The filmmakers of NAZA clearly know that beyond physical distance, emotional distance is what allows the violence in Gaza to continue, and shows us just how easy it is to ignore what is going on right under our noses.
Romance movies are, on the whole, my favourite movie genre. But good romance movies, like good romantic relationships, are hard to find, and easy to mess up.
Beautiful Boy is unlikely to have an unintentional glamorising effect. We witness the oblivion of being high before the inevitable crash down to a deeper and darker place.
From a design perspective, Bandersnatch falls into a lot of traps. Choices are quite infrequent and always binary, whereas it's standard for most interactive fiction games to allow you to choose almost every line of character dialogue.
Isabella Welch discusses whether Bandersnatch is revolutionary or just manufactured hype on part of Netflix.
The French-German film Frantz, however, has gone unnoticed by many English-speaking viewers, despite being one of the most powerful films released to explore the after-effects of World War I.