Music

Rap as poetry: ‘The Odyssey’ and the breakdown of the medium

When interviewed on his decision to cast Travis Scott as a bard figure in his upcoming The Odyssey adaptation, set to release on 17th July in the UK, Christopher...

Music Niamh Hoyland and Val Michael -

Is the dancefloor really dead?

Tongue-in-cheek as it may be, Charli xcx’s ‘Rock Music’ speaks to the structural issues actively decimating nightlife across the world, even if her motivations may be more aesthetic than political.

Culture Emma Heagney -

The rise of Stats.fm: Music as a signal of identity

It is far harder to maintain a separation between your taste, your identity, and how you are thought of by others.

Culture Suzi Sharp -

On Geese and the Cult of the Fake Fan

Great statistics could be drawn up about how often men in Oxford will want to talk to me about Geese.

Culture Val Michael -

Latest

The ultimate soundtrack to your revision

Dom Saad recommends albums to sweat and slave to this Christmas vac

Live review: Biffy Clyro at London’s O2 arena

Romilly Mavin is impressed by Biffy Clyro’s mingling of energy and intimacy at the close of their UK tour

Live review: Fickle Friends at the Bullingdon

Akshay Bilolikar escapes rainy Oxford for sunny Los Angeles with Fickle Friends

OxFolk reviews: ‘Here We Go 1, 2, 3’

“Here we go, 1, 2, 3, hold your hands out to me…” so opens this beautifully formed album ‘Here We Go 1, 2, 3’...

OxFolk reviews: ‘Cold Old Fire’

There aren’t many folk groups that can claim to have originated in an ‘experimental psychedelic folk punk duo’, but then again Lynched, the self-styled...

Live review: Frank Turner at Oxford’s New Theatre

Sandy Elliot tries to rock out to Frank Turner & the Sleeping Souls in a venue not quite suited to rock 'n' roll antics

Top 10 songs of 2016

Dom Saad navigates a profusion of genres and artists in his picks of 2016

Review: D.I.D – The State We’re In

Natalia Bus feels the weight of D.I.D's long-awaited second album

OxFolk reviews: ‘a bit of blue’

There is something irresistibly lovable about Emily Maguire’s voice – it seems to swell silence the world around it, putting everything out of focus...

OxFolk reviews: Life in a Paper Boat

Ben Ray finds surprises in well-renowned folk musician Kate Rusby's new album Life in a Paper Boat

A pioneer erased: Sister Rosetta Tharpe

Alice Townson argues that the innovative rock and roll talent should be discussed as unique in her own right

OxFolk Reviews: ‘Vortex’

Ben Ray reviews Methera's new album 'Vortex', and is swept away by their live Corpus performance

Beyond anger: an evening with Frank Carter

Somehow we have got to a point where modern rock music feels as if it is becoming ever more sanitised and anodyne. The idea...

Remembering Laughing Lennie

The day before I left home to come to Oxford I found a hidden stash of my parents’ records in a cupboard in the...

Preview: Tremor at Modern Art Oxford

Edward Mair looks forward to Tremor, a space where different genres and arts collide

Jon Boden at the O2: Painted Lady and other folk

Ben Ray discusses folk music legend Jon Boden's latest album Painted Lady and performance at the O2 Academy

“Smash the shit out of it”

Ellen Peirson-Hagger talks to The Big Moon about their manic tour

Review: Common People Oxford

Oxford’s May Bank Holiday festival offering is sun-drenched and musically eclectic

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Music

Rap as poetry: ‘The Odyssey’ and the breakdown of the medium

Is the dancefloor really dead?

The rise of Stats.fm: Music as a signal of identity

On Geese and the Cult of the Fake Fan

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