Saturday, April 26, 2025
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The Masters 2021 Preview

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Only five months on from the 2020 edition of the Masters, it is time now for the 2021 version. Back in its usual slot of April, it is the first chance that golfers have to get their hands on one of the four majors this year. Last year it was won by Dustin Johnson — his first green jacket — shooting a record 20 under par to win relatively comfortably by five shots. The question therefore is who is going to win this year? Johnson is at the time of writing the bookies favourite, but will he be able to defend his title or will someone else be wearing the green jacket on Sunday evening?

The course at Augusta national is one of the most famous in the world. The Masters is the only golf major to be held at the same course every year and this year marks the 85th edition and hopefully it will provide just as much excitement and as many surprises as those that have preceded it. Bubba Watson is the only man to win more than one Masters title between 2007 and 2020, underlining the difficulty to pick a winner of this prestigious event each year. Whether it was Danny Willet’s shock victory in 2016, or Tiger Wood’s return winning his 15th major and first for over a decade in 2019, the Masters in recent years has not disappointed. We are hoping that when they come through Amen corner for the final time on Sunday, this edition of the Masters will live up to those that have come before.

Dustin Johnson is the favourite for this year. His stunning performance to win in 2020 by a dominant margin must be the driving factor behind that. However, his 2021 form has not been anywhere near the same level. Since the Masters in November, he has a solitary top 10 finish to his name and in the biggest tournament of the year so far, The Players Championship, he finished a disappointing tied 48th, 13 shots behind the winner. However, the Masters is a tournament unto itself. In recent years the winners have often performed well in previous years before going on to win the green jacket. Therefore, with Johnson’s shown pedigree around the course at Augusta National, that might play a more important role than his current form when he steps out on the course to defend his title.

One of the biggest question marks for this year’s tournament is Brooks Koepka. His last tournament was WGC Workday Championship in Florida on 28th February, where he finished tied second, but since then he has had surgery on his right knee. The surgery took place only three weeks ago, although Koepka himself has stated that he will be fit to play at the Masters this week. He is quoted by the BBC after some practice holes at Augusta as saying: “If I knew I was going to finish second, I wouldn’t have shown up.” A former world number one, Koepka has four major titles to his name and a best finish at Augusta of tied second in 2019, so cannot be discounted, but with surgery only three weeks ago, I cannot help but feel that the Masters has just come too soon.

There are plenty of other names that could potentially be in a position to challenge by the fourth round on Sunday. Bryson DeChambeau is the current leader of the FedEx Cup Standings, and as one of the biggest hitters on tour, his pure power should suit the course at Augusta well, where traditionally bigger hitters have done better. Then come the names of Justin Thomas and Jordan Spieth. Both major champions with proven pedigree at Augusta National and both in good form going into the event. Thomas with a couple of top 10s at big tournaments already this year, the most notable being a victory at The Players Championship, sometimes called the fifth major. Spieth too is hitting form at the right time. After a disappointing few years that saw him slip down the world rankings, 4 top 10 finishes already this year, including victory last week at the Valero Texas Open, means that he cannot be ruled out of contention.

What the about British hopes this year? Rory McIlroy is continuing his search for a Masters victory, the only major that continues to elude him, but he comes into this year’s event in no sort of form at all, failing to make the cut at the two biggest tournaments of the year so far. Lee Westwood has shown glimpses of his best at times this year, but for him to go on to challenge at the very top again seems unlikely. This could be the time for Tommy Fleetwood to win a major, something he has been threatening to do since his stellar Ryder Cup performance back in 2018. Then there are Justin Rose and Danny Willet. Two men in no form at all, but with pedigree in majors and more specifically the Masters itself they cannot be completely discounted. It seems unlikely that the champion this year will be a British one, but greater shocks have certainly been seen at the Masters.

The 85th edition of the Masters looks as though it has all the ingredients to be a great one. On Thursday 88 players will take to the first tee at Augusta National all with dreams of winning the Masters. 72 holes and a whole lot of ups and downs later, by Sunday evening we will have our champion. At this point it looks as though Dustin Johnson is the most likely after his dominant performance around the same course only five months ago, but as we know anything can happen at the Masters and it promises to be a thrilling weekend of golf.

Image credit: pocketwiley via Wikimedia Commons

Society Spotlight: Oxford Social Impact

An update from Oxford Social Impact, 28/04/2021:

After the publication of this article, we became aware of two main concerns which we would like to address:

  • Clarifying the views of organisations we were inspired by, 80,000 Hours and Effective Altruism.
  • Providing a more balanced view of consulting.

Despite being inspired by the work of 80,000 Hours and Effective Altruism, we have no affiliation to either. We would never wish to misrepresent their views on topics such as careers in consulting and their opinions can be found here. 80,000 Hours does not include consulting in their current list of priority career paths.

In this interview we talk about consulting as our upcoming Social Impact Programme is at the core of what we offer – pro bono consulting for nonprofit organisations.

We have presented consulting positively, but we recognise that this does not reflect the full breadth of opinions. A quick Google search will return controversies surrounding various management consulting firms, and it’s important to evaluate this before deciding on a career in consulting, or any other career for that matter.

As a full-time consultant, you will be paid to spend the majority of your time working for corporate clients who are primarily concerned with increasing efficiency and profit. For example, consultants may recommend downsizing or reducing wages to cut costs. This has a negative social impact and can further issues such as socio-economic inequality.

While a consultant may wish to bring socially impactful decisions to the table or work exclusively on pro bono projects for nonprofit clients – this is not always possible, especially early in one’s career.

We hosted speaker events to talk about impact investing and pro bono consulting in Hilary. We recognise that many corporate organisations have had their share of controversies in the past, but we support organisations taking steps to increase their social impact without endorsing everything they do or have done.

Moving forward, we are continuing to place an emphasis on promoting positively impactful nonprofits with a reliable track record. We conducted our Social Impact Programme with an organisation providing grants to refugee-led organisations in sub-Saharan Africa in MT20. It is one of our priorities to give organisations such as these a platform to speak at Oxford, as well as continuing to work on similar projects.

Oxford Social Impact is a society founded in 2020 by Oxford students Alfie Bullus, Scott Hextall, Naa Odoley Ntodi, Henry Grandage, and Conor O’Sullivan. As part of our Society Spotlight series, we spoke to two of the founders, Hextall and Grandage, about what exactly OSI is, what it offers students, and how it can achieve a wider social positive impact.

What is OSI?

