Wednesday, May 14, 2025
Blog Page 262

Observing Oxford: Pret

I will preface this article with an acknowledgement of the fact that the staff of Pret-A-Manger on Cornmarket Street have probably seen me at my lowest of lows, and for that I can only apologise. In fact, the frequency with which I visit Pret – to the extent that I often find my tired, hungover, or delirious body walking there on autopilot as a weird sort of stress response – is what provoked me to write this column. I know I am not the only one who has naively fallen into the off-red and white chokehold of a Pret subscription, and I am not ashamed. As a student body we have become blinded by the promise of five free coffees a day, or the temptation of a lukewarm and consistently just little-bit-too-stale, almond croissant. 

The liminality of Pret, specifically Cornmarket Pret, with its lopsided floors, uneven tables and illogical seating arrangement holds a sentimental place in my heart. It is a hangout spot for every state of being. In the many hours I’ve spent and probably wasted there attempting to work but instead people watching, I’ve noticed a perfect balance between people who have their act together, directly offset by people who very much don’t. From potential couples awkwardly sharing a post-coital pain au chocolat only to go their separate ways and ignore each other on the street for the rest of their degree, to bleary eyed students at the end of an all-nighter, dry heaving into their caramel macchiatos, Pret is a place for everyone. And it is probably the best snapshot of student life at Oxford I can think of. 

In fact, I remember one occasion in Trinity of my first year, settling down to revise for my Prelims, only to find myself sat next to one of the most cliched and textbook break-ups I’ve ever seen. The pained words ‘Its’s not you, it’s me’, ‘I just value our friendship too much’ and ‘I just can’t commit to anything long term right now’ rung through the upper seating area. This ordeal was made infinitely better by the fact that it was literally 9 am on a Tuesday morning, and the (now ex) couple were very clearly in their clothes from the night before. I didn’t question it at the time, but now I wonder – why choose to break up with your girlfriend in Pret? And Cornmarket Pret of all places. 

Taking this episode as  inspiration, I decided to conduct my own social experiment. As will be the case for the next three instalments of this column, albeit in different locations, I planned to camp out in Pret for the day, and simply write about what I saw. On a selfish level I wanted to find a justification for the amount of time I have spent there, overheating and overcaffeinated. But it would also inspire a point of reflection. As students we spend the majority of our time chained to our books, deadlines, and essays that we often fail to look up and observe what is going on around us. It would almost feel like a luxury to actively take the time to step back from my own academic world, be present, and observe. 

Of course, my intentions were fool proof, however I slept through my alarm this morning, and everything fell apart. 

Shuffling past a sea of college puffer jackets at 10:30 holding £4 plastic pots of mango cubes, sandwiches drowning in mayonnaise, and unacceptably milky porridge, I made my way upstairs. As I was embarrassingly late for Pret standards, there was only one desk available, and I soon found out why. Oat milk mocha in one hand, my pride and ego resting in the other, I settled down to work only to realise that the reason the table was unoccupied was because it was broken, and it immediately lost balance and crashed sideways onto the floor. 

Judging by the reaction (read: smug smiles), of those around me I knew I was not the first to make that mistake, but it did initiate a head-hanging walk of shame straight down the stairs and all the way back to the safety of college. I would have attempted to return that afternoon, but I knew I had already seen enough, and the customers had probably already seen enough of me. There might be a life lesson in this, as not a single student told me about the desk induced peril I was about to endure, but I think that might be too cynical. Instead, I would encourage you to look up from time to time and observe what is going on around you as you might find humour in it, even if it is at my expense. 

Although I have suffered many times at the hand of a lack of ice in the summer, or the fact that big Pret doesn’t make smoothies out of principal, which I will never understand, I have certainly saved money. With gratitude to my uni friends and every member of my immediate family bar two or three non-communicative cousins I have rinsed them of their free trials. In my entire year and a half as a student here, I have yet to pay for a Pret coffee, and I never intend to. Faced with the sad reality that there are no more people I can persuade to give me their free trial, I am lost. Of course, it is better for my health, and the stability of my heart rate to reduce my caffeine intake, but part of me will miss showing up to a tutorial, wired to the point of shaking by a poor quality black americano. 

From study dates, to break ups, to Union hack coffees, Cornmarket Pret is a place for everyone. Its charming wonkiness welcomes you into its open arms when you need it the most, and for that we can only say thank you. 

Image Credit: Palickap, CC BY-SA 2.0

Pens, Paper and Panic: On the differences between OCD at home and at university

CW: anxiety, obsessive compulsive disorder (OCD)

Obsessive Compulsive Disorder, or OCD, can be characterised by a heavy reliance on routine. Individuals such as myself that live with the condition can very quickly become reliant on the stability provided by certain day to day routines, especially given that a symptom of OCD can be a reliance on performing certain compulsions, such as only being able to shower at certain times of day. Over the vac, I certainly got used to a much different routine than that I am used to in Oxford – it’s shocking how quickly our brains slip back into old habits once we’re back at home. 

