Film

Missing the plot of ‘Wuthering Heights’: Is the book always better?

Sophie Price discusses Emerald Fennell's upcoming film adaptation of Withering Heights, examining how much film adaptations can get away with changing.
Culture Sophie Price -

A review of Day 2 of the Oxford University Short Film Festival

The Oxford University Short Film Festival took place at the end of last term...
Culture Tomas Overton -

The lost art of the intermission, and why the film industry needs to bring it back 

Last month, Brady Corbet’s The Brutalist was one of the most-discussed films at the...
Film Ruby Tipple -

Something is rotten in the state of San Andreas: Grand Theft Hamlet in Hertford

‘Hamlet: “O’, that this too too solid flesh would melt, thaw…” ’ Don’t quite remember...
Film Morien Robertson -
Latest

The Common DNA of the Snyder Cut and First Cow

To examine these films side by side would be insane. But insane ideas aren’t always bad ones, and I was curious whether Snyder might be on to something with this comparison.

WATCH3WORDS: Palm Springs – Exuberant.Poolside.Mayhem.

'By taking the well-known Groundhog Day storyline and injecting it with a healthy dose of sun, fun, and drug-fuelled nihilism, Palm Springs makes one of the dullest formats in the book suddenly enjoyable.'

Nomadland review: questioning American individualism

The ideals of rugged American individualism are a powerful national myth, so much so that when they are questioned, it can feel like an...

Donnie Darko: more than an average coming of age story

“I promise that one day everything’s going to be better for you.”

Seen and not heard: the film industry’s troubled relationship with female directors

Scarlett Colquitt responds to the claim that "women directed films have a softer tone" with an examination of role of female directors in today's film industry.

Dip your toe into Schitt’s Creek

Schitt’s Creek is a show where the main character talks to her many, many wigs. It is a show which manages to make a...

The revolutionary empathy of Sound of Metal

The legendary critic Roger Ebert described film as a machine for building empathy. No other medium has the power to allow the viewer to...

Coming of age with Beanie Feldstein

All teenagers hit that age where they are suddenly on the verge of adulthood whilst still clinging onto what is left of their childhood....

The Mandalorian, The Boys and the Battle for Second Place in the Streaming World

The pretenders are trying to beat Netflix at their own game, and will hope that The Boys and The Mandalorian respectively will bring in new, loyal subscribers

It’s a Sin: a sublime and sorrowful social history

Davies understands that tragedy is awfulness plus its antithetical counterpoint

A Recipe for the ‘Great British Sitcom’

It seems difficult to think of anything so integrally British as the phenomenon known as the ‘Great British Sitcom’. Up there with scones, Big...

Biting the hand that so rarely feeds us?: an honest review of Happiest Season

*Spoiler alert* At some point during the festive period, without fail, I curl up on the sofa and binge watch Christmas films. The usual contenders...

The Crown’s Unspoken Words

'I think, when it comes to any biopic, "real history" has to be deprioritised. If an accurate and chronological rendering of history is what you're looking for, watch a documentary!' Maebh Howell writes on the dichotomies of the biopic, asking which is to be prioritised; accurate truth-telling or entertaining story-telling.

Cherwell’s best films of 2020

Our film team have put together a list of the years best, from the stylish and disorientating, Waves, to Charlie Kaufman's mind-bending masterpiece, I'm Thinking of Ending Things, and the slow-burning romance of A Portrait of a Lady on Fire.

Revisiting Godard’s ‘Breathless’ 60 years on

'Godard gives us a film that shows the white knight as the charlatan we always knew him to be and offers us the anti-hero instead. And after decades of excessively moralistic cinema, this breath of fresh air was thoroughly needed.'

Is Love Actually actually sexist?

Disclaimer: before I massacre the entirety of its script, Love Actually is one of my favourite films. I watch it every year without fail....

The Prom: rainbow lighting, James Corden & the stage-to-screen adaptation

After a year in which curtains have hardly left stage floors, The Prom gives theatre fans a much needed dose of gliz, glamour and cheese. Katie Kirkpatrick reviews.

La vita davanti a sé: Sex, death and Sophia Loren

Long time, no see! Sophia Loren, Italian star of ‘60s classics such as 1963's Yesterday, Today and Tomorrow and 1964's Marriage Italian Style, commands...

The HAPPIEST SEASON to be queer

With Christmas comes family and with family comes movies. It’s that time to cuddle up cosy on the sofa and watch yet another Reese...

Making Queer Cinema history: Victim (1961)

"‘Victim’ illuminates an important moment in the history of LGBTQ+ rights, primarily in normalising the existence of homosexuality and encouraging empathy."
1...678...24Page 7 of 24

Follow us

Support Student Journalism

Cherwell is Oxford’s oldest independent newspaper, established in 1920. We are entirely student-run. By supporting us, you will contribute to keeping our paper in print and online. Every donation makes a difference.

Donate

Oxford Student Publications Limited © 2025 - All Rights Reserved | Privacy Policy

Website by James Ashley