Film

September 5: Journalism drama doesn’t question the facts enough

Set during the 1972 Munich Olympics, Tim Fehlbaum’s September 5 tracks the ABC Sports crew’s coverage of the Israeli athlete hostage crisis in the Olympic Village: the first terror...
Film Janik Peeters -

Adolescence: Can TV spark radical change in young men?

Adolescence is just another example of art acting as a conversation piece. The recent...
Film Tom Cockburn -

Please, no more biopics!

A few weeks ago, Sam Mendes announced his casting for the Beatles biopics he...
Film David Percival -

Going Dreamy: The Singular Will of David Lynch

In a behind-the-scenes clip from David Lynch’s final project, Twin Peaks: The Return, a...
Film Arthur Meynell -
Latest

Brakes review – ‘ticklingly funny and quietly frightening’

A refreshingly home-made and honest depiction of break-ups

Black Panther celebrates black culture in all its glory

Examining the social power of Marvel's latest release

50 Shades Freed confines and confuses its viewers

The final chapter of the sex-fuelled saga encounters problems during its climax

It Happened One Night – merely antiquated, or timelessly great?

Exploring whether this classic film stands the test of time

Vengeance, violence, and why I lost faith in Game of Thrones

There's nothing more devastating than the downfall of your favourite show... (WARNING: SPOILERS AHEAD)

Downsizing review – ‘leaving the audience more bored than scintillated’

Alexander Payne's latest film loses its way between its big ideas and its tiny characters

When movie marketing becomes maddening

A misleading trailer can be a frustrating one, but they may be more useful than you'd think

So bad it’s good: appreciating the joys of cinematic mediocrity

Our absurd obsession with terrible movies

Coco sees Pixar back on delightful form

Pixar's latest venture may feature the Day of the Dead, but it's packed with heartwarming life and vitality

Gender-swapped remakes are a risk not worth taking

Bad remakes don't do female actors any favours

The Greatest Showman falls on its face

This longtime passion project for Hugh Jackman is far more ugly and cynical than it first appears

‘League of Gentlemen’ review – meaningful, powerful and incredibly funny

This revival of the BBC cult classic still packs a punch

Doctor Who: Twice Upon a Time review – ‘the show regenerates, and not a moment too soon’

Peter Capaldi's final turn as the Doctor is over, but was that Christmas special the swansong he deserved?

Transforming light into flesh

Netflix's new series of The Crown entrances with nuanced links between love and photography

Why ‘The Polar Express’ is a creepy Christmas classic

Despite its peculiarities 'The Polar Express' might be the most magical Christmas film of all

Imagining Idris Elba

How the film industry is failing black actors

Disney buys Fox’s entertainment assets for $52.4 billion

How this deal might change your viewing habits forever

TV gets real as Easy returns for a second season

Anna Myrmus examines how creator Joe Swanberg takes this Netflix show to even more unexpected places in season two

Star Wars: The Last Jedi review – ‘unpredictable plot twists and deeper characters’

Hannah Patient finds the new 'Star Wars' adventure far more satisfying than the previous instalment in the franchise

Autism as the ‘North Star’: ‘The A Word’ season 2 review

Catherine Cibulskis discusses the exploration of interpersonal relationships in the latest instalment of the BBC drama
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