My OCD contributes significantly to a feeling my friends and I have often described to each other: feeling like we have one life at home, and one at university. My experiences with OCD at home and here have many similarities and are yet also incredibly different. At home, without my own space, my compulsions seem much more restrictive; only being able to cook dinner at a certain time, or having to turn off the lights a particular number of times before I go to bed to make sure I feel safe can be a lot more difficult when I have to share a space with the rest of my family. However, I’m able to adapt to this once I have the time to do so, which a six week vacation at home gives you.

But this led me to worry whilst I was still at home – how would I adjust back to my lifestyle in Oxford once again? Though, this time, I would be used to it to an extent given that I was coming back for my second term, as someone with OCD it is nevertheless incredibly daunting to have to shift your routine all over again. It took me long enough to get used to being back at home and not having such intense contact hours to structure my day with. Adapting to a new routine, another intensively academic term, and having my own space once again can be a shock to the system when OCD latches so easily onto having a strong sense of routine in your life. I find, thankfully, that my reliance on routine does allow me to fall rather easily into one, but it is still a daunting prospect to once again upend your life, especially when your condition almost centres on maintaining a level of control over aspects of it. 

I also find that my compulsions manifest differently at university than at home. Because I have my own space, I find that a lot of my compulsions begin to rotate around feeling safe and comfortable in that space; keeping certain items exclusively in certain parts of the room, opening my window at a certain time every morning, and so on. It is certainly easier to formulate a sense of routine with heavy academic contact hours to shape my day, but I do find that this leaves me struggling more on the days in which I am left more to my own devices or independent study. Dealing with the switch back to an entirely different routine has certainly impacted on my ability to deal with my OCD as a whole, strengthening how much I feel a lot of my compulsions.

Because of how my OCD manifests, I also find that it has quite significant relevance to the actual academic side of my university experience. Last term, I focused quite heavily in this column on the idea of perfectionism. This idea has been a common theme in my experience of OCD throughout the years; during my school years it became something of an inside joke, but it developed into an obsessive, compulsive need to achieve absolute perfection in all academic endeavours, with no space for failure. Therefore, it is probably no surprise that, with typical work pressures and the new, added stress of collections, returning to Oxford certainly led to a spike in my experience of this. Despite friends and coursemates telling me that I’ve worked enough, and knowing in myself that I had worked as hard as I could, the perfectionist manifestation of my OCD once again struggled to adapt to the sudden manner in which I was thrown back into work upon returning to Oxford. Again, due to the shift in routine that took place over the vacation, I found it difficult to comprehend once again having to work to a tight schedule, sometimes meaning I couldn’t complete everything to the exact perfect standard my condition tells me I must meet. 

Yet, just as I did last term, I am hoping to learn more about my condition through my experiences at university. Though it comes with a unique set of struggles, which I am learning to balance with my work, OCD is a condition that no one is alone in experiencing, and the challenges it poses are ones that can be overcome with help and treating yourself with kindness, as difficult as this can sometimes be. 

Over the duration of term, my next few columns will look at different issues relating to Obsessive Compulsive Disorder, based upon my own personal experiences. Next week, I will look more in depth at the concept of contamination OCD, and how it can impact the university experience for those with the condition, including looking at navigating university nightlife as a student with OCD.

Image Credit: Tejvan Pettinger, CC BY 2.0

Hiraeth: An ode to the unclaimed objects in my bag

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Last autumn, I was forced to pick and choose pieces of my life that I wanted to bring with me to university as I packed to move halfway across the world from India. I tried to fit in as much as I could within the stingy baggage allowance. My belongings sat piled against each other: the soft folds of sadness over having to leave the comforts of the familiar pushed against the hardbound spines of the books listed on my reading list. I vividly recall the argument I had with my mother: I refused to remove my copy of “India after Gandhi ” by Guha, a book I wished to carry as a personal read rather than academic requirements. In hindsight, I did not know that as I struggled to make space for both  Guha and Perry Anderson, it would be a sort of foreshadowing, a kind of a microcosm if you will, of a life that I would come to become familiar with.  A weighing sense of dichotomy between my culture, languages and history that amalgamate to shape my ‘brown’ identity and my surroundings.

Over time I’ve come to realise that they feel the heaviest in the careless moments which hold no significant value in the grander scheme of things. As I set my bag down on one of the wooden desks of the Upper Camera, and start to pull out my books and laptop, subconsciously I notice an array of my belongings tumble out alongside and realise each one carries with it a neatly packaged bundle of thoughts, musings and uncomfortable histories. Half an hour passes; they hang there uncomfortably, while I pretend to pay attention to Dworkin’s essay on ‘Rights’. I can no longer hold back. As discreetly as I can, I pick them up, one at a time, and caress them softly. 

Palestinian poet, Mahmoud Darwish’s words ‘our love is an inherited disease’ echo in my mind. Never does it seem more true than in that moment in the warm- yellow lamp stained stillness of the Bodleian Libraries. I realise that being ‘Brown’ runs deeper than an extra shot of melatonin in my skin: it’s the conditioned familiarity and subsequent comfort I feel in the prolonged ‘a’s and the rough edged ‘r’s in my name, the sliver of hope that age-old Hindu prayers extend to my anxious mind and my perennial dalliance with history, community, love and grief. 

