Music

What will the Schwarzman Centre mean for music at Oxford?

"Oxford as a cultural centre on a global scale"

Culture Lilia Goldstein -

A tale of two venues: Oxford’s musical legacies

Oxford is a city full of firsts – historical, personal, degree class, and musicological....

Culture Milo Man -

Night School: Oxford’s after-hours curriculum

The first time I saw Nahom and Ethan, it wasn’t on a night out...

Culture Maya Rybin -

Oxford Commas at the Fringe – Interview

The Oxford Commas are a contemporary gender-inclusive a capella group who had their Fringe...

Culture Lara Machado -

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9pm, The Bullingdon, a Tuesday evening. Those three ingredients are pretty much guaranteed either to produce an awful or a brilliant night. Thankfully for...

Review: MAGDALENE – FKA Twigs

A delve into the concept of an unmissable new album

Novelty Music is Real Music

To call the summer of 2018 memorable would probably be an understatement: there was the heatwave, the subsequent hours spent in beer gardens, and, perhaps most...

Boyfriend vs. Genghis Khan

Back in February of this year, Ariana Grande seemed on top of the world, or at least the music industry. With the release of an...

Philip Glass Ensemble – satisfying constancy

Clare: On the 30th October, Philip Glass and the Philip Glass Ensemble performed Music with Changing Parts. Due to illness, Glass himself was unable to...

Review: Another Sky

“Being punched in the face then kissed tenderly”: this is how Another Sky described their music, and after seeing them live I’m inclined to...

Interview: The Sherlocks

On 4th October, Yorkshire indie band The Sherlocksreleased their second album, Under Your Sky, opening at a brilliant Number 13 on the Official Album Charts. Simone...

Review: JOHN

I don’t really know what to expect when I walked in the Wheatsheaf. Music-wise, JOHN is thrashing and discordant, and I was curious to...

EGG – A Musical Parable

In early September, the IOC published an article celebrating the life of ‘Father of Modern Olympic Games’ Pierre Coubertin. Whilst highlighting his struggles in launching a...

Review: Amber Run

Amber Run, the indie rock band from Nottingham, are on their first ever world tour. After their Oxford gig, which happened on 18thOctober, they’re...

Interview: Another Sky

“How would you describe your music to those who haven’t heard it before? - Being punched in the face then kissed tenderly.” Another Sky, a London-based...

Nu Jazz – How it Began

The evolution of jazz into the present day

Making the Case for Bieber

I doubt you could find many people today who would not recognize those iconic opening notes of, statistically, the most hated song ever recorded – even...

Review: Don’t Call Me Angel

Why Ariana, Miley and Lana's latest release is little more than a cash cow

Review: The Leisure Society at the Bullingdon

Brian Eno likes the Leisure Society. So does Ray Davies. These facts alone are reason enough to persuade anybody to go and see a...

Interview: JOHN

A chat with up and coming band JOHN about Punk, brutalism, and their new album: Out Here on the Fringes

W. G. Still: The Forgotten American Tchaikovsky

At one point America's most successful symphonist, lauded for his ode to forgotten black soldiers, few today have heard of W. G. Still. According to The Cambridge History of American Music, “No composer plummeted from authentic prominence to an eclipse more total than endured by William Grant Still.”

100% That Bitch

It was May Day afternoon when I clicked play on the movie ‘Someone Great’ on Netflix. It had come out a few days ago,...

Festival Review: We Out Here

Jazz, soul, hip hop, afro, electronica, and house - a look at the festival made for everyone

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Music

What will the Schwarzman Centre mean for music at Oxford?

A tale of two venues: Oxford’s musical legacies

Night School: Oxford’s after-hours curriculum

Oxford Commas at the Fringe – Interview

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