Theatre

Graceful and self-assured: Circle Mirror Transformation reviewed

Boulevard Productions’ Circle Mirror Transformation is a faithful and competent take on Annie Baker’s 2009 tragicomedy. The play follows a group of people of different ages taking a beginners’ drama...

Culture Lara Machado -

‘We’re all mad here’: Alice in Won-DRE-Land at Tingewick 2025

When I wandered into Tingewick Hall on a cold, dark evening in seventh week,...

Culture Peter Chen -

A comical approach to a classic text: ‘Hedda Gabler’ reviewed

Tiptoe Productions’ Hedda Gabler, co-directed by Ollie Gillam and Gilon Fox, delivered a strong...

Culture Charlie Bailey -

‘Everything is constantly emotion’: An interview with the cast and crew of ‘Doctor Faustus’

Seabass Theatre has carved out a niche for itself producing original takes on canonical...

Culture Lara Machado -

Latest

Review: The First Last – ‘an unmitigated triumph’

Student playwright Matt Kenyon's hilarious comedy about unplanned fatherhood is on at the BT Studio until Saturday

Preview: A View from the Bridge – a fresh take on the Miller classic

Practically Peter Productions bring the Arthur Miller classic set in 1950s Brooklyn to the Pilch in Sixth Week.

Should comedy have an expiration date?

In a politically correct society, we look at whether it is right to remove offensive jokes from comedies written before our time

Review: Amadeus – University College Players ‘have more than risen to the challenge’

With outstanding performances and excellent musical accompaniment, University College Players do justice to Peter Shaffer's Amadeus

Review: The Roaring Girl – ‘a ground-breaking proto-feminist piece of theatre’

With cross-dressing, feminist themes and a feisty soundtrack, The Roaring Girl proves a fifth week delight

Review: Lemons Lemons Lemons Lemons Lemons – ‘complex but never cumbersome’

With a compelling performance and effective use of lighting and music, Dromadaire Productions encourages us to consider the importance of communication

Review: The Reunion(?) – ‘a subversive new take on the classic murder mystery’

The Oxford Revue's latest show builds up to a brilliant punchline

Review: Your Little Play – ‘a tragic storyline which by now seems all too familiar’

Nightjar Theatre's production tackles themes that are particularly pertinent to our time

Shakespeare Done to Death?

In the wake of the Emma Rice 'scandal' at the Globe, we examine why we keep treading old boards.

Review: Allotment – ‘as if the audience is intruding upon the sisters’ realm’

MuckyOven Productions present an intriguing play about gardening, sisterhood and the passing of time.

Review: Twelfth Night – ‘dispels the myth that Shakespeare isn’t funny’

Brasenose Arts Week puts a contemporary spin on Shakespeare's Twelfth Night

Review: A Little Night Music – ‘a sophisticated and pleasant performance’

Despite some minor setbacks on the opening night, A Little Night Music delivers a confident performance, including some moments of hilarity

Review: (The Wings of the) Seagull – ‘leaves you frozen’

This one-actor show from mealspiel easily wins over its audience, with laugh-out-loud moments interspersed with stomach-churning horror.

Review: A Woman of No Importance – ‘the best Wilde production I’ve ever seen’

With a terrific cast, a splendid setting, and a deft handling of the script, Magdalen Players' take on A Woman of No Importance proves to be a fourth week delight

Review: Four Men in Their Respective Cells – ‘a whistle-stop psychological drama’

Though hitting the right notes thematically, Four Men in Their Respective Cells lacks polish and a conclusive ending

Preview: Your Little Play – ‘your life is defined by the choices you make’

A piece of new writing about sexual misconduct and power feels particularly timely as it heads to the Pilch in 4th week.

Preview: My Mother Runs in Zig-Zags – ‘shapes the lived experience of war and migration’

A poetic performance about migration, war and family, with an all-BAME cast and crew, heads to the North Wall in fifth week

REVIEW: The Ruling Class – ‘actualises an eccentric and absurdist sense of humour’

Stage Wrong Productions' The Ruling Class delivers an outrageous and satirical examination of English upper-class society

Preview: A Woman of No Importance – ‘promises an informed, thorough and hilarious production’

Magdalen Players reimagine Oscar Wilde's melodramatic comedy in fourth week

The Ruling Class – ‘a new beast, though one they are competently battling’

Stage Wrong Productions tackle the challenging black comedy on at the BT in third week.

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Theatre

Graceful and self-assured: Circle Mirror Transformation reviewed

‘We’re all mad here’: Alice in Won-DRE-Land at Tingewick 2025

A comical approach to a classic text: ‘Hedda Gabler’ reviewed

‘Everything is constantly emotion’: An interview with the cast and crew of ‘Doctor Faustus’

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