Tuesday 21st October 2025

Film

Cillian Murphy does it again

Since his generation-defining performance in Oppenheimer (2023) two years ago, Cillian Murphy has shown little interest in playing it safe. Having collaborated already on the understated, unflinchingly raw historical...
Culture Toby Bowes Lyon -

Spike Lee’s lackluster remake: Highest 2 Lowest

There is no reason why a remake should remain inferior to its source material;...
Culture Matthew Mair -

The Librarians (2025) at the Bodleian: reviewed

Kim A. Snyder’s The Librarians (2025) draws the audience into a pernicious web of...
Culture Abigail Lakeland -

Hoa hoa hoa season: An analysis of the small town aesthetic

“In the state of Washington, under a near constant cover of cloud and rain,...
Culture Eve Richardson -
Latest

Downsizing review – ‘leaving the audience more bored than scintillated’

Alexander Payne's latest film loses its way between its big ideas and its tiny characters

When movie marketing becomes maddening

A misleading trailer can be a frustrating one, but they may be more useful than you'd think

So bad it’s good: appreciating the joys of cinematic mediocrity

Our absurd obsession with terrible movies

Coco sees Pixar back on delightful form

Pixar's latest venture may feature the Day of the Dead, but it's packed with heartwarming life and vitality

Gender-swapped remakes are a risk not worth taking

Bad remakes don't do female actors any favours

The Greatest Showman falls on its face

This longtime passion project for Hugh Jackman is far more ugly and cynical than it first appears

‘League of Gentlemen’ review – meaningful, powerful and incredibly funny

This revival of the BBC cult classic still packs a punch

Doctor Who: Twice Upon a Time review – ‘the show regenerates, and not a moment too soon’

Peter Capaldi's final turn as the Doctor is over, but was that Christmas special the swansong he deserved?

Transforming light into flesh

Netflix's new series of The Crown entrances with nuanced links between love and photography

Why ‘The Polar Express’ is a creepy Christmas classic

Despite its peculiarities 'The Polar Express' might be the most magical Christmas film of all

Imagining Idris Elba

How the film industry is failing black actors

Disney buys Fox’s entertainment assets for $52.4 billion

How this deal might change your viewing habits forever

TV gets real as Easy returns for a second season

Anna Myrmus examines how creator Joe Swanberg takes this Netflix show to even more unexpected places in season two

Star Wars: The Last Jedi review – ‘unpredictable plot twists and deeper characters’

Hannah Patient finds the new 'Star Wars' adventure far more satisfying than the previous instalment in the franchise

Autism as the ‘North Star’: ‘The A Word’ season 2 review

Catherine Cibulskis discusses the exploration of interpersonal relationships in the latest instalment of the BBC drama

The Christie Mystery

Raffaella Sero considers why Agatha Christie's characters still enthral us in the present day

Spike Lee Doesn’t Have It

Imogen Edwards-Lawrence finds fault with the Netflix reimagining of Spike Lee's classic film

Blockbuster bust-up?

This might be the year when mainstream movies shake up awards season

The Death of Stalin review – ‘it straddles that oh-so-narrow line between repellent and comic’

Christopher Goring enjoys the satire of Iannucci’s warped world behind the Iron Curtain

Adolescent queer love in ‘Call Me By Your Name’

Angelica De Vido finds the rich exoticism of Italy a perfect compliment to this tale of summer homoeroticism
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