Oxford Social Impact is a new society for students who are interested in social impact! While trying to avoid using too many clichés, social impact can mean wanting to improve the communities and lives of others. As a society, we’re hosting career and speaker events to talk about social impact work, as well as offering unique research and insights into global issues. 

This Hilary, we hosted BlackRock to talk about achieving impact by mapping financial investments to the UN’s Sustainable Development Goals. Similarly, we also hosted Boston Consulting Group (BCG) to talk about their work with the Rwandan Government to tackle malnutrition.

We used to think that social impact work could only be found in your usual nonprofits, NGOs, and charities. However, we realised that we couldn’t be more wrong about this. Whether you’re interested in finance, marketing, or law, there are always opportunities to make a difference. This is why we’re so keen to host events from these organisations and other inspirational speakers, to talk about the wide range of social impact opportunities that are available, no matter the industry or career.

Our other aim is to be an advocate for social change through our OSI Insights. Being an advocate starts with being aware and learning about an issue. Whether it’s understanding the representation of women in politics around the world, or learning about the growing deficit in humanitarian aid funding around the world, both can be heavy topics to read about. Through unique visuals, graphs, and infographics, we’ve been able to capture brief summaries of these global issues. These are our ‘Insights’ – storytelling empowered by data.

What inspired you to start OSI?

We were inspired to start Oxford Social Impact by the Effective Altruism movement and the book 80,000 Hours. Effective Altruism is a philosophy about determining the most effective ways for an individual to improve the lives of others, while 80,000 Hours is a book about having the largest positive social impact via your career. There is a large global Effective Altruism community and even a local group at Oxford. We’d highly recommend checking them out on Facebook to learn more! 80,000 Hours was written by two Oxford DPhil students and informs the reader of high impact careers available to students, backed by research and studies from Oxford academics. As a society, we’ve decided to explore a similar area by focusing on popular careers among Oxford students, providing our members with information about the social impact opportunities available within them.

What is consulting?

Consulting involves providing expertise on a topic to a client. Clients can range from the UK Government to large corporations like Google and Apple. 

Students at Oxford who may not have any particular expertise, often go into strategy consulting at firms such as McKinsey and BCG. There, you’ll be influencing client decisions that will affect their future, and sometimes the rest of the world. For example, Microsoft just announced that they will be carbon negative by 2030. This decarbonisation strategy is difficult to implement, so they may hire a consulting firm like BCG to help them make the decisions needed to achieve their goals.

As a society, we’ll soon be offering a termly Social Impact Programme from Michaelmas onwards. This is an opportunity for students to work with nonprofits on unique and interesting 6 week projects, where they’ll be able to get a taste of what consulting is like, while also working for organisations that help others!

What are some concerns people have about the field? 

There are three concerns that people often have about consulting:

  1. High pressure and poor work-life balance.
  2. Frequent travel from Monday to Thursday every week is common.
  3. Not having enough expertise/knowledge to be a true ‘consultant’.

The first two concerns are often true, unfortunately! This means that consultants usually only stay for 2-4 years before leaving, often to work at an ex-client. The third concern often doesn’t matter – it’s usually expected if you’re an undergrad. It instead means that you’ll learn a lot by working for clients across a wide range of industries to build your expertise and knowledge. Therefore, consulting is a great opportunity for someone unsure about what they want to do after University.

How can consultancy be used for a positive social impact?

Consultancy gives you the power to influence decisions at the highest levels of management within governments and organisations. A consultant can make sure that positive social impact is an important factor at the forefront of the decision-making table. 

As a direct example of positive social impact, BCG consultants worked with the Rwandan Government to tackle malnutrition and stunting which affected 35% of their youth population – nearly 590,000 children. They worked with locals in the Kabagago Village, Nyabihu, to identify the main causes of stunting. They then provided awareness training and workshops for community health workers, mothers, and village leaders, and scaled the solutions that showed results in this village, to other Rwandan villages. They’ve seen incredible continued progress, even after finishing the project, showing that their work is having an enormous positive social impact on these Rwandan communities.

As a society, we recently worked with a US-based charity that gave small grants ($5,000- 10,000 USD) to refugee-led organisations in Southern Chad, Malawi, and Uganda. Over 8 weeks, a team of five of us researched and interviewed other grant-making charities, to understand who they are, how they operate, and their transparency methods. This led to us connecting our client with other organisations working in a similar space to promote teamwork and knowledge sharing, while also presenting our findings on how our client could learn from them to improve their own grant-making process and transparency.

What are some potential career options that students can pursue if they are interested in the field, but don’t want to be a “corporate sellout?” 

Working for a non profit or a charity requires all the same skills as working in a corporate role, and can be far more rewarding. Other options may be doing research, or working for the government, where your field of influence is enormous. Many corporate firms get involved in social impact, so it is possible to make a difference regardless of where you end up.

Who can get involved in OSI, and how?

Everyone can! We are looking for people from all backgrounds who can offer their own unique insight and expertise. Whether you are a graphic designer, want to get involved in research and coding, or want to improve your marketing skills, there is a role here for you. Getting involved in consulting societies like OSI is an excellent experience to make your CV stand out. Working in a society that conducts in-depth, analytical work is a skill that is invaluable to whatever career you decide to follow. Currently, OSI offers talks from individuals in leading firms such as BCG, but with a focus on their work in social impact. Soon, our Social Impact Programme will give you the opportunity to work as a consultant with a client-facing a real problem, looking for your advice.

Art by Katie Sanchez. 

Poetic politics: artistic responses to sexual harassment

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CW: sexual assault

Centuries ago, philosophers and critics began debating what the interplay between art and politics ought to be. Yet, in 2021 this subject still remains relevant. The outrage sparked among women around the country following the tragic disappearance and murder of Sarah Everard, with which one of the greatest fears of every woman was realised, now begs the question: how should artists respond to this horrific tragedy?

Artists, using their own experiences of assault, demonstrate an extraordinary ability to confront traumatic experiences and reshape them into something powerful, if not beautiful. But could this ever glorify the very thing it condemns or even muffle these bleak statistics?

A survey for UN Women UK has found that more than 80% of young women have been sexually harassed. The recent tragedy has unearthed the horror of statistically stratospheric rates of violence against women; misogynistic behaviour is so often normalised in our society, unnoticed by onlookers and internalised by victims. However, many people of the social media generation are used to seeing numbers like these pasted across Instagram stories, repeated and repeated, perhaps beyond the point of reinforcing the shocking sentiment and instead towards blunting it. When we see these infographics infinitely spread across social media, they could be unintentionally normalised in the process.

