Music

Fontaines DC and the (re) rise of indie Sleaze

I recently took to my finsta to post a story claiming that the Fontaines DC’s Radio One Live Lounge cover of Lana Del Ray’s ‘Say Yes To Heaven’ should...

Culture Kiaya Phillips -

Death of the Album, rise of the playlist

The album, once the definitive artistic statement in music, is being increasingly overshadowed by...

Culture Gabriella Ofo -

Mac Miller grapples with mortality on ‘Balloonerism’

When the 'D' rings out from the organ on the dream-like second track of...

Culture Ferdy Al-Qassab -

Five Hip-Hop Gems You Missed in 2024

A year dominated by the Kendrick Lamar-Drake beef, 2024 made it all too easy...

Culture Ferdy Al-Qassab -

Latest

Streaming and the seismic shift in music release formats

Like many of us quietly fascinated with Matty Healy’s prolific output, I recently put in a shift to listen through The 1975’s sprawling new album Notes...

Live Album Review: Vulfpeck at Madison Square Garden

Madison Square Garden, NY, late 2019. A packed house. We see a stage, empty save for Woody Goss...

‘Don’t Walk Away in Silence’: Ian Curtis Remembered

Monday 18th May marked forty years since Ian Curtis, the lead singer of Joy Division, took his own life by hanging himself in his...

The New Music Celebrity

The glossy pages of the likes of NME and Rolling Stone were pored over by music aficionados in the past, hoping for a snippet of the intent of...

“Ladies, ladies, ladies, ladies” – the women at the forefront of lockdown releases

My initial self-isolation playlist contained what I thought I would want to listen to during this indoor period - wistful folk-rock and simmering ambient, the types...

“It’s Not a Phase, Mom!” – In Defence of Teenage Clichés

“I’m not like other girls,” comes the mocking cry from my little sister across the kitchen table – a phrase I’m pretty sure I’ve never actually...

Album Review: Hayley Williams’ ‘Petals for Armor’

In ‘Misery Business’, Paramore’s 2007 breakthrough hit, Hayley Williams claimed that “second chances, they don’t ever matter / people never change”. She’s been proving...

A Love Letter to Eurovision

I first discovered Eurovision in 2015. Idly flicking through the TV channels one fateful night, I stumbled onto the largest, glitteriest, and most confusing music competition on...

Review: Laura Marling’s ‘Song For Our Daughter’

Laura Marling’s seventh album, Song For Our Daughter, was scheduled for release later this year. But, like many other artists and entertainers, the likes of Dua Lipa...

Modern Classical: Locked Down, Looking Back

Ludovico Einaudi is in lockdown. With time to think - to take a walk in the fresh Mediterranean breeze - perhaps the Italian pianist could...

Review: Fiona Apple’s ‘Fetch The Bolt Cutters’

“All my particles disband and disperse/And I’ll be back in the pulse.” Music, to Fiona Apple, seems like a Schrodinger’s Cat kind of paradox; it relies...