With Robert Eggers’ remake of the classic vampire horror Nosferatu taking the world by storm, now is a great time to look back at the cinematic legacy that precedes...
Scarlett Colquitt responds to the claim that "women directed films have a softer tone" with an examination of role of female directors in today's film industry.
The pretenders are trying to beat Netflix at their own game, and will hope that The Boys and The Mandalorian respectively will bring in new, loyal subscribers
'I think, when it comes to any biopic, "real history" has to be deprioritised. If an accurate and chronological rendering of history is what you're looking for, watch a documentary!'
Maebh Howell writes on the dichotomies of the biopic, asking which is to be prioritised; accurate truth-telling or entertaining story-telling.
Our film team have put together a list of the years best, from the stylish and disorientating, Waves, to Charlie Kaufman's mind-bending masterpiece, I'm Thinking of Ending Things, and the slow-burning romance of A Portrait of a Lady on Fire.
'Godard gives us a film that shows the white knight as the charlatan we always knew him to be and offers us the anti-hero instead. And after decades of excessively moralistic cinema, this breath of fresh air was thoroughly needed.'
After a year in which curtains have hardly left stage floors, The Prom gives theatre fans a much needed dose of gliz, glamour and cheese. Katie Kirkpatrick reviews.
Long time, no see! Sophia Loren, Italian star of ‘60s classics such as 1963's Yesterday, Today and Tomorrow and 1964's Marriage Italian Style, commands...
"‘Victim’ illuminates an important moment in the history of LGBTQ+ rights, primarily in normalising the existence of homosexuality and encouraging empathy."
“It’s about trusting the capacity of the actors, but also the ability that human beings have to read each other. We do it all the time, we put together very strong pictures of how people are from very little.”
Bong consistently backs up this technical precision with an attention to thematic and emotional detail that, combined with his now infamously anarchic approach to genre convention, renders him a singular force in the landscape of modern cinema