I question the relevance of the perceived gap I feel between my surroundings and myself. I wonder if this dichotomy is real or whether it’s a consequence of the internalised postcolonial lens that I’ve been conditioned to view myself through that leads me to constantly feel like an outsider, tipping around carefully in measured steps, as one does when one feels as if they’re intruding in someone’s home. 

 I am now compelled to come to terms with facets of my identity and reality, that I wasn’t particularly aware of since I naively assumed that they were natural; and they were, in the limited world that I lived in before coming to oxford. There are culture shocks I’m still coming to terms with (Marmite, really?!) and ideas and histories I’m still struggling to convey. 

I’ve come to recognise my role as a translator of sorts, as I struggle to choose and translate between cultures. While I adapt to a new culture, the guilt of leaving behind my own habits and traditions weighs me down. This guilt turns into frustration, widening the apparent chasm of ‘otherness’. I often think about the fragments of my past and how, if at all, significant they are to my identity. I wonder if I’m being foolish in wanting to cling to the suffering of familial and communal history. The questions  become notably heavier as I pause and ask myself: How can I not when my past, present and future are stained with my ever- present dalliance with my deep rooted history and the familial connection I feel with loss, pain and fragile resurrected ambitions.  I’m not sure where the boundaries lie. I’m not sure if there are any to begin with. 

Over the next few weeks, this column will seek to unpack the echoes of poetry and politics, familial history and acquired loss that I subconsciously carry with myself as I navigate the maze of deadlines, libraries, bops and friendships at Oxford. 

Artwork: Ben Beechener

Town vs Gown – Boxing Returns to The Union

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The boxing ring returned to the Oxford Union chamber for the first time in two years last week.  The atmosphere was electric as seven Oxford University Amateur Boxing Club (OUABC) fighters came away with wins.

The queues outside the chamber and in the Union bar beforehand were the perfect demonstration of just how desperate people had been for the event to return.  Like so many other annual events it was cancelled last year as a result of the COVID-19 restrictions.  That was perhaps why the atmosphere was so electric this time around, with tickets for the event sold out within half an hour of their release.

The event is steeped in history and sees members of the University Boxing Club take on opponents from different clubs across Oxford.  This year there were ten fights with three different visiting clubs represented.

Things got off to an electric start with Jasmin Patel defeating Amelia Jeffries in a split decision.  Both women showed impressive agility when moving about the ring in a highly tactical affair.

This contrasted significantly with the next bout.  Felix Rolt came out on top over Tariq Sinnetamby in another all-university affair.  Both boxers demonstrated their power and strength in a brutal fight that had the crowd on their feet throughout.

Vintel Romain and Sam Green followed up with wins from the red corner in two more impressive all University-affairs.  They were both tight bouts with Josh Williams and William McClure both putting up strong resistance, especially in the early rounds.

Nelson Ramos was the first non-university boxer to take to the ring and the heat in the arena turned up a notch as a result.  He promptly dispatched his university opponent, Joshua Fozard.

Blackbird Leys’ only fighter, Callum Harvey, won next and that was followed by another David Seifarth dominating fellow university fighter Daniel Hunt.

The biggest cheers of the night were reserved for Jacob Bigwell.  In the penultimate fight of the night, he showed his class and skill to become the only university fighter to win against a visiting club with his win by split decision against Harry Clarkson from Banbury.

Loughborough University’s only fighter triumphed in the final round of the evening to bring a close to proceedings.

It was a noisy night in the chamber but above all the fighters from all camps showed impressive ability throughout.

Image: Oliver Hall

Oli Hall’s Oxford United Update – W2

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Week in Review

Off the back of last week’s disappointing derby day defeat to Wycombe, the Us had a massive week ahead of them.  They delivered across all fronts, culminating in a sensational come-from-behind victory over play-off spot rivals on Saturday.

The week started with the Oxfordshire County Council making their first considerations in a meeting on Tuesday.  The club said that the talks were positive and thanked the council for their collaboration.

Next up were transfer rumours galore as we enter the final week of the January window.  The biggest speculation is that surrounding Jermain Defoe.  Karl Robinson wouldn’t be drawn on the matter, saying: “With Jermain, that’s something that we’re not going to comment on.”  Other targets appear to be focussed on finding a left-back to fill a hole where the U’s desperately need more depth.

The men’s first team gave some players crucial minutes in an impressive 4-1 friendly win against Cheltenham Town with goals from Bily Bodin (2), Adam Smith, and Gatlin O’Donkor.  Meanwhile, the U’18s slipped to a 1-3 defeat at the hands of Plymouth in the Youth Alliance and the women ran out comfortable 3-0 winners to keep their unbeaten home record intact and maintain pressure on top of the table Ipswich.  

Oxford were slow to get going but kicked on and got the breakthrough on 36 minutes when Sarah King finished from a Wallace cross.  Johns added a second just minutes later after a brilliant through ball by captain Haynes and Beth Lumsden added the cherry on top of the cake with a thunderous strike from 35 yards out to wrap up the three points in the second half.

