Film

‘Fright’s Out!’ at the Ultimate Picture Palace: ‘Dracula’s Daughter’

To call Dracula’s Daughter (1936) campy would be an understatement. In many ways it felt like a ridiculous version of Cat People (1942). At one point, examining the body...

Culture Lara Machado -

Cillian Murphy does it again

Since his generation-defining performance in Oppenheimer (2023) two years ago, Cillian Murphy has shown...

Culture Toby Bowes Lyon -

Spike Lee’s lackluster remake: Highest 2 Lowest

There is no reason why a remake should remain inferior to its source material;...

Culture Matthew Mair -

The Librarians (2025) at the Bodleian: reviewed

Kim A. Snyder’s The Librarians (2025) draws the audience into a pernicious web of...

Culture Abigail Lakeland -

Latest

Adolescent queer love in ‘Call Me By Your Name’

Angelica De Vido finds the rich exoticism of Italy a perfect compliment to this tale of summer homoeroticism

A gendered rewatching of The Silence of the Lambs

25 years on, Clarice Sterling's defiance of the patriarchy is as relevant as ever

Passion over party in Pasternak’s Russia

Maria Minchenko marks the Russian Revolution centenary by casting her mind back to one of cinema's classics

Hollywood’s glamourising of Beauty and the Beast buries its troubling implications

21st century reimaginings of classic fairytales do not address the dark politics that underpin them. Susannah Goldsbrough explores.

No soggy bottoms, as Channel Four puts the icing on the cake

The move may have halved its viewing figures, but hasn't diminished any of its charm

“There is a selfish core to Mark that is the sort of thing that a sitcom character needs”

Comedian and Peep Show star David Mitchell talks to El Blackwood about the similarities between him and Mark Corrigan.

In search of originality? Retreat into cinema’s monochrome past

It is a truth universally acknowledged that commercial filmmaking has recently entered a new phase of life. Countless articles and blogs bemoan the lack...