This is where art comes in. Art personalises and humanises the cold calculated figures, it gives a face and a story to the numbers we are so used to seeing. This art, too, can come within social media; Brian Bilston, for example, is essentially a poet laureate for Gen Z, delivering art within our own territory. Following the vigil to honour Sarah Everard which ended so disastrously, he wrote a poem titled ‘Common Language’. He simply and succinctly reflects on the peaceful intentions of the vigil and the “manhandled answer” they were unfortunately met with. Bilston reignites the face of Instagram activism in his poetry, saying the things we want to express but do not always know how to phrase.

While looking elsewhere into poetic considerations of sexual harassment and assault in the past, I found so many female poets I had unfortunately not yet come across. ‘Poem about My Rights’ by June Jordan, a Jamaican-American bisexual poet, discusses exactly what its title outlines. The poem is a breathless torrent as the speaker relentlessly questions this world she inhabits: a world which designates her as “wrong” in so many ways; which takes it as given that she cannot go out alone at night; which tells her that she “should have been a boy” to eliminate these problems. However, this anger turns into pure triumph as she states unwaveringly in a twist of control: “let this be unmistakable this poem / is not consent”. The final note is one of resoluteness and strength: “my simple and daily and nightly self-determination / may very well cost you your life”. Misogynistic crimes take place every day; Jordan meets this fact with her own unrelenting and merciless poetic defiance.

Susan Eisenberg, who worked on construction sites between 1978 and 1995, is another remarkable poet. Alongside Jordan, her poetic voice packs no less of a punch. In ‘Welcome’, Eisenberg details the “tricks-of-the-trade” she had to learn as a construction worker, beginning first with the practical (how to “walk, not trip, over cords”) and slowly but eerily melting into the onsite sexual harassment, just another aspect of “protocol” to learn on the job. These poets are proof that art does not necessarily soften blows or tread cagily around taboos. This poetry is a protest.

Poets are able to condense into words what everyone else has so much trouble articulating. This helps readers to feel that their own problems are understood; our pain, loss and fear are woven into something that we can digest and empathise with. They help us to gain insight into another’s experience which is never otherwise truly accessible. Reading a poem is a moment of connection with someone we will never know but whose words we recognise in our own experience, and that is unendingly reassuring.

Poets in marginalised groups and whose voices have so often been silenced gain a particular power through this medium; through articulating their experience in this way they refuse to be ignored and can represent themselves when the mainstream media neglects to do so. Strength and authority are obtained through something as simple as a pen and paper, and their political statements can be made in the most memorable form. In an online vigil for Sarah Everard led by Reclaim These Streets and Feminists of London, poet Pia Stanchina read Maya Angelou’s boundlessly powerful poem ‘Still I Rise’ with the sentiment we need to hear and remember now more than ever: “You may kill me with your hatefulness, / But still, like air, I’ll rise.”

Image credit: Tim Dennell via Flickr

Over 30 exams planned to take place in person this Trinity term

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Twenty exams have been confirmed to take place in person this year, with a further 15 papers set to be confirmed dependent on the government’s announcement on in-person course returns before next term. The majority of the exams already confirmed to be in-person are exams set by the Chemistry faculty, including Prelims and FHS exams, and the majority of exams set to be confirmed are ancient languages exams, held by the Classics faculty.

The Chemistry faculty outlined justification for in-person exams to their students in correspondence, citing “the rigour of the examination process,” greater ease of revision due to relevance of past papers available online, and “widespread collusion and cheating” at other Universities that chose to assess Chemistry remotely. The faculty went on to say that “the Teaching Committee decided unanimously that this was our first preference for exams next term, and the decision was ratified by the academics in all sections.”

Students taking in-person exams this year will not be expected to wear sub fusc, and those that choose to wear sub fusc have been asked to leave their caps at home. Face coverings will need to be worn throughout exams and in the examination buildings, except for those that have a legal exemption. For those that are self-isolating or unable to return to Oxford for Trinity due to travel restrictions, there is the possibility of sitting the exam online at the same time as the in-person exam, with remote invigilation. 

Sacha Chowdhury, a first-year Chemistry student, told Cherwell: “I would have preferred to do online exams for a few reasons: firstly, there’s just less health risk than in person exams. Also, since a lot of this year has been online including both sets of collections, we haven’t really had any practice with in person exams at uni. […] Another worry would be that if there were to be a spike in the weeks preceding the exams since, by committing to in-person exams, it makes it difficult to make a U-turn if necessary, so it relies on the government’s plan being successful.”

“A benefit of in-person exams is that I think I perform better as seeing other people working around me and being in an exam school may give me more adrenaline and focus, which is something I struggled with in online collections.”

A spokesperson for the University of Oxford told Cherwell: “In line with government guidance, the University will continue to offer a mix of in-person and online teaching and assessment while the national restrictions are in place. The vast majority of in-person exams taking place during Trinity Term will take place online using Inspera. The platform offers a greatly improved online exam experience for students with an intuitive interface and a range of tools that meet Oxford’s diverse needs.”

“Around thirty in-person examinations are scheduled [to] take place in Trinity Term, pending government confirmation around Easter of further courses which are able to return to in-person teaching and assessment. These exams are planned to take place in person in line with professional body accreditation requirements, or because it is not possible to examine their content remotely. Trinity Term in-person exams will be held with a range of safety measures implemented, including reduced capacity in exam halls, the compulsory use of face coverings and limited contact between individuals.”

 “Students unable to sit their exams in-person, because they are having to self-isolate or they have dispensation to be resident outside Oxford, will be able to apply, via their college, to sit an online exam with remote invigilation – which is outside of Inspera, not a part of it.”

“The University’s guidance and provisions to facilitate safe teaching follow Government advice. They have been carefully prepared in consultation with staff, Public Health England and other local partners.”

Image Credit: Paul Chapman / Oxford University – Matriculation / CC BY-SA 2.0

Bops, BBQs, and Berocca: reflections on student drinking culture

CW: Mentions of alcoholism 

In many respects, Britain and excessive alcohol consumption have become synonymous. Our ‘drinking culture’ is something that is regularly brought up abroad; American friends of mine are shocked at the thought of 16-year-olds downing bottles of Smirnoff Ice or pints of the cheapest beer in a field at the weekend. Europeans scoff at lads’ or gals’ holidays in Maga on the razz. In my experience, drinking is an activity inseparable from many aspects of life. To go to a BBQ and not have a beer or glass of rosé would be wrong. To arrive at a dinner party without a customary bottle of wine would just be rude. Even to go to a carol service and finish a rendition of ‘Good King Wenceslas’ without a warm, sickly glass of mulled wine would be sacrilegious.

