remind the filming crew that the college is the student’s home not just a film set. 

Throughout filming, the porters were constantly answering questions about updates on Hugh Grant’s plans to go to his green room in college. But, unlike the rest of us, the porters stayed quite cool and calm in their office. It was, therefore, Hugh Grant himself that approached Nikki, confused that unlike the rest of the student population, she wasn’t falling at his feet. Their conversation was friendly, with Grant curious about her role too. However, what puzzled him the most was the fact that Nikki wasn’t wearing a bowler hat. To his question she answered that it’s because Hertford porters are ‘more relaxed and chilled out’, but quickly added this did not make them any less professional. 

Whilst Nikki didn’t manage to see the much sought after Timothee Chalamet, she could certainly hear the screams and gasps from outside the window. 

Of course, the job of a porter is not all glitz and glamour as the celebrity chats may suggest. There are jobs that no porter wants to do. It’s not hard to guess what comes bottom of the list: cleaning toilets and vomit. All Nikki had to say on the matter is ‘that kettle works hard’ pointing at the little metal appliance in the porter kitchen where we had our discussion.  

The timings of a shift porter allows for flexibility which enables Nikki to pursue other interests. Whilst of course she loves cats, it is her dogs Coco and Prince that happily await her return at home. 

It is clear that Nikki quite clearly loves being a porter. Every day is different, forcing her to think on her feet. Working as a shift porter moving from night to day especially brings a kaleidoscope of experiences. From cake to cats, Nikki proves that it is possible to break through stereotypes and that professionalism means much more than gender barriers.