Culture

What does a Ruskin artist actually learn? A graduate’s perspective

Create, critique, repeat? Polina Kim interviewed recent John Ruskin MFA graduate Laura Limbourg about the inner workings, of unknown to the public, of the school. Oxford terms are intense. Lawyers,...

Art Polina Kim -

Why we’re obsessed with Greek myth retellings

In every bookshop today, from Blackwell’s to Waterstones, an unmistakable pattern emerges: Greek myth...

Books Hannah Becker -

Down the rabbit hole: illustrating ‘Alice in Wonderland’

Alice’s Adventures in Wonderland has long proved an endless source of inspiration to illustrators....

Art Verity Fleetwood-Law -

The performance of watching: Cinema in the Letterboxd age

While watching Paul Thomas Anderson’s One Battle After Another (2025) a few weeks ago,...

Culture Eve Thomas -

Latest

Film festivals should be more pretentious, actually!

Film festivals often get a bad rep. We’ve all heard the stereotype before: they are elitist and out-of-touch, filled with arrogant critics watching obscure...

On the edge of honesty: ‘The Man Who Turned into a Stick’

To rehearse and perform an entire student production before the second week of Michaelmas term is no easy feat - and The Man Who...

Erotic suspense and trickery: ‘Twelfth Night’ at St Hugh’s

Lovers mismatched, siblings detached, and plans of trickery hatched: it is the time of year for Shakespeare’s Twelfth Night (otherwise known as What you...

Sin and nectar: Behind the scenes of ‘Women Beware Women’

I arrived at a rehearsal of Women Beware Women and found Hippolito (Kit Parsons) and Isabella (Céline Mathilda), uncle and niece, embracing and sharing...

Well-managed complexity: ‘In Praise of Love’

In Praise of Love by Terence Rattigan was a play well-chosen in today’s political context – it uses the unhappy relationships between Estonian immigrant...

Fashion around Oxford – Iggy Clarke

Iggy Clarke, the president of the 2025 Oxford Fashion Gala, shares her style secrets and where she’s shopping right now.

Look up! Statues and gargoyles in Oxford

Walking around Oxford you often feel like you’re part of the city’s tourist attraction. The long walk up to the Radcliffe Camera entrance, pushing...

Plaques and Peripheries: The Search for Oxford’s Women Writers

Every morning on my way to college, I pass through the cobblestoned, crowded St Mary’s Passage, overhearing stories of Oxford’s most famous literary duo,...

‘Extremely funny and emotionally intense’: ‘Your Funeral’ at the Burton Taylor Studio

Your Funeral is Pharaoh Productions’ debut play written by Nick Samuel, about the last conversation that ex-partners Anna (Rebecca Harper) and Jeff (Matt Sheldon)...

Review: Hill and Harmer’s A Life in Song – the strange world of Lieder

"poetry told across language through performance and music"

‘Fright’s Out!’ at the Ultimate Picture Palace: ‘Dracula’s Daughter’

To call Dracula’s Daughter (1936) campy would be an understatement. In many ways it felt like a ridiculous version of Cat People (1942). At...

‘A team of criers’: Behind the scenes of ‘Uncle Vanya’

Nothing makes me more excited about a theatre production than hearing a director talk passionately and intelligently about their chosen text. In a conversation...

Grappling with ‘grief that’s half formed’: Your Funeral

“Meeting up with a partner so soon after a breakup is an awkward time - and she’s dying.” Your Funeral is the debut play of...

“NOR GLOM OF NIT?”: ‘Going Postal’ reviewed

“NEITHER RAIN NOR SNOW NOR GLOM OF NIT CAN STAY THESE MESENGERS ABOT THEIR DUTY.” It is this (somewhat incomplete) motto of the Post...

On Gravel and Quads: Woolf’s Oxbridge in ‘A Room of One’s Own’

Virginia Woolf’s extended essay A Room of One’s Own is probably the most important 20th century piece of writing concerning women’s place in literature...

Dear Reader,

It has been so long since last I felt your fingertips tracing my pages, cascading shivers across my spine. I have missed your smile, and the way your...

Cillian Murphy does it again

Since his generation-defining performance in Oppenheimer (2023) two years ago, Cillian Murphy has shown little interest in playing it safe. Having collaborated already on...

What will the Schwarzman Centre mean for music at Oxford?

"Oxford as a cultural centre on a global scale"

Are you listening comfortably? Audio drama and theatre

When people think of podcasts, they probably wouldn’t associate them with theatre. Yet it was this seemingly unlikely convergence between the two forms that...

Algorithms of individuality: ‘The Consciousness Company’

As Stephen Fry wrote, The Consciousness Company by M.N. Rosen addresses the “enormous ethical, metaphysical and existential waves threatening to engulf us”. It is...

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Culture

What does a Ruskin artist actually learn? A graduate’s perspective

Why we’re obsessed with Greek myth retellings

Down the rabbit hole: illustrating ‘Alice in Wonderland’

The performance of watching: Cinema in the Letterboxd age

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