Film

The lost art of the intermission, and why the film industry needs to bring it back 

Last month, Brady Corbet’s The Brutalist was one of the most-discussed films at the Oscars, with its award-winning cinematography, score, and direction rightfully generating great critical acclaim. Equally, though,...
Film Ruby Tipple -

Something is rotten in the state of San Andreas: Grand Theft Hamlet in Hertford

‘Hamlet: “O’, that this too too solid flesh would melt, thaw…” ’ Don’t quite remember...
Film Morien Robertson -

German Expressionist film: A beginner’s guide

With Robert Eggers’ remake of the classic vampire horror Nosferatu taking the world by...
Culture Tara Williams -

Cherubs Grow On Trees: Atmospheric student filmmaking

Making short films is hard. You have anything between two and 20 minutes to...
Culture Lara Machado -
Latest

Guys, I’ve got a text! – Love Island comes to a close

Alice Robinson breaks down the latest season of Love Island and questions the reputation of trash TV.

“One of the greatest war movies ever made”

Matthew Vautrey is entranced by Christopher Nolan's visual spectacle for the summer

Despicable Me 3 and Cars 3: this summer’s prime animated franchises

Jonnie Barrow reviews the newest instalments of two popular animated trilogies

Adaptating our perception of film adaptations

Jack Allsopp questions whether film adaptations can ever match or even supersede their literary predecessor

My Cousin Rachel: a disturbing world of unanswered questions

Becky Cook is unsettled and intrigued by the latest film adaptation of Daphne du Maurier

‘Baby Driver’ dazzles and thrills

Daniel Kodsi reviews 'Baby Driver', an action story that packs a musical punch, with a love story at its heart

‘Spider-Man: Homecoming’ defies expectations as a surprising pleasure

Jonnie Barrow finds the new Marvell instalment provides a fresh take on the stale Spider-Man character

Better Caul Saul: Season Three Reviewed

Nancy Epton draws comparisons between the Netflix prequel and its AMC original, whilst shedding light on the cast beyond the eponymous character

OxView: Top Horrors

Sandy Elliot runs through his favourite scary movies

Studio 60 on the Sunset Strip – a neglected Sorkin revisited

Becky Cook asks why Aaron Sorkin's Studio 60 on the Sunset Strip was cancelled, after one season on air

OxView: Best finales

Calum Bradshaw lines up three of the best cinematic finishes

‘Community’ teaches us all how to say goodbye

Christopher Goring looks back nostalgically at the final episode of the cult postmodernist sitcom

OxFilm: An exciting summer lined up

Calum Bradshaw celebrates an excellent term for student film, and looks forward to a busy vacation

‘Salazar’s Revenge’ sinks with no survivors

Emily Lawford finds little good in the fifth Pirates of the Caribbean movie

OxFilm: “An hour—and a £3—very well spent”

Sandy Elliot is impressed by the range of talent on show at the launch of OUFF’s Easter Projects

OxView: Best of Cannes

Kenji Newton runs through his top picks of the 2017 festival

Old and new fuse in ‘Twin Peaks: The Return’

Joe Baverstock-Poppy sees the best of David Lynch at work in the show's revival

What can horror movies do to terrify us more?

Calum Bradshaw terrifies himself in the name of student journalism

Old and new fused in ‘Alien: Covenant’

Jonnie Barrow examines the influences of Ridley Scott’s latest horror

A sequel packed with character and heart

"Director James Gunn has crafted one of the funniest and most genuinely moving Marvel films I can remember." Calum Bradshaw has his doubts hushed by Guardians of the Galaxy Vol.2
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