Music

Review: Oxford Opera Society enters the bullring for Bizet’s ‘Carmen’

If you recall Pixar’s UP, a comedy where an old man balloons with his dog to South America, a funny moment appears in Carl’s morning routine: the agonizingly slow...

Music Eleanor Hamilton Clark and Francois Cloete -

Your essential guide to the music of May Day

May Day: It’s unique, convivial and quintessentially Oxford. Only once a year does the...

Music Daniel Burns -

A review of The Crux: Djo turns music into a profession

In his new album, The Crux, Djo, aka Joe Keery, perfectly inhabits and evokes...

Music Tom Cockburn -

Fontaines DC and the (re) rise of indie Sleaze

I recently took to my finsta to post a story claiming that the Fontaines...

Culture Kiaya Phillips -

Latest

The Eurovision Song Contest: more important than ever?

On 18th March 2020, the European Broadcasting Union (EBU) took the unprecedented decision to postpone the 65th edition of the Eurovision Song Contest – an annual celebration...

Music in a foreign language: short-lived novelty or here to stay?

When it comes to most music, you realise quite quickly that the language it’s written in isn’t really that important. Maybe you wouldn’t get...

Hooks and Hardbacks: a summer music reading list

For the music obsessives among us, the pieces of literature that stick longest in our minds are overwhelming those which take music itself as a subject....

Arcade Fire’s ‘Funeral’: an underappreciated album built for times like these

It is a fact of the universe that, in difficult times, people turn to music. It often seems somewhat counterintuitive that in states of...

Review: The Chicks’ ‘Gaslighter’

Fourteen years since their last album, and 17 since they were effectively shut out from the country music industry, The Chicks (formerly known as...

Review: Bladee’s ‘333’

Bladee’s music is either airy transcendence...or the worst thing you’ve ever heard.

Review: Haim’s ‘Women in Music Pt. III’

As with other albums scheduled for 2020, the release date for Women in Music Pt. III experienced an upheaval. Having moved from its original...

Coming down from Eden: the darkening sounds of Sly and the Family Stone

No band – on record or off – better encapsulated the demise of the sixties and that era’s spirit of excited possibility than Sly...

Review: Taylor Swift’s ‘Folklore’

Usually, Taylor Swift begins a new album cycle with a blank slate. Instagram is cleared of any record of previous ‘eras’. Easter eggs are laid out...

The beauty of bedroom pop

The bedroom can feel like an inner sanctum, a personal hideout away from the public. Therefore, there seems to be a contradiction in bedroom pop becoming...

A love letter to Oxford’s music scene

In a city of dreaming spires, where casual magic hangs in every cobbled lane at golden hour and each paradisal quad in bloom, I...

Cherwell’s albums of the year so far

Ten albums that we've judged to be among the best of this weird, weird year so far

Review: Phoebe Bridgers’ ‘Punisher’

with each song, the world becomes blurrier, as if drunk, only to be immediately sharpened again with the piercing nature of Bridgers’ lyrics

Review: Khruangbin’s ‘Mordechai’

Part of Khruangbin’s marketing campaign for Mordechai features an update to their online playlist curator, AirKhruang. The 2015 website allowed listeners to create playlists for their...

In defence of minimalism

People like being right about things - they like being in control.

Now That’s What I Call… Poetry?

Somebody once told me there are a lot of bad song lyrics out there. Imagine, for every subtle, elegant song you hear, there’s bound...

Has ‘Over the Rainbow’ been overcooked?

As ‘We’ll Meet Again’ rang through the streets of the UK on VE Day on Friday 8th May, with echoes of the previous night’s ‘Somewhere Over...

Notes on Improvisation

Improvisation is a strange topic to think about. On the surface, it seems to be fairly simple: know the chord progression to follow, choose...

Album Review: Lady Gaga’s ‘Chromatica’

Promoting her latest album on Twitter, Lady Gaga told fans: “listen from beginning to end, no need to shuffle, this is my true story.” Indeed, Chromatica...

how i’m feeling now: Hyper-Pop Masterpiece for the Lockdown Generation

Charli XCX’s lockdown productivity is putting us all to shame. On the 6th of April she announced to fans via a public Zoom meeting that...

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Music

Review: Oxford Opera Society enters the bullring for Bizet’s ‘Carmen’

Your essential guide to the music of May Day

A review of The Crux: Djo turns music into a profession

Fontaines DC and the (re) rise of indie Sleaze

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