As a student, it often seems as if our own impression of our ‘drinking culture’ has become a self-fulfilling prophecy. We take pride in being ‘heavy-weights’ because we’ve been sipping the foam of our dad’s beers since we could walk. We laugh at those who can’t down their drinks or do a tequila shot. Drinking is as much about competition as it is about enjoyment, and ‘competitive’ is certainly a way of describing student drinking culture. Everything about a crew-date is set up to be a contest: pennying, shoes, and sconces all conclude with the spectacle of consuming excessive alcohol. On reflection though, perhaps the people who get slaughtered on a crew-date are also the people who smuggled bottles of wine in water bottles into a casual post-GCSE summer party.

I am condemning neither choice. Before Covid, it could feel as if there was nothing wrong with drinking so much you have to sleep on the bathroom floor, or with asking your friends to account for your actions between 11 pm and 1 am. Now that one night’s antics in Bridge cannot be immediately followed by the next night’s frivolity at Park End, this way of getting from week to week seems a little much.

This isn’t to say that we have all become Buddhist monks in our incarceration. On the contrary, I don’t think my drinking habits have changed at all. If anything, the hangovers have been far worse. Instead of going out and drinking five vodka cokes and three VKs, not to mention however much we drank at pre’s, I have spent lockdown in a student house drinking with my housemates. We swapped spirits for wine and bops for ‘Chill House’ playlists. Rather than diluting our consumption with a mixer, we’ve been going straight to the source. You may think me weak, that “wine is far less alcoholic”, and a wine hangover “not as bad”, but let me tell you, a wine hangover caused by your allocated bottle of wine and two Gin and Tonics is not a fun way to spend a library slot. I realised the importance of a good mixer in these moments of turmoil. Coke is good but can be filling. Ginger ale is a new favourite of mine, although it doesn’t work with everything. The ultimate has to be squash. A student favourite: affordable, efficient and depending on strength can cover up even a double Nikita. Mixers can provide the antidote to all your hangover problems. I have woken up feeling fresh after a night in Fever. But, I have also woken up wanting to be placed in a Berocca-induced coma after a recent Sunday night roast. So, while studies suggest that 1/3 of young people do not drink at all anymore, I have not found myself hampered by the weight of this statistical peer pressure.

“What would you like to drink?” This is a question I find difficult to answer. There are so many factors that have to be considered: the time of day, my mood, my locale. You can normally tell the time with my responding order. Before noon, it would have to be a mimosa; I can’t stand a bloody mary. Whoever said they were the best hangover cure must have still been too drunk for coherent thought. Lunch and a glass of wine is the way forward. Before supper, a cold cosmopolitan is a go-to. Gin and tonics are great but often overplayed. Then at supper, I would most likely return to the wine. However, wine is a difficult one as it is entirely dependent on the food you are eating. I would never dream of drinking white with a steak. In case you were concerned for my liver – or my mental state – I must add that this drinking habit is not an everyday occurrence; I do not consume my weekly allowance of fourteen units in a day, on a daily basis. My work and body would severely suffer if this was the case. While I might think I write a great essay still drunk, my tutors would probably disagree.

Yet, I can understand why this shift in student drinking habits has occurred. On the one hand, this practice of casual but consistent inebriation has not been universally detrimental – people regularly have a great time with friends having drinks. But on the other, families can be ruined by alcohol abuse, money squandered in bars and pubs, and alcohol-induced tragedy. Objectively, alcohol is a poison that can and will destroy lives. It is therefore something that people need to be made fully aware of. It is also something that needs to be respected.

I was always taught to approach alcohol as something to enhance a moment, not to create a moment. You should not be drinking if you are only doing it to provide entertainment. My parents have always shared, and probably always will share, a bottle of wine between them every night with supper. This might be supplemented by a Gin and Tonic or a beer, and at the weekend or for a special occasion they will drink with lunch. As a result, wine and beer were just another drink option growing up, like water or juice. It was nothing special and completely normal in our day-to-day lives. Normality, I think, is key. I have never felt the need to get smashed or overindulge because I have never had the feeling that I needed to drink as much or as quickly as possible. I think that, in many ways, our culture of drinking protects us from the frenzy that comes from finally being unleashed and allowed to do something which for so long was prohibited in our youth. And to be honest, if one of our most notable traits as a nation is that we are at our most comfortable in a beer garden, I am not that sad about it.

The misogynist within: calling ourselves out

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TW: Mentions of sexual violence

The recent murder of Sarah Everard has sent shock waves through society. It has brought the extent of systemic victim-blaming and internalised misogyny to light, perpetuated by patriarchal ideas still present in our society. Internalised misogyny – the unconscious biases our patriarchal culture enforces upon us – must be examined in ourselves and others to tackle victim-blaming. Once we address, call out, and overcome our own internalised misogynistic attitudes, we can become more open-minded and prepared to support others facing sexual harassment and assault. It is a crisis that currently rages throughout schools and universities which can only be tackled by cultural and systemic change through education.

Sarah Everard’s murder is a gruesome sign that women are still unsafe on the streets. Her killing was not simply a case of being in the wrong place at the wrong time. It is resultative of a misogynistic culture which asserts continued male dominance over women’s bodies and lives, derived from the patriarchal ideas our society is steeped in. Her murder has triggered testimonies from women on social media, previously silent about their experiences of harassment and assault. Instagram account, @everyonesinvited has received over 5,000 testimonies from women and girls who have experienced harassment and assault within schools and universities. 

The continually increasing outpouring of testimonies shows women’s growing confidence to speak up about their experiences, once silenced by a toxic culture of victim-blaming which enforces the precedency of male sexual desire, and stifles women who have been forcibly subjected to it. Social media has exposed the breadth of misogyny within the education system. Though social media is an extremely powerful platform which raises awareness for these issues, meaningful changes must be made to challenge institutionalised chauvinism and misogyny – a power only wielded by education. Social media must also be treated with caution; though it can be used for positive change, it simultaneously provides a platform for misogynistic voices to be heard.  

