Monday 25th May 2026

Music

On Geese and the Cult of the Fake Fan

Great statistics could be drawn up about how often men in Oxford will want to talk to me about Geese. 

Who gets to speak? The rise of the male podcast epidemic

I couldn’t help but notice, however, that one of the reasons for my disillusionment with the genre was likely the glaring gender imbalance, often when it came to the most successful, well-known podcasts.

Internet Babies: Students of Subculture

There’s a certain kind of artist that I keep coming back to lately: artists...

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

Catherine Garner, known as Slayyyter, has been chasing fame for almost ten years now. She started out making ‘lo-fi pop’ from her bedroom closet, before bursting onto the music scene in 2019 with a string of electro-pop tracks

From Kampala With Love

At its Southern extremities, the River Nile flows from Lake Victoria into the plains of Uganda as the Victoria Nile. The city of Jinja...

Review: Wire’s ‘Mind Hive’

Wire are a band that don’t like nostalgia, unlike most mainstream cultural figures. So much so, that they have been known to take...

The music of Little Women

For the characters in Greta Gerwig’s recent film adaptation of Little Women (2019), music is an essential part of their lives. Beth (the third...

Review: Frank Turner’s ‘Love, Ire & Song’

Frank Turner is an interesting character. Somehow famous enough to play Wembley and the Olympic opening ceremony, but not quite famous enough that...

Songs for the Sadgirl

Whether it’s due to a lack of sunlight that no SAD lamp can remedy, the post-December comedown, or the onslaught of Hilary term...

In conversation: Ross McNae, Twin Atlantic

In the heart of the Glaswegian alternative music scene circa 2006, Sam McTrusty, Ross McNae, Craig Kneale and Barry McKenna formed the rock outfit...

BRITs come in last place for gender equality

The 40th edition of the BRIT Awards is fast approaching, and with it, concerns over the lack of female nominees in mixed-gender categories are...

Review: Dustin Lynch’s Tullahoma

After an initial scan through the track-list for Tennessee-born country artist Dustin Lynch’s Tullahoma, you could be forgiven for presuming this is going...

Sung Sikyung: an ode to the Korean balladist

I often get asked whether I listen to K-pop. Although I answer “yes,'' I hate getting this question. In part this is because people...

Kate Tempest: the protest voice of a generation

“The whole thing’s becoming/Such a bumbling farce/Was that a pivotal historical moment/We just went stumbling past?” Not enough people have heard of Kate Tempest. These...

Star People: unearthing Miles Davis’ jazz-rock family tree

By the mid-60s, jazz was floundering. The preceding decade saw bebop – the most radical post-war interpretation of the breed – birth several pioneering...

Jazz Society launch record label

Oxford University Jazz Society have welcomed in the new year with the announcement of the launch of their new independent record label, JazzSoc Records. Describing...

Girls to the Front: a brief history of Women in Rock

It is encouraging news that, according to a 2018 study by the guitar manufacturer Fender, 50% of new guitarists in the US and UK...

Review: Vampire Weekend

Nine years after they last took Muswell Hill by storm, indie giants Vampire Weekend played a two-night engagement at London’s Alexandra Palace as part...

How the Grinch Stole the Christmas Number One

Many years ago, all the good girls and boys of the United Kingdom would get a special present from Santa every Christmas – a...

Review: Fine Line – Harry Styles

Two years since his solo debut, Harry Styles is back with his second album, Fine Line. Styles’ self-titled album in 2017 had to fight...

Me Too and Music

TW: Sexual assault, r*pe When I was first asked to be involved with the discussion of Me Too and music, my first thought was that...

Review: I Was Meant to Love – Leon C

Why all new music lovers should be listening to Leon C

Review: Spector at The Bullingdon

9pm, The Bullingdon, a Tuesday evening. Those three ingredients are pretty much guaranteed either to produce an awful or a brilliant night. Thankfully for...

Review: MAGDALENE – FKA Twigs

A delve into the concept of an unmissable new album

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