In that same game, Sophie Baker made a landmark 100th appearance, joining a select group of players to make a century of appearances for the U’s.

The men’s senior team came from behind twice on Saturday and Sam Winnall scored an 84th-minute winner to secure a crucial three points (see match report below).

That win and favourable results elsewhere saw United back up into the play-off positions in sixth.  They are now level on points with MK Dons above them and have a three-point buffer between them and Plymouth in seventh.  Next up for the men is an away trip to bottom of the table Gillingham where Oxford will look to build on the momentum, they have gained this week.  The women’s side will host Portsmouth.

Match Report:  Oxford United 3-2 Sheffield Wednesday

Oxford United bounced back from defeat last week in sensational style with an enthralling 3-2 win over Sheffield Wednesday at the Kassam.  Matty Taylor equalised twice and Sam Winnall headed an 84th-minute winner against his former side to earn the Yellows a crucial three points in the playoff race.

It took just seven minutes for Wednesday captain Barry Bannan to open the scoring as he drove home a great strike from just outside the box.

The Owls kicked on and looked the better side for much of the first half with several chances going begging and Jack Stevens being called into action in goal for Oxford.  Things improved for the U’s though and Brannagan saw his effort cleared off the line on 39 minutes.  It was of course top-scorer Matty Taylor who would eventually oblige in added time at the end of the first half with a glancing header.

And Oxford kicked on after the break, switching to five at the back, and putting ball after ball in the Wednesday six-yard box.

It was Sheffield though who, against the run of play, got the crucial third goal after a brilliant move was finished off emphatically by Windass, who had only just come on.

The response was instantaneous from Oxford: within a minute of the restart, Nathan Holland had a shot deflected into the path of Matty Taylor who jabbed home a true poacher’s goal to draw the U’s level.

From then on it was anyone’s game.  The crowd lifted Oxford and they did look the more likely, earning a succession of corners and their final one of the game in the 84th minute.  Billy Bodin supplied the delivery and substitute Winnall flicked home the header to score his first of the season.

United sat back for the remaining minutes, including seven added on for injuries, and held on for massive three points that sees them back up into the play-off places ahead of a visit to bottom side Gillingham next Saturday.

Image: Oliver Hall

The Black Sheep: On Princess Diana’s statement sweaters

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With the release of Larraín’s biopic Spencer at the end of last year, and season 4 of the Netflix-produced drama series The Crown in 2020, the life of Princess Diana has once again come under the spotlight. Known not just for a remarkable rise to fame and tragic death, Princess Diana is also well remembered for her iconic fashion sense which is appreciated even to this day.

Though she is often remembered for her most daring and glamorous looks, especially the infamous Revenge Dress, I find the Princess of Wales’ casual looks featuring statement sweaters even more iconic. Some have described them as ‘grandma sweaters’ or ‘campy’, but it is clear that they remain influential and appreciated in fashion.

Several influencers and models have come out with outfits that are very reminiscent of the athleisure wear Diana used to be spotted in while running errands off-duty. Her combinations of cool sweaters and luxury handbags with a pair of cycling shorts and sporty trainers are perfectly fitting for us nowadays, as we have become accustomed to combining looking good with feeling even better as a direct result of staying home during the worst of the pandemic.

Moreover, it has been observed that Princess Di may have used her garments to convey certain messages. For example, one of her most famous pieces is a red jumper by the ‘70s knitwear brand Warm & Wonderful which she first wore in 1981, and many more times after that. The top features a pattern of sheep which are all white — except for one. This black sheep could be a metaphor for the princess herself, since she was seen as an outside member of the royal family. Since then, the brand Rowing Blazers has brought back this design with the help of its original creators, so now you too can emulate Princess Diana’s iconic look—if you have £280 to spare, that is.

Another piece I am particularly fond of is a graphic sweater which was also recently reproduced by Rowing Blazers. This time, the message on the salmon-pink sweater she was pictured in while spending time with her sons is much more in-your-face. On the front, it reads “I’m a luxury…” and on the back, “few can afford”. The tongue-in-cheek design showcases the Princess of Wales’ sense of humour which she managed to express through fashion.

It is perhaps for these reasons that her statement sweaters have made a comeback, gaining huge popularity among a generation born after her death. As more people seek to find new ways of expressing themselves, who better to look up to than the queen (or princess, rather) of making a statement through clothing herself? Without saying a word, Diana gained the sympathy and admiration of many around the globe. Though some of this popularity may be exaggerated — blame your middle-aged mum for continuing to idolise her 25 years on — it is undeniable that her style has had a long-lasting impact. 

Fast fashion and high-end brands alike are now flocking to produce a plethora of cool sweater designs which Diana herself would have probably been proud of. Nowadays, you probably won’t have to search long for a statement knit featuring bright colours and cool images. Harry Styles himself was pictured in a sweater vest featuring Lanvin’s sheep design similar to, but maybe not as powerful as, the Warm & Wonderful one (since the sweater vest does not include a black sheep standing out). 

