Film

Nonsense and sensibility: Adapting Austen for the screen

It is a truth universally acknowledged that not all Jane Austen adaptations are created equal.

Culture Abigail Christie -

OUFF’s ‘The Oxford Tales’: Celebrating student filmmaking at Oxford

It’s no secret that Oxford has long been an idealised location for film sets; official-looking SUVs with blacked-out windows and attendants in high vis parading up and down Catte Street and around the Rad Cam are a not-unfamiliar sight.

Culture Amy Lawson -

Oxford on-screen: Historical atmosphere and fantasy worlds

Ideally, we should strike a balance; an awareness of the reality of life at Oxford can co-exist with an appreciation of its grand architecture and historical atmosphere.

Culture Siena Tracey -

Subs, dubs, and AI flubs: Lost in film translation

How hard could it be to watch an entire film in German when I could not even introduce myself in the language? Quite hard, it turns out.

Culture Emma Heagney -

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Revisiting Godard’s ‘Breathless’ 60 years on

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Is Love Actually actually sexist?

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The Prom: rainbow lighting, James Corden & the stage-to-screen adaptation

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La vita davanti a sé: Sex, death and Sophia Loren

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The HAPPIEST SEASON to be queer

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Making Queer Cinema history: Victim (1961)

"‘Victim’ illuminates an important moment in the history of LGBTQ+ rights, primarily in normalising the existence of homosexuality and encouraging empathy."

Eagerly Anticipating: Sex Education Series 3

"I am desperately hoping Sex Education returns as planned in January – we don’t need any more bad news this year."

Between a rook and a hard place: Female ambition in The Queen’s Gambit

The Queen’s Gambit is refreshing because it offers a model of masculinity that is neither toxic nor fragile, but supportive and generous.

In conversation with Normal People Director, Lenny Abrahamson

“It’s about trusting the capacity of the actors, but also the ability that human beings have to read each other. We do it all the time, we put together very strong pictures of how people are from very little.”

The making of Bong Joon-Ho: Memories of Murder

Bong consistently backs up this technical precision with an attention to thematic and emotional detail that, combined with his now infamously anarchic approach to genre convention, renders him a singular force in the landscape of modern cinema

Damsels in distress? – The rise of the lesbian period drama

Kate Winslet catches Saoirse Ronan’s eye in the mirror, watching in the light of an oil lamp as she takes her corset off. Later, Ronan...

What The Write Offs tells us about literacy in Britain

Nothing has hit me as hard as this minute of TV for months. I had been sat in my little ivory tower of ‘well, why didn’t they just learn?’, but now I felt all that come down.

All treat, no terror – Halloween horrors for scardy cats

This year, Halloween is probably going to involve a movie night-in rather than a night out on the town. But not to fear! The...

Monos: More Than Just A Colombian Story

Landes has managed to create a raw film about humanity that goes far beyond the context of the Colombian conflict

Tenet review: Can visual spectacle make up for missing humanity?

After three postponements and millions of dollars’ worth of Covid-induced extra marketing, the much-anticipated action-thriller film, Tenet, has finally greeted a global audience, giving...

Have I heard that somewhere before?: i’m thinking of ending things and a crisis of originality

Kaufman is confronted with the impossibility of forming a new idea in a world where everything has been thought before, by someone else

Cinematic activism: Wind River and the #MMIW campaign

The power of film lies in its ability to force you to view a situation from another perspective

Approaching sexual assault on screen: The triumph of I May Destroy You

Coel reminds us that sexual assault is not always staring down at us from a bathroom stall. Sexual assault can be quiet, even subtle. Sexual assault can live hidden, unnamed in memories for years.

Comfort Films Medley – Chocolat, Call Me by Your Name, Ferris Bueller

During the summer vacation, countless people wish they could ‘pull a Donna Sheridan’ and escape to the Greek island from Mamma Mia! For me,...

Glutton for Horror

Mild Spoilers for Spirited Away and Pan’s Labyrinth Of all the sins, gluttony is the only one we truly commit against ourselves, where the implications...

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Film

Nonsense and sensibility: Adapting Austen for the screen

OUFF’s ‘The Oxford Tales’: Celebrating student filmmaking at Oxford

Oxford on-screen: Historical atmosphere and fantasy worlds

Subs, dubs, and AI flubs: Lost in film translation

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