Culture

Does ‘Euphoria’ no longer speak to our generation?

Should I have been watching Euphoria’s first season as an innocent, bright-eyed 14-year-old? Probably not. At the time, I thought that the chaotic lives of the characters were what...

Culture Emma Heagney -

Bridging Communities: Vocatio:Responsio’s Liverpool Tour

Vocatio:Responsio, meaning Call:Response in Latin, is an early music ensemble founded and directed by...

Culture Evelyn Lambert -

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

As a history student, you occasionally come across stories so strange they feel almost fictional. Operation Mincemeat is one of them.

Culture Hattie Simpson -

‘People are so hungry to create together’: Lisa Ko on going analogue, crafting, and writing the future

It’s 11:02am in New York when Lisa Ko appears on the video call. In Oxford, the sun is almost down.

Books Abigail Lakeland -

Latest

“There is always more that can be done”

Oxford is still some way from addressing its mental health problem, writes Abby Ridsdill-Smith

Iraq is not a twentieth century Crusade

Oxford historian Christopher Tyerman delivers a polemic speech against rhetorical comparisons between the war on terror and the crusades

The Shape of Water – an odd romance makes perfect sense

Jonnie Barrow finds many parallels to modern issues despite The Shape of Water's period setting

Withnail and I was a buddy comedy unlike any other

An old cult film showing in Cowley proves to be more sadly relevant to the student experience than expected

Hedda: “the story of a woman who demands a better life”

We chatted to the female-identifying members of the cast and crew of Hedda to find out what the play and its protagonist mean to them

Brakes review – ‘ticklingly funny and quietly frightening’

A refreshingly home-made and honest depiction of break-ups

Disposable Perspectives – Hope and despair in the margins of Paris

Amateur photography by refugees give a personal insight into the refugee experience

Victory review – ‘Julia Pilkington’s direction places us on a knife edge’

Victory is a reminder of student theatre's capacity to thrill and chill in equal measure

Girls and Boys review – ‘a drama that not only strikes, but leaves us sizzling’

Tony Wilkes is wowed by an unexpected trip to see the Royal Court's latest show starring Carey Mulligan

Black Panther celebrates black culture in all its glory

Examining the social power of Marvel's latest release

‘Artivism’ review – avoidance and awkward silence

The first half had the art but the second lacked the activism.

50 Shades Freed confines and confuses its viewers

The final chapter of the sex-fuelled saga encounters problems during its climax

Don’t give up on America

There’s much more to America than the current administration. John Mainland still has faith in the US

The changing face of the Virgin

Chris Ofili's new depiction of the Virgin Mary is shocking and enticing in equal measure

Two views on love compete for our heart

A medium must be found between unreal romanticism and cold rationalism

A woman who made a difference – for better or worse

Letters from Baghdad is a film about a colonialist woman who changed the history of the Middle East

The Polycephaly Monologues Review – ‘seamlessly combines the surreal with the naturalistic’

Tom Mackie is left amazed, but confused, by Nick Smart's juicy, absurdist work

Sia and her wig: disguise or clever marketing tool?

Wearing a wig allows Sia to hide away from fame, but it may also serve another purpose

Victory preview – ‘a truly fantastical world’

Sumptuous visuals, dark comedy and literary flair make this production one not to miss

The Kite Runner review – ‘a choreographed exuberance prose cannot achieve’

The Kite Runner is taken from page to stage in this masterful adaptation. Izzy Troth reviews.

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Culture

Does ‘Euphoria’ no longer speak to our generation?

Bridging Communities: Vocatio:Responsio’s Liverpool Tour

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

‘People are so hungry to create together’: Lisa Ko on going analogue, crafting, and writing the future

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