Film

September 5: Journalism drama doesn’t question the facts enough

Set during the 1972 Munich Olympics, Tim Fehlbaum’s September 5 tracks the ABC Sports crew’s coverage of the Israeli athlete hostage crisis in the Olympic Village: the first terror...

Film Janik Peeters -

Adolescence: Can TV spark radical change in young men?

Adolescence is just another example of art acting as a conversation piece. The recent...

Film Tom Cockburn -

Please, no more biopics!

A few weeks ago, Sam Mendes announced his casting for the Beatles biopics he...

Film David Percival -

Going Dreamy: The Singular Will of David Lynch

In a behind-the-scenes clip from David Lynch’s final project, Twin Peaks: The Return, a...

Film Arthur Meynell -

Latest

Comfort Films: Cars

Last summer a friend recommended I watch Shaun of The Dead. The idea of walking around London now, surrounded by potentially asymptomatic people, does...

Review: For Sama

It is 2016, in Aleppo, Syria, and Waad al-Kateab is filming the world that unfolds around her, with a handheld film camera. This world...

Awards Season Fatigue

It’s been five years since the #OscarsSoWhite campaign and yet the line-up for this year’s nominations is once again a homogenous playing field dominated,...

What to Watch this Valentine’s Day : The Before Trilogy

In a world where romance on screen is sold to us from a young age, we are rarely offered anything but a mix of...

Student Short Film Review: “unlucky.”

“unlucky.”, by Thalia Kent-Egan, is a film that, in the span of 20 minutes or so, and in the confines of a single room,...

Review: 1917

When Lance Corporal Blake (Dean Charles-Chapman) selects his friend of who knows how long, Lance Corporal Schofield (George MacKay), to assist him on a...

ON FILMS AND FIRST LOVES

Romance feels a certain way; but it also looks a certain way. And the certain way that romance looks is, to my mind, filmic....

Review: The Personal History of David Copperfield

With his take on The Personal History of David Copperfield, Armando Iannucci seems to relish the opportunity to draw out the inherent absurdism and...

Hopes for a Future Cinema: Less Lonely Women, More Little Women

Cinema, just like all other industries, follows a trend. And right now, this trend is unmistakably associated with women – with celebrities wearing “Time’s...

TOP TEN BEST FILMS FOR VALENTINE’S DAY

Maybe you are the kind of person who avoids participating in even a card exchange when February 14th rolls around each year in a...

‘Just keep my martini cool’: Why On Her Majesty’s Secret Service (1969) is the Epitome of Valentine’s Day Viewing

Like indigestion or crippling heartbreak, Valentine’s Day is always just around the corner. I realise this because Wish.com has started targeting my Facebook feed...

Review: Taylor Swift’s ‘Miss Americana’

Taylor Swift’s last album, Reputation, was an unapologetically aggressive response to the ‘drama’ that she had endured during nearly a decade in the...

The music of Little Women

For the characters in Greta Gerwig’s recent film adaptation of Little Women (2019), music is an essential part of their lives. Beth (the third...

Heimat: a cinematic odyssey through 20th century German life

The controversy surrounding Taika Waititi’s recently Oscar nominated satire on Nazi Germany, JoJo Rabbit, demonstrates that dramatic portrayals of Hitler and the era of the Third...

Cinema Self-Care: A Therapeutic Guide to Nora Ephron Films

Even when I am most in need of time to myself, I still crave company. Nora Ephron’s characters, from jolly, larger than life Julia...

Review: JoJo Rabbit

Based on Christine Leunens’ Caging Skies, Jojo Rabbit is a very different kind of war film to Sam Mendes’ 1917, advertised just moments before....

Review: The Rise of Skywalker

Space Operatic Dullness by Mattie Donovan, “The Critic” When this new trilogy of Star Wars films began back in 2015, there was a charming sense of...

ROYALTY IN FILM

“Uneasy is the head that wears a crown”, wrote Shakespeare, who seemed compulsively committed to documenting the simultaneous lure and burden of monarchy more...

Review: Little Women

“Women, they have minds, and they have souls, as well as just hearts. And they’ve got ambition, and they’ve got talent, as well as...

Review: The Gentlemen

Guy Ritchie’s The Gentlemen has been described – somewhat euphemistically by critics – as a ‘guns and gangsters’ film. It has been perceived as...

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Film

September 5: Journalism drama doesn’t question the facts enough

Adolescence: Can TV spark radical change in young men?

Please, no more biopics!

Going Dreamy: The Singular Will of David Lynch

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