Twitter is awash with comments about the route Sarah Everard took home, with many criticising her choice to walk across the dark Clapham Common. It seems history has repeated itself, placing a similar sense of responsibility on Amelie Delagrange, 22, who was murdered when she cut across the dark Twickenham Green, London, in 2004. It is as though nothing has changed in 15 years. This continued pattern of victim-blaming shows society must cease finding ways to shift blame from attackers onto their victims, and focus instead on the issue at hand: misogyny still reigns as a woman cannot wear what she wants and walk wherever she wants. 

Women’s clothing is too often used as an excuse for the actions of predators, as some conclude she may have been ‘asking’ for sexual attention. When a woman does assert agency over her body by dressing as she pleases, she is often blamed for the unwanted male attention she may receive. This culture of slut-shaming demonstrates that society still fails to accept women’s ownership over their bodies. Slut-shaming constantly finds a way to critique and control the way women should feel about their appearance. Victim-blaming and slut-shaming protects predators by placing responsibility of harassment on women, demonising them for enticing the male gaze. Society maintains that ‘boys will be boys’, a mentality which holds that predators are unable to control themselves and cannot be made accountable for their actions.  

These recent events have led women to reflect on their experiences of misogyny, including myself. One evening last summer I walked down a quiet lane and saw an older man looking at me from his car. He rolled down his window and asked “what’s your snapchat?” He then strode towards me, repeatedly shouting the same question. I blamed myself for this experience as I had walked alone down quiet roads and considered myself lucky I did not experience worse. I was ashamed to talk about it, as if it was my fault. A year on, I have realised my own internalised misogyny placed blame on myself, rather than this man. 

It is this internalisation of the patriarchy that makes myself, and many others, too afraid and ashamed to discuss their experiences of harassment. However, we must overcome our anxieties about victim-blaming. By refusing to discuss our experiences, the patriarchy continues to dominate women as our silence enforces the idea that cat-calling is something we should be ashamed of. Instead, we must call-out our cat-calls. By speaking up about harassment we draw attention to its extent within society and slowly break down the internalised misogyny which reinforces it.

The patriarchy enforces internalised misogyny which infiltrates almost every area of our lives. It permeates into our minds and becomes unconscious. It is all-pervasive, holding that men have a right to women’s bodies and resultatively makes us believe women are culpable for receiving unwanted attention. A 2017 rape case heard a judge suggest it is a woman’s duty to protect herself from assault when drunk. This behaviour institutionalises misogyny and victim-blaming and deters other women from reporting assault, believing that they will not be taken seriously. 

Instagram accounts such as @whyididntreport document the struggle of women to reveal their experiences of harassment and assault due to fear of violence and victim-blaming. Internalised misogyny is quick to invalidate a woman’s experiences; numerous accounts of how women believed they “did not fight hard enough” to avoid assault prove the shocking extent of victim-blaming within our society. Rather than teaching men that to assault is wrong, society teaches women to do all they can to avoid it. Women must be alert in case of attack. Women must grip their keys between their fingers at night. Women must change their clothes and route. If we do not, then we have not done all we can to protect ourselves. It is our duty to fight victim-blaming tendencies and place sole responsibility where it belongs: on offenders.

We must address such victim-blaming and internalised misogyny through education. Programmes such as the Oxford-based Good Lad Workshop teach university students to respect women through the concept of ‘positive masculinity’ rather than to merely obey the law on assault and harassment.  Environments such as these must be sustained as they create a discussion and challenge misogynist culture within the formative years of our lives.

Schools, universities and workplaces must learn from the testimonies of women and girls, and impose a reformed and rigorous education system surrounding misogyny. As well as education about the importance of respect, women must be assured that their experiences of harassment and assault are valid and resultative of an institutionalised culture of sexism rather than their own actions. Slut-shaming culture and other issues dependent upon internalised misogyny which plague and invalidate the experiences of women and girls must be broken down through education.  

The government’s latest proposals fail to emphasise education to challenge systemic internalised misogyny. The proposed introduction of police into nightclubs and bars, increasing street lighting and CCTV is inadequate in tackling misogyny, harassment and assault. It fails to acknowledge and eradicate institutionalised and internalised sexism – the root of violence against women. Respecting women cannot be immediately enforced in society by greater curbs against harassment and assault. Rather, it needs to be taught. A state based on fear of being found disobeying the law is not a society we should live in, rather education must be used to deconstruct the misogynistic attitudes which drive harassment and assault. Instead, the education system’s power must be wielded to challenge misogyny. 

Cultural and systemic reform brought about by education must take place to solve the inequalities faced by women. Though these inequalities span centuries, they can be gradually challenged when we educate men and women on gender injustice, and hopefully bring about a decline issues such as victim-blaming. In 100 years women in the UK have been transformed from politically voiceless, lacking the right to vote, to politically and financially empowered. The mammoth rate of change seen in the 20th century anticipates greater reform for the position of women to come, will the erosion of internalised misogyny follow?   

Image credit: Tim Dennell via Flickr & Creative Commons.

The continued failure to tackle rape culture within schools

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TW: sexual assault

As numerous schools face accusations of ‘rape culture’, it is easy to feel shocked – the testimonies are harrowing to say the least. However, reflecting upon my own experiences at school, this shock partly reflects the entrenchment of rape culture. The culture is one in which misogynistic attitudes, thoughts and behaviours are trivialised and normalised. It is commonplace to not realise the violent potential of your ‘normal’.

It is overlooked that everyday experiences of sexism are the norm for female students. This normalisation enables sexual assault to be depicted as exceptional – this must be challenged. Rape culture is ingrained within schools and is a systemic issue. This fact has been highlighted recently by the Everyone’s Invited campaign. This initiative was set up to tackle rape culture and sexual violence within the education system and, as of today, there are over 5,800 testimonies of sexual assault and harassment. The campaign has published testimonies that have implicated several prestigious private schools, disrupting the ‘normal’ so many had previously accepted. The testimonies range from students pressured into sharing explicit photographs online to details of assault, rape and ‘stealthing’, the act of non-consensual condom removal. It is clear that schools are, as Ava Vakil put it in her recent open letter to King’s College School in Wimbledon, a “hotbed of sexual violence”. 

The Everyone’s Invited initiative defines rape culture as “when thoughts, behaviours and attitudes in a society or environment have the effect of normalising and trivialising sexual violence”, “behaviours such as misogyny, slut shaming, victim blaming and sexual harassment create an environment where sexual violence and abuse can exist and thrive.” Crucially, all the experiences described above are interconnected: misogyny and sexism cannot go unchallenged in school, as such a normalisation is inherently concerning and violent. 

