Saturday 27th June 2026

Culture

‘Scenes With Girls’ and complicated female friendships

'Scenes with Girls' deserves to be seen as one of Labyrinth Productions’ (Rosie Morgan-Males and Emily Cullinan) most impressive accolades.

‘The Moro Affair’: Astonishingly original, but not quite a story

The acting in 'The Moro Affair' was superb across the board, with Harriet Wilson’s Pope as a standout, and Rosie Sutton’s direction was flawless.

‘Music can be everything’: Aurora Orchestra’s Jane Mitchell on the narratives around classical music

The Aurora Orchestra, who are playing at Oxford’s Schwarzman Centre on the 19th June, are best known for performing their orchestral repertoire from memory.

The ‘Obsession’ Obsession

'Obsession' is a taste of what the next generation of filmmakers looks like.

1932: The year Picasso had something to prove

The Tate’s latest retrospective shows that the artist’s peak came at a personal low

The art of painting like a child

The idea of enjoying something linked to childhood is apparently shameful

Rock, Soul, Techno – Trinity has it all

Arthur Charlesworth runs through the highlights of Trinity term's music scene

Wes Anderson’s films are nostalgic for the present

For Daniel Gonsales, Anderson’s playful films pair loneliness with joy.

Childhood’s Clarity in ‘The Ocean at the End of the Lane’

The Ocean at the End of the Lane opens with an epigraph from Maurice Sendak, “I remember my own childhood vividly… I knew terrible things. But I knew I mustn’t let adults know I knew. It would scare them.”

Top Five Must-See ‘Coming of Age’ Films

"‘Coming of age’ isn’t just an umbrella term for drippy films caught up in teenage drama"

Upcoming Trinity Theatre – a guide

Cherwell Theatre takes a look at the most exciting shows for the term ahead

Reversed: A Memoir

'One of the striking points the memoir illustrates is the level of abuse children with learning disabilities face, from teachers and others' says Kurien Parel

‘She is the one controlling the play’- Rufus Norris’ Macbeth

Norris’ production is a moving theatrical piece that allows Lady Macbeth to be the puppeteer she has so desperately always wanted to be.

The Making of Pray it Doesn’t Rain

Nabeela Zaman addresses the surge of homelessness in Oxford in her documentary Pray it Doesn't Rain.

Isle of Dogs – a minefield of toxic stereotypes

While Wes Anderson's trademark charms are present, they fail to conceal a problematic portrayal of both Japanese culture and female characters

Charmed Lives British Museum review – “you can almost feel the sea breeze darting across your face”

Place is the essence of this exhibition, which celebrates the beauty of Greece and its impact on the life and work of three famous bon vivants

RSC Macbeth Review: ‘technical wizardry fails to bring any tension or magic’

Dodgy directoral decisions and acting leaves one foreseeing a dark future for this unconvincing RSC production

Civilisations Review: Repeating the same mistakes

Simon Schama, Mary Beard, and David Olusoga; the terrible trio chosen to update the BBC relic Civilisations have fallen foul of all the usual potholes. Tasked with modernisation they haven't quite pulled it off. 

TEDDY Review – ‘Music is a point of connection between then and now’

Laura Plumley reflects on a musical pursuit of the American Dream

The past is the future of TV

Reviving your favourite shows is no easy feat, but that's not stopping many networks from trying...

Kacey Musgraves basks in newfound light on her latest album, Golden Hour

On her new project, Kacey Musgraves opts for the personal over the political

‘Sacred Elements and Secular Sentiments’ – Daniel Caesar: Freudian

Exploring the religious undertones of one of 2017's most celebrated albums

The Ferryman Review – ‘bursting with intergenerational energy and tragic potency’

Jez Butterworth and Sam Mendes' present a tale of a family riven by personal loss and political upheaval

The Great Wave Review – ‘a complete clash of cultures, identities, and outlooks’

Indhu Rubasingham's revealing production about a dark part of Japanese cultural history is relevant and immensely human

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