Film

The lost art of the intermission, and why the film industry needs to bring it back 

Last month, Brady Corbet’s The Brutalist was one of the most-discussed films at the Oscars, with its award-winning cinematography, score, and direction rightfully generating great critical acclaim. Equally, though,...
Film Ruby Tipple -

Something is rotten in the state of San Andreas: Grand Theft Hamlet in Hertford

‘Hamlet: “O’, that this too too solid flesh would melt, thaw…” ’ Don’t quite remember...
Film Morien Robertson -

German Expressionist film: A beginner’s guide

With Robert Eggers’ remake of the classic vampire horror Nosferatu taking the world by...
Culture Tara Williams -

Cherubs Grow On Trees: Atmospheric student filmmaking

Making short films is hard. You have anything between two and 20 minutes to...
Culture Lara Machado -
Latest

In Defense of Escapist Art

In our current political climate escapism is a dirty word. Moreover, it is a risky form of mental engagement in a culture that calls...

The Fantasy of Film

Food - whether symbolising power, desire, loss, despair, love, murder or moral, social and political disorder - provides an extensive menu for films. Imogen Harter-Jones explores its symbolic capabilities.

The Farewell Review

Seemingly all of us either have or yearn for an affectionate but caustically witty grandmother such as Nai Nai (Zhao Shuzhen), the endearing matriarch...

Peaky Blinders Season 5 Review

For all its sex, drugs and violence, Peaky Blinders is starting to get tired of itself. Its response? A gripping foray into the world...

Film School- Tales of Coming of Age

In the language of the Aymara, an indigenous South American nation, it is the future and not the past that lies behind you. The...

Dark Crystal: Age of Resistance Review

Jim Henson was a master of entertainment: I’ll hear nothing to the contrary. The Muppets were a genuine delight and, no matter how much Oxford has...

This Way Up (2019)- Review

Content Warning: Mental Health/ Depression/ Suicide.

Stranger Things and… capitalism?

Even as our favourite American TV shows are owned and trademarked by enormous conglomerates with massive influence over the entertainment industry, prestige television has often been...

“All My Loving”- a love letter to the Beatles’ uncompromising “A Hard Day’s Night”

John, Paul, George and Ringo, chased through the oft-mistook Marylebone station, boyishly attempting to evade a hoard of adoring young fans. It is an iconic scene...

Sex and Sensibility: Are ‘Spiced Up’ Adaptations really that progressive?

Pulses were sent racing in 1995 when Andrew Davies’ television adaptation of Pride and Prejudice saw Mr. Darcy, played by a fresh-faced Colin Firth, emerge sopping wet from a lake in a translucent white shirt that barely clung to his torso.

Funny before Fleabag- the best flawed female sitcom characters

Although seemingly it is a truth universally acknowledged, we need to reiterate that Fleabag was one of the best sitcoms broadcast in years. From its three-dimensional...

The Virtues (2019)- Review

It may seem an overstatement, but I truly believe that Shane Meadows’ This is England saga is one of the greatest contributions ever made to British culture....

Fast & Furious Presents: Hobbs & Shaw (2019)- Review

Within the first five minutes of Fast and Furious Presents: Hobbs & Shaw, Idris Elba jumps onscreen off of a CGI motorbike and announces...

Animals (2019) review

Sophie Hyde’s latest film Animals, adapted from Emma Jane Unsworth’s 2015 novel, is a welcome antidote to the friendships of fun, feminist, Glossier-buying millennial women that...

Apollo 11 (2019)- An Interview with archival producer Stephen Slater

Mattie O'Donovan speaks with Stephen Slater, the chief archival producer for Apollo 11, a new, critically lauded documentary on the first moon landing.

Midsommar (2019)- Review

Colette Webber critiques Hereditary director Ari Aster's new offering Midsommar, a contemporary take on the folk horror sub genre.

Salò, or the 120 Days of Sodom: The Pornography of Power

"Pasolini uses the language and imagery of obscenity in order to shock, but if not shocked, we would only be indifferent."

‘Spider-Man: Far from Home’: Marvel’s much-loved web-slinger swings back into action

"A pitch-perfect teenage (read: awkward) romance with great action, all anchored by solid performances from the ever-maturing cast."

Love Island: the breaking point for exploitative television?

"Love Island doesn’t just expose its contestants to the vitriol of the public, it actively encourages it."

Sensual Absence in Jim Jarmusch

"If there is one thing Stranger than Paradise and Down by Law teach about Jarmusch, it is that he does a disservice to himself every time he makes a film in technicolour"
1...111213...24Page 12 of 24

Follow us

Support Student Journalism

Cherwell is Oxford’s oldest independent newspaper, established in 1920. We are entirely student-run. By supporting us, you will contribute to keeping our paper in print and online. Every donation makes a difference.

Donate

Oxford Student Publications Limited © 2025 - All Rights Reserved | Privacy Policy

Website by James Ashley