The recent reckoning induced by the initiative has led many to question, how do institutions tackle rape culture in the long run? Whilst it is imperative that perpetrators of sexual assault and harassment face adequate consequences for their actions, to solve the issue a more profound recognition of rape culture is necessary – reactionary responses are not enough.

There is currently a failure of sex education amongst men. The curriculum is yet to grasp the nuances of consent, and the role technology and social media play in producing rape culture. For a start, the social side of sex must be addressed, this should include discussions around intangible ‘grey areas’ such as pressure and power dynamics. Promisingly, a group of schools in London are now discussing how to revise their PSHE curriculum. This is necessary and should be instituted on a wider level, as The National Education Union (NEU) recommended.

My argument that schools present a micro-culture of sorts in which sexism is rife and reproduced viciously is not to negate the pervasiveness of rape culture within wider society, nor the influence of the media. However, I find certain narratives which have emerged in response to the Everyone’s Invited campaign specifically alarming in the almost absolute abdication of responsibility from the institution of schools themselves. Melanie McDonagh, of The Spectator, interviewed a head of a Catholic school who attributed the problem to ‘internet pornography’. McDonagh herself paused over the impact of ‘the cultural imperative for girls to celebrate their sexuality’, and boys’ ‘inability to interpret confusing signals’. After a moment of despair, and wondering if McDonagh really saw being sexy and safe as mutually exclusive, I realised her response is symptomatic of a wider popular view that schools simply reflect issues prevalent in society at large (that is if, as in this case, sex positivity is to be viewed as an issue of course). 

Rather, schools act as a unique breeding ground for rape culture. This issue, as highlighted in the past month, is not novel. The NEU reported in 2017 that a third of girls had been sexually harassed at mixed-sex schools. The report equally stresses the direct correlation between sexist ideas and violent behaviour. Once again, the ideas which often remain unchallenged are violent: we must reassess what we deem trivial. 

I find the vehement refutation that schools play an active role in producing rape culture to be confusing, to say the least, considering it is generally accepted that schools are incredibly formative for everything else and play an active role in the development of young people. So, why are institutions so reluctant to admit their role and agency when it comes to rape culture? Within the education system, man is considered the default, it is thus hardly surprising that misogynistic behaviour is the norm.

Simone De Beauvoir theorised that women are fundamentally oppressed by men, as they are characterised as the Other. Man occupies the role of the self; woman is the object. The school curriculum exemplifies Beauvoir’s thesis by reinforcing the idea of men as essential and predominant. In 2018, Mary Bousted, the joint secretary of the NEU, criticised the national curriculum for failing to include enough black and female writers. The English curriculum is arguably disproportionately dominated by men, and much of the sexist male behaviour and violence within key texts are also not adequately addressed. Accepting men as the default is dangerous because it facilitates the objectification of women; as they are ‘othered’ they are defined in relation to men and their worth is diminished.

In considering why many of the reports published on the Everyone’s Invited website were initially from private schools, particularly in London, it is important to address how the concept of reputational prestige can perpetuate rape culture. Many schools’ lauding of their legacy and reputation is potentially damaging in that it frames a culture of abuse as implausible. Schools often describe themselves as creating future leaders, good citizens, or more generally as the vanguard of society. This is reminiscent of the traditional concept of the ‘gentleman’; students are moral, honourable and respectable. Gentlemanliness functions as a shield for misogyny by producing the false paradox of the impossibility of a respectable being, of fine character, behaving unacceptably, violating others’ rights. This incredulity is deliberate and manufactured by our culture and institutions, it immunises certain individuals.

What must be recognised is that the construct of the ‘gentleman’ relies equally upon prestige, hierarchy and a sense of superiority. Misogyny is intertwined with the subordination inherent within the elevation of the ‘gentleman’. This is relevant to the present day, and is awfully reminiscent of the time, in my own experience at school, that a girl reported a boy for verbally harassing and slut-shaming her, to be told the boy’s school did not believe her. How could a smart, lovely boy who plays in the sports teams also harass someone? It is entirely reductive, but unfortunately incredibly effective, to create this false binary between good and bad. Schools, the history of male greatness and individuals can have an ugly, traumatic history. As schools seek to preserve reputational prestige, by suppressing this ugliness, there is a denial of the complexity of rape culture and an undermining of the credibility of victims. 

The responses of certain high-profile schools to the Everyone’s Invited campaign have been promising. It is reassuring to see schools report all cases to the police, reaffirming their zero-tolerance policy to sexual harassment. However, I can’t help but feel that the focus on accountability is partly a publicity exercise. By treating the problem on a case-by-case basis it once again frames the problem as one of individuals, rather than the institution itself. Institutions must admit the pervasiveness of rape culture, rather than, as one headteacher recently stated in an email, attributing the problem to ‘a small minority of students’ who have got ‘things wrong at some time during their adolescent years’.

To deal with this reactively and separate the school from the problem is a non-solution. Many schools seek to maintain the status quo and hope that by dealing with a few ‘bad apples’ quietly, the issues of sexual assault and misogyny will all go away: sadly this is naive, will the same tree not continue to produce ‘bad apples’? Such an approach entirely disregards how disturbing and harmful the present situation is: our ‘normal’ is violent, unsustainable, and thorough disruptive change is needed.

The reality of rape culture is not only pervasive but also complex. With the benefit of hindsight it is unnervingly easy to think of personal instances of misogyny at school. This is commonplace. Equally unnerving is the extent to which I realise now that I was an active bystander at times to this culture of misogyny. Despite at times feeling a discomfort, I never properly called out my own, nor my friends, casual objectification. Accepting the status quo had its merits: I wanted to date the boys who called me pretty; I wanted to go to the parties; I even, I can admit now, saw some of the comments as compliments. Whilst it is easy to excuse such instances with the insecurity of adolescence I find it more useful to consider whether this is how rape culture functions within schools. It was, and often still is, socially profitable to not make a scene. As a status quo, which remains relatively unchallenged, all are responsible. 

As Soma Sara, the founder of Everyone’s Invited, argues, this is not about cancel culture, nor individuals. The Everyone’s Invited testimonies are anonymised to stress this point: the testimonies are individually striking but together compellingly demonstrate how sexual abuse thrives within an educational environment. This is a systemic issue, and there is a collective responsibility to call it out. Complicity normalises the behaviours and thoughts of rape culture and further socialises young people into believing certain actions are ‘acceptable’, if simply because of their frequency and regularity. 