However, you don’t have to splurge out or consume fast fashion to find an iconic sweater of your own. Popping into a charity shop or even rummaging through your dad’s wardrobe will probably provide you with the perfect ‘ugly sweater’ to channel your inner Di. It’s no wonder that entire generations have fallen in love with her classic, timeless style in a world of trends which come and go before you’ve even had time to form an opinion on them.

Image Credits: Paisley Scotland/CC BY 2.0 on Flickr

‘A masterclass in laugh-a-minute sketches’ – Review: The People vs. The Oxford Revue

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In the sold-out Old Fire Station, I knew the performance would be one to remember when it began with a keyboard on stage – you can’t go wrong with a song, can you? The charismatic host, Jack McMinn, kicked things off with a laugh-out-loud ode to Pret a Manger, channeling Tim Minchin in his brilliant proof that ‘manger’ can rhyme a multitude of surprising words, including ‘longer’. After the Oxford Revue’s pandemic-related hiatus from live performances, it was certainly back with a bang. 

That bang continued in the first sketch, with a meta-theatrical musing on the subtleties of Chekhov’s gun… I eagerly anticipated its return. I was not disappointed when towards the end of Act 1 a Teletubbies dystopia culminated in the assassination of Tinky Winky. Never has ‘time for tubby bye bye’ been so disturbing, and the idea of the baby in the sun as the evil overlord was perfect.

Alfred Dry’s sexy salesperson was a hilarious returning feature of the show, marketing everything from Steve Jobs’ jobs to Bill Gates’ gates. The People vs The Oxford Revue was a masterclass in laugh-a-minute sketches that also managed to include jabs at capitalism and the government without seeming forced. There was even a cheese and wine joke in Act 2 – very topical! The most eminent and most noble Annalise Dodson led a sketch about the bumbling House of Lords. Other subjects that didn’t escape ridicule in the first half included the  noises made by tennis players and the ludicrous names of posh cocktails.

The second half was perhaps the stronger, with Jack McMinn declaring that it would get a bit more risqué before launching into a song condemning sex on the beach. Highlights from this half included Jake Dann’s mob boss holding hustings for a new mafia welfare officer, as well as a take on the last supper, featuring Deborah Acheampong’s charismatic Jesus, with a panto-villain Judas. However, the stand-out sketch featured Alison Hall and Alec Watson as a struggling married couple, only to find that they were living in The Sims. Hilarious to both those familiar with the computer game or not, they showed exactly why live comedy is needed, as not much is better than being in a room with so many people trying to contain their hysterics at the same thing.

Overall, the evening achieved a tone of hilarity mixed in with just enough social commentary. The final song was one that made me already nostalgic to have reached the end of the show; I definitely wasn’t ready to say goodbye to all of the wonderful characters who had graced the stage that evening. It is an amazing skill to have such a carousel of worlds and people played by the same few actors, and yet the show never felt disjointed; it was almost as if the tennis players, the teletubbies and the young Conservatives were all interconnected.

The students were all outstanding, and the effort that was put into the showcase was certainly rewarded by the laughs they were given in return by the audience – I can’t wait to watch what they do next!

A tour of foreign literature

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CW: mentions of Nazism, sexual coercion, and violence

The world of foreign fiction is diverse and rich but often underrepresented, which is exactly what we are hoping to change! Our contributors have put forward a collection of some of their favourite books by authors from across the globe. So, enjoy a ‘tour’ through some great recommendations of world literature and maybe you’ll find your next read!

Norway: Hedda Gabler by Henrik Ibsen – recommended by Rowena Sears

Henrik Ibsen’s 1891 tragedy feels more relevant with every reading. The eponymous protagonist, an aristocrat in a loveless marriage to a mundane academic, could not be further from the angelic heroine we have come to expect of women in nineteenth-century literature. Frustrated with her lack of autonomy over her own life, Hedda seeks to dominate and destroy those around her, depriving them of their fragile happiness. However, Ibsen makes it difficult for us as readers to completely dislike her; Hedda is a victim of a society which refuses to allow women any control over their own lives, and her unwanted pregnancy, her fear of scandal, and her experiences of sexual coercion are issues which, unfortunately, we can understand and relate to over a century after the play’s first performance.

Italy: My Brilliant Friend by Elena Ferrante – recommended by Antara Singh

My Brilliant Friend is the first of Elena Ferrante’s Neapolitan Novels; it traces the story of two best friends, Elena and Lila, growing up during the 1950s, in a poor yet lively neighbourhood in the outskirts of Naples, Italy. On the surface, it’s a coming-of-age novel, but what made it such an incredible read was how Ferrante managed to weave in a litany of other themes. It’s a story about male violence, the results of the patriarchy on women’s creativity, social class, adolescent love, left-wing politics, power, and shoes. Ferrante uses Italy’s turbulent historical and political background in the first half of the twentieth century to explore the girls’ livelihoods and uses them in turn to deepen our understanding of the social fabric of Italy itself. My Brilliant Friend is not only the story of these two girls and their transition to womanhood, but the story of a neighbourhood, a city, and a nation.

