Saturday 6th June 2026

Culture

OUFF’s ‘The Oxford Tales’: Celebrating student filmmaking at Oxford

It’s no secret that Oxford has long been an idealised location for film sets; official-looking SUVs with blacked-out windows and attendants in high vis parading up and down Catte Street and around the Rad Cam are a not-unfamiliar sight.

Behind the red curtain: ‘Stories From an Abandoned Warehouse’ reviewed

Leo Jones reviews Crazy Child Productions' performance of 'Stories From an Abandoned Warehouse', the first English staging of the play.

Siskin

Near the riverside, a girl with walnut hair sat with her back to the...

Oxford on-screen: Historical atmosphere and fantasy worlds

Ideally, we should strike a balance; an awareness of the reality of life at Oxford can co-exist with an appreciation of its grand architecture and historical atmosphere.

Hanna Review – ‘strikingly honest’

Meg Harris is touched by a mother's monologue at the North Wall Centre

Beginning review – ‘comfortable, emotionally-streamlined and ideologically safe’

John Livesey is left cold by a conservative if accomplished transfer

The Corridor review – ‘a serious spectacle of operatic drama’

Isaac Pockney is spellbound by an opera that puts a fresh twist on a classic tale

Salman Rushdie and Trump: Migration, modernity, and transformation

William Arlid Crona writes about Rushdie's latest

5 minutes with…. Sophie Khan Levy, the solo star of Papatango’s Hanna

How did you first get involved in the process and how much input did you have in the development of the final product? We did...

Dining al Desko review – ‘gently depressing but hilarious’

The subtle destruction of office careers, told via its character's monologue is amusing and meaningful.

The Scythians British Museum review – ‘a vivid and intriguing exhibition’

A vivid depiction of an ancient culture excites at the British Museum

A feminist rereading of Austen for 2018

The 18th century novel is surprisingly relevant to the issues facing women today

Doctor Feelgood offers a happy release from Oxford stress

Doctor Feelgood delivers a homespun and happy night at the Bullingdon

Revolt. She Said. Revolt Again. preview – ‘bracingly honest’

Adam Radford gets a privileged glance at this incendiary piece of feminist theatre

Fiddler On The Roof Review – ‘thoughtful and timely’

Izzy Troth sits on the roof, not on the fence, about the Oxford Playhouse's latest show

A long way home

Christmas dinners, children’s plane toys, and the difference between ‘chirpsing’ and ‘tuning’: living 10,000 miles away is both a blessing and a curse for Verity Bligh.

Coco sees Pixar back on delightful form

Pixar's latest venture may feature the Day of the Dead, but it's packed with heartwarming life and vitality

Making bad art

Oxford art students discover making bad portraits isn't as easy as it looks.

Amadeus review – ‘Salieri cackles in a high-backed chair like a Bond villain’

Tom Graus praises a theatrical spectacle containing a masterclass in stage performance

Twelfth Night preview – ‘a darker version’

Post-Truth Theatre Company's Twelfth Night is a clever and satirical take on modern life, says Nina Crisp

Twelfth Night Review – Shakespeare for the Love Island Generation’

Harry Hatwell is impressed by the mirror of contemporary reality in an ambitious adaptation at the Keble O'Reilly

Rachel Whiteread Tate review: ‘her pieces are embodiments of domestic memories’

William Hosie's mind is changed as he appreciates the ways that Whiteread's sculptures speak to our shared domestic reality.

Gender-swapped remakes are a risk not worth taking

Bad remakes don't do female actors any favours

Winner of the Nobel Prize in Literature: reflections on Kazuo Ishiguro’s recognition

Did the Swedish Academy miss the subtlety of his writing?

Follow us