There has also been a general sense of shock across the media in response to the Everyone’s Invited campaign. This shock appeared to be especially centred around the implication of certain prestigious private schools. For me, this reflects a shock that sexual assault happens here too. Whilst this focus on an institution’s reputation and prestige entirely misses the point, in some ways it also proves how effective privilege and grandeur can be in masking the ugly. Once again it purports the false dichotomy between the good and the bad. It also pinpoints a current wider problem in discourses surrounding sexual assault, a perceived need to categorise and mark out who the typical abuser is. Rape culture is pervasive and transcends many boundaries within society, including class. There is also an irony to this shock: male entitlement is an integral component of rape culture; of course, this entitlement is present at schools where boys are taught that they are God’s gift.

The mass reaction of shock, however, is damaging in that it again risks presenting this culture of violence as exceptional – this is not only an issue rooted within prestigious schools but all schools. The experience of one subsection of society is valid and worth discussing but should not subsume the voices of others. For example, the testimonies originating from state schools have garnered substantially less attention.

Equally, in the reporting of sexual harassment within schools the intersections of being a survivor and a part of a minority group have hardly been mentioned. The NEU report in 2017 revealed the lack of a national government-led response to rape culture within schools. Despite this, recent public opinion seems to have been galvanized around the institutional indifference of a small number of schools. Whilst it is promising to see certain schools finally begin to take adequate steps in addressing the problem, the problem is not limited to the top fifty schools in the country. As the NEU states, it is disappointing that the Department for Education is yet to take a “stronger lead”, the national curriculum should be redesigned to deal with the issue. Firstly, the scope and severity of the issue need to be acknowledged if we are to tackle rape culture within all schools. The recent announcement of an immediate review into sexual abuse in schools by the Department for Education is a step in the right direction; I can only hope that this review signals the continuation of a crucial conversation.

Essentially, schools must admit the extent of the problem and seek a new future. Hindsight and reactive solutions are not enough. We must all consider the role we play in the normalisation of misogyny. We cannot see cases of assault as anomalous, sadly sexual assault is incredibly common: to disregard this fact, is to not gauge the severity and complexity of the problem. Our culture actively manufactures this crime. Schools must understand rape culture. Seeking clean testimonies; perpetuating a false dichotomy between good and bad; using morality as a metric, predisposes schools to inadequately deal with sexual assault.

As Jia Tolentino wrote in Trick Mirror: Reflections on Self-Delusion, currently ”the best-case scenario for a rape victim in terms of adjudication is the worst-case scenario in terms of experience: for people to believe you deserve justice, you have to be destroyed.” Grimly, this holds true if the kaleidoscope of behaviours and thoughts which constitute rape culture within schools is considered: the trivial is boys being confused, the normal is a minority being ‘bad apples’. Such an outlook enables the status quo to prevail, it is integral to properly address rape culture. 

Image Credit: Creative Commons – “Red River High School”, by senatorheitkamp, marked with CC PDM 1.0.

Donnie Darko: more than an average coming of age story

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In many ways, Donnie Darko is just another film about an angsty teenager with ideas he feels nobody else understands. He lives in a typical suburban neighbourhood, goes to an overly strict Catholic school and rages against the repressive world that surrounds him. This is the same basic premise as 2017’s Lady Bird, but with hallucinatory rabbits, alternate universes, and discussions about the physics of time travel thrown in for good measure. It is this supernatural, pseudo-science-fiction element, along with the portrayal of teenage angst, that has made Donnie Darko a cult classic that has remained in the popular imagination ever since its initial release twenty years ago.

Anyone who’s watched the film has been left dazed and confused by its ending. As many critics have pointed out over the years, the time travel magic that ultimately leaves Donnie dead is hard to wrap your head around. But that lack of clarity means that viewers can try to piece together the chain of events themselves. Writer and director Richard Kelly has littered hints throughout the film, making a re-watch gratifyingly worthwhile. However, the supernatural elements of the film haven’t just been included to perplex the audience and present them with an enticing puzzle to solve—they reflect Donnie’s inner turmoil and his questions about the world around him.

Donnie himself admits that he is a “troubled” teenager, grappling with a fear of loneliness and hallucinatory compulsions that make him burn down houses and flood his school. Kelly takes Donnie’s existential questions seriously, allowing his characters to have protracted conversations about fate and death. This is what sets Donnie Darko apart from other films about adolescence. Donnie’s problems in his school and home life are discussed as part of a much larger questioning of the world around him and how it works. This existential bent to the film works because the teenage angst that we so often see portrayed is often philosophical in nature. Adolescent questioning is not brushed off as pointless and overdramatic but embraced as something meaningful.

The supernatural aspects of the film only help to make the more typical critique of 1980s American suburbia sharper. When Donnie is dealing with existential dread and fear of whatever crime Frank is going to make him do next, the school’s obsession with morality and fear of anything different seems all the more ridiculous. Kelly still manages to make his satire funny, however, with a ridiculous Patrick Swayze playing a motivational speaker who makes instructional videos complete with chintzy music and PowerPoint effects. This film’s funny moments keep it from becoming too dark and depressing and are definitely part of why this is a cult classic. Donnie’s monologue on Smurfette and the “overwhelming goodness of the Smurf way of life” can probably be quoted in entirety by quite a few fans.

Despite Donnie’s death, which is punctuated by Gary Jules’ haunting cover of ‘Mad World’, this is still an uplifting film full of funny moments and assurances that there are kind people in the world to counteract the hostility of some of the adults in the town. Donnie’s family is a caring one, he is influenced by two more open-minded teachers at school, and he has a loving and honest relationship with his girlfriend Gretchen. It is, after all, his love for his girlfriend that seems to motivate Donnie to travel back in time and sacrifice himself, thereby undoing her own death. Kelly’s message is a positive one, asserting that even those that society sees as ‘wackos’, like Donnie and oft-bullied Cherita, can love and be loved. As Donnie says to Cherita in their last interaction, “I promise that one day everything’s going to be better for you.”

Donnie Darko is a film about the difficulties of growing up, but one that embraces the darker, more philosophical aspects of this more fully than many others of its kind. Whether or not you can figure out the ending or fully understand the logic of the time travel, this is a film with a meaningful message. There is a little bit of Donnie in all of us—confused and angry about the world around us, and hoping we can do something to make life a bit easier for the people we love. For a film about a teenager and an imaginary bunny, Donnie Darko has a lot to say.

Artwork by Rachel Jung

Ghosts in the Attic

Nearing the 3pm slump. (The clock is always 2:52 when you glance at it). Taunting synchronicity, eternal afternoon. 

