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UrbanObserver
Thursday 5th February 2026
Oxford's oldest independent student newspaper, est. 1920
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Film
In defence of the live-action remake
Live-action remakes, when viewed with an open mind, can be seen as cultural negotiations, as attempts to revitalise and pass down old stories to new eyes and ears.
Culture
Willow Jopp
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In defence of the theatrical release
If film, like all art, nourishes itself on its own œuvre, I don’t think we can afford to sever the association between the cinema and the film.
Culture
Nora Miles
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2025 releases you may not have seen (but definitely should)
It’s that time of year again: the season in which we are inundated with...
Culture
Lara Machado
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Can movie violence ever be fun?
“Because it's so much fun, Jan!” This was Quentin Tarantino’s answer when an interviewer...
Culture
Ottilie Bostridge
-
Latest
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Phantom Thread is Paul Thomas Anderson’s finest film yet
Daniel Day-Lewis' cinematic swan song as a 1950's fashion designer is simply stunning
The Shape of Water – an odd romance makes perfect sense
Jonnie Barrow finds many parallels to modern issues despite The Shape of Water's period setting
Withnail and I was a buddy comedy unlike any other
An old cult film showing in Cowley proves to be more sadly relevant to the student experience than expected
Brakes review – ‘ticklingly funny and quietly frightening’
A refreshingly home-made and honest depiction of break-ups
Black Panther celebrates black culture in all its glory
Examining the social power of Marvel's latest release
50 Shades Freed confines and confuses its viewers
The final chapter of the sex-fuelled saga encounters problems during its climax
It Happened One Night – merely antiquated, or timelessly great?
Exploring whether this classic film stands the test of time
Vengeance, violence, and why I lost faith in Game of Thrones
There's nothing more devastating than the downfall of your favourite show... (WARNING: SPOILERS AHEAD)
Downsizing review – ‘leaving the audience more bored than scintillated’
Alexander Payne's latest film loses its way between its big ideas and its tiny characters
When movie marketing becomes maddening
A misleading trailer can be a frustrating one, but they may be more useful than you'd think
So bad it’s good: appreciating the joys of cinematic mediocrity
Our absurd obsession with terrible movies
Coco sees Pixar back on delightful form
Pixar's latest venture may feature the Day of the Dead, but it's packed with heartwarming life and vitality
Gender-swapped remakes are a risk not worth taking
Bad remakes don't do female actors any favours
The Greatest Showman falls on its face
This longtime passion project for Hugh Jackman is far more ugly and cynical than it first appears
‘League of Gentlemen’ review – meaningful, powerful and incredibly funny
This revival of the BBC cult classic still packs a punch
Doctor Who: Twice Upon a Time review – ‘the show regenerates, and not a moment too soon’
Peter Capaldi's final turn as the Doctor is over, but was that Christmas special the swansong he deserved?
Transforming light into flesh
Netflix's new series of The Crown entrances with nuanced links between love and photography
Why ‘The Polar Express’ is a creepy Christmas classic
Despite its peculiarities 'The Polar Express' might be the most magical Christmas film of all
Imagining Idris Elba
How the film industry is failing black actors
Disney buys Fox’s entertainment assets for $52.4 billion
How this deal might change your viewing habits forever
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