News
Opinion
Culture
Books
Film
Music
The Source
Columns
Arrogant, Offensive, Truth Twisters
Auntythetical
Behind The Screens
Brain Freeze
Haute Kosher
Hysterical Histories
Off The Rails
Pens, Paper, and Panic
Features
Innovation
Business & Finance
Science & Technology
Lifestyle
Food
Rusty Kate
Profiles
Sport
Search
UrbanObserver
Saturday 15th November 2025
Oxford's oldest independent student newspaper, est. 1920
Facebook
Instagram
Twitter
News
Opinion
Features
Profiles
Culture
Books
Film
Fashion
Theatre
Music
Art
The Source
Lifestyle
Sport
Print Editions
More
About
Puzzles
Search
News
Opinion
Features
Profiles
Culture
Books
Film
Fashion
Theatre
Music
Art
The Source
Lifestyle
Sport
Print Editions
More
About
Puzzles
Search
Film
The performance of watching: Cinema in the Letterboxd age
While watching Paul Thomas Anderson’s One Battle After Another (2025) a few weeks ago, I found myself asking a rather disturbing question: “I wonder what people on Letterboxd are...
Culture
Eve Thomas
-
Film festivals should be more pretentious, actually!
Film festivals often get a bad rep. We’ve all heard the stereotype before: they...
Culture
Luisa Blacker Espozel
-
‘Fright’s Out!’ at the Ultimate Picture Palace: ‘Dracula’s Daughter’
To call Dracula’s Daughter (1936) campy would be an understatement. In many ways it...
Culture
Lara Machado
-
Cillian Murphy does it again
Since his generation-defining performance in Oppenheimer (2023) two years ago, Cillian Murphy has shown...
Culture
Toby Bowes Lyon
-
Latest
Search
50 Shades Freed confines and confuses its viewers
The final chapter of the sex-fuelled saga encounters problems during its climax
It Happened One Night – merely antiquated, or timelessly great?
Exploring whether this classic film stands the test of time
Vengeance, violence, and why I lost faith in Game of Thrones
There's nothing more devastating than the downfall of your favourite show... (WARNING: SPOILERS AHEAD)
Downsizing review – ‘leaving the audience more bored than scintillated’
Alexander Payne's latest film loses its way between its big ideas and its tiny characters
When movie marketing becomes maddening
A misleading trailer can be a frustrating one, but they may be more useful than you'd think
So bad it’s good: appreciating the joys of cinematic mediocrity
Our absurd obsession with terrible movies
Coco sees Pixar back on delightful form
Pixar's latest venture may feature the Day of the Dead, but it's packed with heartwarming life and vitality
Gender-swapped remakes are a risk not worth taking
Bad remakes don't do female actors any favours
The Greatest Showman falls on its face
This longtime passion project for Hugh Jackman is far more ugly and cynical than it first appears
‘League of Gentlemen’ review – meaningful, powerful and incredibly funny
This revival of the BBC cult classic still packs a punch
Doctor Who: Twice Upon a Time review – ‘the show regenerates, and not a moment too soon’
Peter Capaldi's final turn as the Doctor is over, but was that Christmas special the swansong he deserved?
Transforming light into flesh
Netflix's new series of The Crown entrances with nuanced links between love and photography
Why ‘The Polar Express’ is a creepy Christmas classic
Despite its peculiarities 'The Polar Express' might be the most magical Christmas film of all
Imagining Idris Elba
How the film industry is failing black actors
Disney buys Fox’s entertainment assets for $52.4 billion
How this deal might change your viewing habits forever
TV gets real as Easy returns for a second season
Anna Myrmus examines how creator Joe Swanberg takes this Netflix show to even more unexpected places in season two
Star Wars: The Last Jedi review – ‘unpredictable plot twists and deeper characters’
Hannah Patient finds the new 'Star Wars' adventure far more satisfying than the previous instalment in the franchise
Autism as the ‘North Star’: ‘The A Word’ season 2 review
Catherine Cibulskis discusses the exploration of interpersonal relationships in the latest instalment of the BBC drama
The Christie Mystery
Raffaella Sero considers why Agatha Christie's characters still enthral us in the present day
Spike Lee Doesn’t Have It
Imogen Edwards-Lawrence finds fault with the Netflix reimagining of Spike Lee's classic film
1
...
18
19
20
...
25
Page 19 of 25
Follow us
Facebook
Instagram
Twitter