Unpack-repack. That recurring dream that you only ever have in your Home Bed. Packing a suitcase, frantic. Hands moving too slow, oppressive air. Viscous temporal soup. You miss the flight by a fraction of a second. Unpack. Back Home. 

Grey skies greet your eyes in the morning, rain hitting the window. Washed out Friday/Saturday/Sunday/Monday. Trip to the shop to get milk for mum. You slip back into the paranoid notion that everyone must be staring at you. Leering, laughing. Back home, half-empty fridge shelves stare back at you apathetically. A bitter-meets-guilty, guilty-meets-angry feeling sits in your stomach, undigested, when you think of how you eat in The Other Place where The Other Half live. 

You hide in your AirPods, perfume and fur just for a walk to the shop. Imposter. 

Sunken eyes of little girls outside Tesco. School shirt half in half out, one sock up one sock down. Clinging to a rain-washed bear. The bear looks tired but compliant, no energy left to protest about the rough way he is held. 

For a brief moment you feel that you-girl-bear connect, an unlikely triad formed on King Street. United as allies  avoiding the eyes of a fed-up Mum. Eyes framed by half-moons. Limp ponytail, tired air. 

You smile at the girl to show solidarity. She stares blankly back at you. 

You’re sitting in a silent house. Hair unwashed, the musty smell of sleep still lingering in the afternoon. You think about the sound of your nan’s voice on the voicemail she left for your 20th birthday. Husky from all her years of smoking, but unchanged and as warm as ever. You and her in your alliance, when you were little and the world was smaller: swapping between school-nan’s house-dad’s house(s)-mum’s house(s). A world full of suitcases. Unpack-repack. Change without progress. 

Weekends with nan on the couch. EastEnders playing on the telly, reruns of the same show. You loved the coziness of it until one day it bored you – no one prepared you for that. Losing your favourite toys in the attic when you had to leave the house in a hurry. 

In a dream you were small and in the attic with the toys, hidden behind them, scared. A lady was angrily tearing down the wall they’d formed, one by one. You thought please don’t find me please don’t find me, not yet not yet. 

You think of the toys now laying abandoned on the attic floor, cast aside and dust-covered, unloved. Roaming the dark spaces of the house(s) like ghosts. 

You and nan walking back from the chippy arm-in-arm. (She always held you close, and tightly). Sharing a cone of chips in the cold and laughing. That gorgeous sound of a little girl’s laughter. Salt rim on your lip, warm feeling in your belly, toothy eight-year-old smile. 

She loved you fiercely and without reservation. You could see it in her eyes from the beginning. 

Guilt rises in your stomach because you haven’t returned her call. 

And that other recurring dream you have no matter where you are. You’re eight again. 

Dark spiral staircase. Curious to know what’s at the bottom, you descend the stairs. Something terrible lies waiting but it will free you to know what. Sometimes a man is waiting for you, hidden face, leering smile. Sometimes he isn’t. But always a fraction of a second before your foot leaves the final stair, you change your mind and run back to the top, terrified. 

Descend-ascend. 

Where do I go when I run away?

“If a book is well written, I always find it too short”: Our Ongoing Love Affair with Pride and Prejudice

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Every Austen fan has a favourite Mr Darcy. For me, it will always be Mathew MacFadyen and that hand scene in the 2005 film. For others, Colin Firth may be the one who made longing stares and social awkwardness sexy, or even Martin Henderson, who plays Darcy in the (seriously underrated) Bollywood film.

Each adaptation of Pride and Prejudice has its own take on Austen’s famous romantic hero, yet the most recent retelling has done away with the main man altogether. Instead, the character taking centre stage in the new one-man play is none other than Mr George Wickham.

Written by Adrian Lukis and Catherine Curzon, Being Mr Wickham is set to stream to audiences on 30th April to 1st May. After debuting at the Jane Austen Festival in 2019, the performance will now be broadcast to viewers around the country with Lukis reprising his original role from the 1995 BBC series. It is promised that the soldier turned scoundrel will sit down to “set the record straight” on the evening of his sixtieth birthday, discussing everything from his childhood at Pemberley to his experiences at the battle of Waterloo.

Being Mr Wickham is the latest in a long line of retellings of Pride and Prejudice. Previous adaptations include several films, and TV series, a Bollywood and even a YouTube spin-off. There are also several slightly more left-field additions such as Pride and Prejudice and Zombies. Aspects of these adaptations have become famous in their own right. In the 1995 BBC series, for example, the sight of Colin Firth emerging from a lake in a dripping wet shirt and breeches caused the British public to collectively swoon.

The clip has been watched over 9 million times on the BBC YouTube channel. Titled “The Lake Scene (Colin Firth Strips Off)”, it seems that someone in the marketing department was a fan of more than just Colin’s acting. The scene has been parodied in several other films Firth has starred in, including St Trinian’s 2 and Bridget Jones: The Edge of Reason. Both see his characters floundering in fountains in a gentle mockery of the original scene.

As someone who has seen most of the spin-offs, I can understand why we keep coming back to Pride and Prejudice. It’s always comforting to return to an old favourite, and fun to see it redone in different ways. Yet some may wonder whether we need another adaptation of this particular classic. Arguably, there are hundreds of other important and slightly more topical stories that could do with screen time.

In an attempt to appear fresh and exciting, new adaptions are straying further and further from the original story. In Pride and Prejudice and Zombies the knife-wielding Bennett sisters must try and secure a suitable match whilst sporadically fighting off hordes of the undead. The film (adapted from Seth Grahame-Smith’s 2009 book of the same name) received lukewarm reviews when it was released in 2016, with Variety’s Andrew Barker describing it as “awkward and unsatisfying”.

Satisfying an audience is a challenge for any adaptation. People arrive with a preconceived idea of what they’re going to see, and some don’t like to be contradicted. In Being Mr Wickham, Lukis and Curzon have had relatively free reign to develop the titular character, given that Austen doesn’t reveal much about Wickham’s past other than his involvement with Darcy. For all we know, he could have abandoned Lydia, moved to the Bahamas and taken up knitting.

This is the beauty of adaptations. They can take an old story and make it new in unexpected ways. They also allow us to return to the books we love and approach them from a different angle, challenging our preferences and preconceptions at every turn. It remains to be seen, however, whether a new adaptation of Pride and Prejudice is really necessary. Being Mr Wickham may prove popular, but perhaps it’s time to turn elsewhere for inspiration?

Image Credit: Elizabeth Jamieson via Unplash.