Czech Republic: The Trial by Franz Kafka – recommended by Elena Buccisano

The Trial, for me, was a charity shop impulse buy after recognising the name of its author, Franz Kafka. As the writer of the famous Metamorphosis, I had heard tales of Kafka as an elusive and mystifying writer – and The Trial certainly solidified that impression. Fundamentally, this novel relates the perplexing experiences of a man arrested on a charge which is never specified to the reader, but within this narrative Kafka is clearly trying to elucidate some of the fundamental dilemmas of human life. The novel is psychologically intense, often frustrating, but fantastic. Ultimately, you realise that what the protagonist is charged with is not really important – what is more frustrating is the mechanics of justice and the absurdity of life itself. It is almost unlike any book I have read before.

France: Bonjour Tristesse by Françoise Sagan – recommended by Eliza Browning

I’ve been on a French literature binge recently, so impulse buying Francoise Sagan’s Bonjour Tristesse for fifty percent off in Heathrow in December turned out to be an unexpectedly perfect decision. First published in 1954, when the author was only 18, the novel caused an instant sensation in the French media for its portrayal of sensual, amoral bourgeois intellectuals. The novella-length book is short enough that you can devour it in an entire afternoon, and is the ideal stylish beach or plane read, full of suspenseful descriptions of languid summer days and the shimmering French Riviera. Perfect for fans of F. Scott Fitzgerald or Elena Ferrante.

Russia: The Master and Margarita by Mikhail Bulgakov – recommended by Anna Stephen

When our tyre burst on the M11 a few years back, I found myself stuck in a garage accompanied only by my family and a packet of McVitie’s Gold Bars. However, as luck would have it, I happened to be carrying a copy of Bulgakov’s The Master and Margarita in my luggage. This is a story that interweaves a plot about the devil appearing as a magician in 1930s atheist Moscow, wreaking havoc upon the city, with an account of Pontius Pilate’s officiation of the trial of Jesus. The casual, happy-go-lucky attitude of the characters, the ludicrousness of events, and the totally flippant manner of narration (interpreted and conveyed wonderfully by translators Burgin and O’Connor) come together to create a healthy dose of escapism and satire that could make up for a puncture any day. I can’t remember enjoying many novels as much as I enjoyed this one.

Algeria: The Plague by Albert Camus – recommended by Matthew Holland

Going into reading The Plague by Albert Camus I was acutely aware of two things about the book: first, that this book was laced with an extended metaphor of the tyranny of the Nazi Regime as being akin to a plague-like existence, and second, that Camus is renowned principally as a philosopher as opposed to a novelist. Despite the obvious parallels that can be made between the Plague and the Nazi Regime, this book also seems scarily prophetic in our plague-stricken world, with the imposition of harsh measures to control the Plague and the separation caused by quarantining being realities which we have ourselves experienced. Ultimately, its greatest messages lie in its teaching of the selfless public servant, acting to save lives and grant humanity and dignity to a depersonalised world. The Plague should certainly be considered recommended reading for all of us who have experienced the world of this novel become reality.

India: Ecstatic Poems by Mirabai (Versions by Robert Bly and Jane Hirshfield) – recommended by Shayon Mukherjee

There are few poets with works so venerated that the poets themselves enjoy a deification of sorts. However, one Rajasthani princess from the 16th century, the ‘poet-saint’ Mirabai, has managed to achieve this feat. In artfully rendered English, Bly and Hirshfield choose poems from Mira’s works that, when read in the presented order, tell a secret story of a divine love lost and rediscovered. Casting aside the obligations of her caste and family, she surrenders herself physically, spiritually and sexually to The Dark One, an enigmatic figuration of Lord Krishna as a divine lover. Mira has attained a legendary status among Indians the world over. Her biographers tell us few facts about her life and tend to prefer recounting a patchwork of folkloric tales about her associates, marriage and politics, all of which draw heavily from her passionate, enigmatic poetry – poetry of love, despair, surrender and ultimately, divine reconciliation.

Japan: The Makioka Sisters by Jun’ichirō Tanizaki – recommended by Serena Kerrigan

Tanizaki’s novel, The Makioka Sisters, was serialized between 1943 and 1948, charting the conflict between a traditional Edo period Japan, and a modern world emerging with the advent of the Second World War. The novel resembles Austen’s Pride and Prejudice in its concern with the vicissitudes, foibles, and joys of a group of four sisters from an aristocratic family in Osaka. Each sister is constrained by the societal injunction to succeed in the marriage market and to sustain the family name, but they are equally free spirits in their own ways. The novel’s Japanese title, Sasameyuki (細雪), meaning lightly falling snow, is given visual representation in the poetic descriptions of the falling cherry blossoms which the four sisters routinely visit in early spring. It is passages like this in the novel which capture the beauty of the Japanese landscape, and the passing of a way of life.

