Wednesday, January 29, 2025

Music

Five Hip-Hop Gems You Missed in 2024

A year dominated by the Kendrick Lamar-Drake beef, 2024 made it all too easy to let underground hip-hop slip through the cracks into obscurity. Whilst many alumni of the...

Hot springs: why Iceland is a breeding ground for musicians

Whilst for many, Iceland is associated with plane-grounding volcanic eruptions and sweeping landscapes, it...

Back to the Future: Are 2010 Throwbacks the Soundtrack of 2025?

The early 2010’s occupy a curious space in cultural memory, neither distant enough to...

Oxford’s first Hip-Hop Society breaks it down

As Oxford's newest musical society explores ways to facilitate a much-needed space for hip-hop music, only one question springs to mind; where have they been all this time?

Lucy Rose enraptures and comforts her audience in Oxford

Ollie Braddy reflects on an atmospheric evening of intricate vocals set against the backdrop of a 19th century church

Memorable sax solos and individual flair at the Varsity jazz-off

If this show was about demonstrating the very best they can do, then Oxford delivered

Ten years on, Burial’s ‘Untrue’ is still dripping with raw emotion

Joe Bavs reminisces on an experimental classic

Julien Baker ‘Turn out the lights’ review – rawness and painstaking detail

Julien Baker exposes the harsh realities of her mental health struggles, writes Ollie Braddy

The ‘new’ jazz must be seen as well as heard

The latest offering from the 'new' Jazz scene is an innovative success, writes Harriet Davis

In The Aeroplane Over The Sea – “experimental and weird”

Barney Pite reexamines one of indie rocks most enigmatic classic albums

Why the Sgt. Pepper’s show cannot be missed

Kenji Newton is impressed with the Oxford Beatles' recreation of the classic album

Villians Review – ‘Pop songs with rock sensibilities’

Queens of the Stone Age don't quite live up to their high standard, writes Rowan Janjauh

A beautiful, entrancing mess of an album – with a piercing social critique

Clementine produces an sophomore album far from easy listening, writes Clara Dijkstra

Crete’s mountain musician of mystery

Jonathan Egid sheds light on one of Crete's most intriguing characters

The music of Latin American revolution

Daniel Antonio Villar explores the legacy of the Nueva Trova

A unique and uncomfortable experience

Lil Peep is our greatest living icon, writes Joe Bavs

Ignore the naysayers, opera is for everyone

Many have dismissed opera as unaffordable and elitist – they are missing out, writes Jack Pepper

Feel good indie for the oncoming winter

Superfood’s outlook on the alternative scene is refreshingly optimistic, says Charlie Hackforth

Sad and Loud, Ryan Adams Live

Thomas Athey reports on an eventful show at The Sage

‘It’s even kind of morale boosting, in a Lana kind of way’

Nicola Dwornik praises Lana Del Rey's latest subtle reinvention

‘A nuanced and complex musical creation’

Thomas Athey finds Public Service Broadcasting's 'Every Valley' has many peaks

Oxford can’t afford to lose clubs like Cellar

The planned closure of Cellar is a warning sign of our city's creeping gentrification

Houghton Festival 2017 Review

The brand new Houghton Festival impresses, delights and transcends the music it focuses on all together.

Hannah Kessler: “Music is an incredibly therapeutic thing”

Lily Begg discusses subverting the male gaze, empowerment and juggling Oxford life with up and coming musician Hannah Kessler

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