Tuesday 21st October 2025

Film

Cillian Murphy does it again

Since his generation-defining performance in Oppenheimer (2023) two years ago, Cillian Murphy has shown little interest in playing it safe. Having collaborated already on the understated, unflinchingly raw historical...
Culture Toby Bowes Lyon -

Spike Lee’s lackluster remake: Highest 2 Lowest

There is no reason why a remake should remain inferior to its source material;...
Culture Matthew Mair -

The Librarians (2025) at the Bodleian: reviewed

Kim A. Snyder’s The Librarians (2025) draws the audience into a pernicious web of...
Culture Abigail Lakeland -

Hoa hoa hoa season: An analysis of the small town aesthetic

“In the state of Washington, under a near constant cover of cloud and rain,...
Culture Eve Richardson -
Latest

A gendered rewatching of The Silence of the Lambs

25 years on, Clarice Sterling's defiance of the patriarchy is as relevant as ever

Passion over party in Pasternak’s Russia

Maria Minchenko marks the Russian Revolution centenary by casting her mind back to one of cinema's classics

Hollywood’s glamourising of Beauty and the Beast buries its troubling implications

21st century reimaginings of classic fairytales do not address the dark politics that underpin them. Susannah Goldsbrough explores.

No soggy bottoms, as Channel Four puts the icing on the cake

The move may have halved its viewing figures, but hasn't diminished any of its charm

“There is a selfish core to Mark that is the sort of thing that a sitcom character needs”

Comedian and Peep Show star David Mitchell talks to El Blackwood about the similarities between him and Mark Corrigan.

In search of originality? Retreat into cinema’s monochrome past

It is a truth universally acknowledged that commercial filmmaking has recently entered a new phase of life. Countless articles and blogs bemoan the lack...

More Slush than Snow – The Snowman fails to impress

Jonnie Barrow is severely disappointed by the new Scandi thriller

Andrew Graham-Dixon: Bridging the gap between high culture and mass media

Art history documentary maker Andrew Graham-Dixon talks contemporary art and BBC spending to Altair Brandon-Salmon

TV memes for deadline-drowning teens

Becky Cook comments on the importance of film and TV shows in meme culture

Nihilism, narcissism and noobnoob as ‘Rick and Morty’ returns

Despite the criticism, Olivia Webster is impressed with season three of Rick and Morty

‘Blade Runner 2049’ pleases fans of the cult classic

Matthew Nicholson compares the 'Blade Runner' sequel to the classic original

Don’t just break the fourth wall, go and watch a film outside

Jack Allsopp reflects on a summer vac spent basking in the joys of outdoor cinema

Ones to watch: Science fiction’s signature moves

Donnie Darko, Signs and Terminator are classics of the genre

Rewind: ‘My Big Fat Greek Wedding’ is still relevant 15 years on

Esther Borsi reflects on the romantic comedy classic on its anniversary

‘Kingsman’: The sequel’s disservice

Cinema's latest spy flick fails to charm Charles Britton

‘It’ review – the most purely entertaining horror movie of the year

Jonnie Barrow reviews the latest silver screen horror sensation

A Thinly Veiled Story of A Damsel in Distress

Francesca Salisbury is surprised and frustrated to find To the Bone filled with unhelpful gender stereotypes

Three Strikes and you’re onto a very enjoyable TV show

Susannah Goldsbrough enjoys the latest Rowling screen adaptation of Strike: The Cuckoo's Calling

The everyday art of living

Ramani Chandramohan is enthralled by the creativity behind Japan’s cities and homes, explored in the BBC documentary, The Art of Japanese Life

The Handmaid’s Tale: unnervingly familiar and uncomfortably relevant

Beccy Swanson is impressed by the cruel visuals setting Channel 4’s The Handmaid’s Tale apart from Atwood’s original novel, but warns against binge-watching
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