Saturday 7th March 2026

Music

Why I only run to classical music, and you should too

I decided on a whim to put on Gershwin instead of my usual playlist. It was life changing.

Remembrance, resilience, and reflection: Lubomyr Melnyk, the ‘continuous music’ pioneer

On the 23rd and 24th February, the Ukrainian composer and pianist, Lubomyr Melnyk, returns to Oxford for a performance at New College.

From topping charts to ‘The Traitors’: An ode to Cat Burns

The chaotic new season of 'The Traitors' made me reflect on the celebrity version, and my personal favourite contestant, Cat Burns.

Dropping hints before dropping albums: The art of the tease

Promotion seems to be a part of the performance for many artists, setting the stage for the project they are going to release, and priming their audience.

Review: Lil Peep’s ‘Hellboy’

TW: mental health and suicide In 2016, Lil Peep’s Hellboy mixtape dropped on Soundcloud. In 2017, Lil Peep died of a drug overdose. The...

Six of the best: film soundtracks to get you working again

After far too long at home for many of us, it’s almost the start of Michaelmas; I don’t know about anyone else, but my productivity has...

The return of live music: Nick Cave’s ‘Idiot Prayer’

Of the many cultural events 2020 has cruelly snatched away from us, the loss of live music is perhaps the one that has hit the...

Six of the best: live albums

With the absence of ordinary gigs from our venues seeming certain to continue, our focus this week is on finding other ways to get...

An organist’s view on a crisis in church music

Over the last ten years of my life, I’ve been fortunate enough to work in the music department of a small parish church in rural Lincolnshire....

‘Dynamite’ and BTS’ explosive fame

K-pop group BTS’ perpetual rise in popularity has been staggering, and the success of their latest release, English-language single ‘Dynamite’, comes as no surprise. Perfectly timed...

The Eurovision Song Contest: more important than ever?

On 18th March 2020, the European Broadcasting Union (EBU) took the unprecedented decision to postpone the 65th edition of the Eurovision Song Contest – an annual celebration...

Music in a foreign language: short-lived novelty or here to stay?

When it comes to most music, you realise quite quickly that the language it’s written in isn’t really that important. Maybe you wouldn’t get...

Hooks and Hardbacks: a summer music reading list

For the music obsessives among us, the pieces of literature that stick longest in our minds are overwhelming those which take music itself as a subject....

Arcade Fire’s ‘Funeral’: an underappreciated album built for times like these

It is a fact of the universe that, in difficult times, people turn to music. It often seems somewhat counterintuitive that in states of...

Review: The Chicks’ ‘Gaslighter’

Fourteen years since their last album, and 17 since they were effectively shut out from the country music industry, The Chicks (formerly known as...

Review: Bladee’s ‘333’

Bladee’s music is either airy transcendence...or the worst thing you’ve ever heard.

Review: Haim’s ‘Women in Music Pt. III’

As with other albums scheduled for 2020, the release date for Women in Music Pt. III experienced an upheaval. Having moved from its original...

Coming down from Eden: the darkening sounds of Sly and the Family Stone

No band – on record or off – better encapsulated the demise of the sixties and that era’s spirit of excited possibility than Sly...

Review: Taylor Swift’s ‘Folklore’

Usually, Taylor Swift begins a new album cycle with a blank slate. Instagram is cleared of any record of previous ‘eras’. Easter eggs are laid out...

The beauty of bedroom pop

The bedroom can feel like an inner sanctum, a personal hideout away from the public. Therefore, there seems to be a contradiction in bedroom pop becoming...

A love letter to Oxford’s music scene

In a city of dreaming spires, where casual magic hangs in every cobbled lane at golden hour and each paradisal quad in bloom, I...

Cherwell’s albums of the year so far

Ten albums that we've judged to be among the best of this weird, weird year so far

Review: Phoebe Bridgers’ ‘Punisher’

with each song, the world becomes blurrier, as if drunk, only to be immediately sharpened again with the piercing nature of Bridgers’ lyrics

Review: Khruangbin’s ‘Mordechai’

Part of Khruangbin’s marketing campaign for Mordechai features an update to their online playlist curator, AirKhruang. The 2015 website allowed listeners to create playlists for their...

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