Colombia: One Hundred Years of Solitude by Gabriel García Márquez – recommended by Thomas Bristow

One Hundred Years of Solitude is perhaps the most famous work of the magical realism genre, and possibly of Latin American literature. The narrative is set in the fictional town of Macondo, and our characters are its inhabitants and the many successive generations of the Buendía family. The story is grand and mythic, involving the larger themes of time and fate. But what I loved most about it was the complete uniqueness of Marquez’s imagination. Owing to its style, this is a quite unconventional book. Bizarre and intriguing characters and witness to bizarre and intriguing events. The increasingly confusing Buendía family are timeless in their eccentricity, and the narrative tumbles until it reaches a poignant end. This is a story of one family’s presence in a rapidly changing world. With the greatest opening line of any book, One Hundred Years of Solitude is fascinating, and quite simply brilliant.

Brazil: The Passion According to G.H. by Clarice Lispector – recommended by Ned Summers

There is no other author that makes as convincing a case for the novel as a unique medium for storytelling as Clarice Lispector. In The Passion According to G.H. (A paixão segundo G.H.) G.H., the narrator, attempts to give a report of a short experience she had the previous day. The account is also an attempt to understand the shift that this experience has forced upon her and the world that she suddenly finds herself living in. It is a tortured read. Lispector writes in the introduction “I would be happy if it were only read by people whose souls are already formed. Those who know that the approach, of whatever it may be, happens gradually and painstakingly.” If you can give yourself over to the book, you will discover that Lispector, even in translation, distills into perfect text the disturbing moment in which someone’s world changes irrevocably. A masterpiece of Brazilian, and world, literature.

Contributors: Rowena Sears, Anna Stephen, Matthew Holland, Antara Singh, Shayon Mukherjee, Thomas Bristow, Serena Kerrigan, Ned Summers, Elena Buccisano, Eliza Browning.

Running out of time

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CW: Death, AIDS, cancer, terminal illness

“Lately, I’ve been hearing this…sound. Everywhere I go. Like a…tick. Tick. Tick.”

Thus opens the recent Netflix film adaptation of tick, tick… BOOM!, the autobiographical musical by writer and composer Jonathan Larson. The show documents Larson’s life in New York in the early 1990s as he struggled to get his musical theatre writing produced. Larson is now better known for RENT, the smash-hit show about a queer frienship group during the AIDS crisis. What primarily connects the two shows is their tragic real life context: Larson, so obsessed with running out of time that he wrote a whole musical about it, died of an undiagnosed aortic dissection the night before RENT opened Off-Broadway. His time really did run out, and he never got to see the success he had spent his life striving for: it’s a tragedy that’s been on my mind a lot lately. 

The first song in tick, tick…BOOM!, ‘30/90’, deals with Larson’s panic about turning 30: about not having achieved as much as he would have liked, or as much as some of his perceived peers and rivals. It’s a song that I found myself listening to on the morning of my twentieth birthday a week ago. Granted, 20 and 30 are very different ages, but lyrics like “Stop the clock, take time out” and “Feel like you’re treading water” rang true for me. Tick, tick…BOOM! is a show that’s meant a lot to me ever since I stumbled across it on YouTube a few years ago. I see a lot of myself in Larson – at least the fictionalised version of him presented in this musical and film. Larson was a writer, a creative, a massive musical theatre nerd; an ambitious person, a stressed person, a chaotic person. But more than this, what makes tick, tick… BOOM! so important to me is its central idea of running out of time. Jonathan Larson had a deep-set panic that he only had so long to achieve his goals, to reach his markers of success.

I think I have a similar feeling: there’s a constant anxiety, always there, under the surface, that I need to be doing more, and quicker. I’m someone who has always been very good at convincing myself I’m terminally ill, and someone who grew up with a lot of cancer in my family. I find it hard to trust my body, to relax and believe that I have as much time as I’d like to do all the things I’d like to do. For these reasons, tick, tick… BOOM! Is both immensely reassuring, and completely the opposite. Larson’s tragic death, confirming his worst fear, is something that’s difficult to conceptualise. At the same time, it’s comforting to see that these feelings are common, and the fact that RENT was met with such global success shows that all Larson’s years of hard work did in fact pay off… even if he wasn’t there to see it. 

I imagine these feelings of pressure are something familiar to a lot of Oxford students: being surrounded by intensely ambitious people all the time, some of whom have achieved incredible things at a very young age, can make it very hard to put things in perspective. This is especially true in the arts, where the likes of music prodigies and child actors can make it feel like you’re behind before you’ve even really started. Of course, this time is often out of our control: in the arts, so much is reliant on family connections and educational background, as well as other factors like race, sexuality, and gender. According to statistics published by the Sutton Trust in 2016, 67% of British winners of the Oscars for Best Actor, Actress or Director attended a private school. It’s difficult to reckon with the idea that no matter how much time you spend working, other people will always be further forward. How do we best use the time we have when others already have such a head start?

Not only is time running out, but the goalposts for success are always moving. At the start of tick, tick… BOOM!, Larson measures his own perceived lack of success with several examples of what people had achieved by the age of 30: Stephen Sondheim had had his first Broadway show, and Larson’s parents already had two children, a mortgage, and steady careers. The Sondheim example, in particular, illustrates how difficult it is to ever be satisfied with one’s achievements; it’s so easy to feel like someone is always one step ahead. The mention of Larson’s parents, on a different path, also strikes me as interesting: our generation are navigating a new kind of twenties, where settling down is less of a priority. The percentage of people having children before the age of thirty is constantly decreasing. There are so many different conceptions of success now that it adds a pressure to choose a definition; to choose a path. Success is undeniably subjective, and the number of different versions of it only makes it feel all the more unobtainable.

