Mythical, dreamlike, phantasmagorical, and absurd: Surrealism, which took the art world by storm in the early 20th century, has enjoyed a huge resurgence in the past decade.
The original pioneers...
When I returned to Oxford this term, just as England teased us with the sixth heat-wave of the year, I found myself at a loose end. With the deadline for two vacation essays still far in the distance, the sun lit up the sign for Soma Surovi Jannat’s Ashmolean Now exhibition, Climate Culture Care.
It is the examination of archaic methods and attitudes surrounding women’s bodies, and the idea of the ‘nagging’ woman, which runs through Olivia Plender’s exhibition.
CW: Abortion
I left the Tate Modern’s latest headline show, Tracey Emin: A Second Life, feeling unmoved by the artworks. I found the paintings somewhat...
‘Responding to AI’ an exhibition curated by Aniq Shamshi and Alice King, confronted the question of how artists perceive artificial intelligence directly.
Often, how much we like artwork comes down to ‘vibes’, initial gut-reactions we make, and then quickly negate by stating that surely it's all about taste.
How do you study art if you can’t see? In 2025, I was faced with this question, not out of curiosity, but because half my vision significantly deteriorated.
The product of a controversial £150 million donation, the new Schwarzman building is a dominating new presence for the city and university, built within...
Polina Kim interviewed recent MFA graduate Laura Limbourg about the inner workings of the Ruskin School of Art, which still remain relatively unknown to...
Alice’s Adventures in Wonderland has long proved an endless source of inspiration to illustrators. Hundreds of artists have illuminated Lewis Carroll’s vision, with many...
★★★★☆
Former Wadhamite Verity Babbs has created a practical guide to the history of art – breaking away from the traditionally dense Oxford academic style....