Needless to say, the pandemic has only worsened my feelings of running out of time: I’ve gone from being 18 to turning 20, without the usual life experiences one would expect at such an important, tumultuous period. Time has felt difficult to pin down, slowing down and speeding up across long winter lockdowns and busy summers. What this has gone some way to teach me, however, is that we are fundamentally not in control. Much like Jonathan Larson, we have no way of knowing how much time we have, or what might happen during it. It seems to me, then, that we may as well seek out what makes us feel most in our element – feel most alive – while we’re here. And hope the ticking quietens down. 

Image Credit: Netflix

What’s happening in the chapel: An introduction to college chapels

When coming up with an idea for a column, I found myself thinking of my college chapel. I am a chapel warden at Lincoln College chapel which is very important to me, so I thought it might be nice to share some of the things we get up to and explain some of the more confusing things that go on in college chapels. Before we begin, it might be good to start with a little note about some of the language that can be used to describe what happens in chapels, as things can get a bit confusing. Denomination is a term used to describe which branch of Christianity a chapel is part of, and these different branches may influence the different services offered or styles of worship (Lincoln chapel is Church of England, for reference). Incidentally, you may also hear terms like ‘high church’ or ‘low church’ being used to describe churches- this sounds very odd, but it’s just a way of indicating how much ritual is involved in a church service. I would probably describe Lincoln as a mixture of ‘high’ and ‘low’, which will make slightly more sense when I begin to walk you through a mini calendar of the services in our chapel.

Morning Prayer

Seeing as this is the first service of the day, Morning Prayer seems like a good place to start. If you aren’t a morning person, I’m not sure this would be the service for you as you do need to be up a bit early. I find that combining it with a college breakfast in the company of the other wardens (much nicer than soggy cereal by yourself!), gives me the incentive to get up on time. Our Morning Prayers are fairly simple and last no longer than 20 minutes so you could describe this as our most ‘low church’ service. One thing that I think makes Lincoln slightly unique is that our Morning Prayers are sung, which in most circumstances is a lovely way to start the day. However, when you are full of freshers flu and mid essay crisis it might be a better idea to go back to sleep for a bit (take it from me, week 4 of Michaelmas was something I would rather not revisit). If you like simple and quick worship, then Morning Prayer is for you- just remember to wear a jumper, because chapels are very cold in the mornings!

Weekday Eucharist 

For those who haven’t encountered the term Eucharist before, please don’t run away; this column isn’t about to become a theology lesson! Eucharist is another term for Holy Communion, where worshippers are offered the blood and body of Jesus in the form of bread and wine. One of our jobs as chapel wardens is to assist the chaplain during Eucharist, which is mainly carrying things to and from the alter and ringing a little bell in the important bits of the Eucharistic prayer. I find this all slightly nerve wracking due to the fact that the water and wine are kept in very delicate (and I assume very expensive) glass bottles, and the chapel floor is marble which of course is a recipe for disaster if you arent paying attention to what you are doing. Weekday communion services usually take place at lunchtimes or in the evening, so they are a good option if you would like to take communion during the week. I would tend to go to an evening service because I can combine it with a formal dinner (also our chapel is gorgeous at night!). However, these tend to be quieter services, so if you prefer something slightly more social then a Sunday service or evensong might be nicer for you.

Sunday service

The stereotypical church service! This is nearly identical to the weekday Eucharist, but there  will probably be slightly more people (so you may not be picked on to do a reading!) The highlight for some is probably the ‘breakfast’ afterwards, which in Lincoln consists of various pastries and pieces of fruit with a lot of coffee and tea. If you have had a bit of a rough week I would recommend this, as its a good opportunity to have a nice chat with friends. However, you do have to be wary of ‘Serious Theological Discussion’ which can be slightly intense but please don’t be put off by it as we usually get back to just general chatting. 

Evensong

The big one. If you want to get the full Oxford Chapel Experience, go to an Evensong at least once. At Lincoln, this service consists of readings, organ recitals, the choir singing and often a visiting preacher to do the sermon. I would advise turning up slightly early to get a good seat and staying for drinks afterwards, which is a good way of either asking the visiting preacher any questions you may have or meeting up with friends before formal (my main bit of advice would be to get to the drinks before the choir do!) One of my more memorable evensongs (technically lessons and carols, please forgive me.) is when I got stuck in the anti-chapel with a small child, my tutor and a large bottle of red wine that had smashed all over the floor. It’s safe to say that it’s never dull in Lincoln chapel!

Whilst this isn’t an exhaustive list of all the things that go on in college chapels (I haven’t even mentioned the book clubs or other events run by the chaplains!), it will hopefully be useful if you are slightly confused about what goes on. As this column series continues, I will go through some of the people you may meet in a college chapel and take you on a little tour of some of the notable chapels in Oxford. I look forward to having you along with me and I hope we have fun!

Image Credit: Matthew Foster