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UrbanObserver
Saturday 27th June 2026
Oxford's oldest independent student newspaper, est. 1920
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Culture
How an Oxford undergraduate made a name in choral music
When he arrived at Oxford, he expected his future to lie primarily in orchestral music. Instead, it was choral music that transformed his direction.
Culture
Anish Vedantham
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‘Scenes With Girls’ and complicated female friendships
'Scenes with Girls' deserves to be seen as one of Labyrinth Productions’ (Rosie Morgan-Males and Emily Cullinan) most impressive accolades.
Culture
Charlie Bailey
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‘The Moro Affair’: Astonishingly original, but not quite a story
The acting in 'The Moro Affair' was superb across the board, with Harriet Wilson’s Pope as a standout, and Rosie Sutton’s direction was flawless.
Culture
Ian Coates
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‘Music can be everything’: Aurora Orchestra’s Jane Mitchell on the narratives around classical music
The Aurora Orchestra, who are playing at Oxford’s Schwarzman Centre on the 19th June, are best known for performing their orchestral repertoire from memory.
Culture
Lilia Goldstein
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Our paradise is lost
Modern re-tellings of man’s original sin focus on its devastating environmental effects
The Brew that changed the direction of jazz
A look at how Miles Davis seismically shifted his genre
A long way home
Living 10,000 miles away can be both a blessing and a curse
Julius Caesar review – ‘two hours of pounding drama’
Nicholas Hytner's adaptation is makes you rethink the iconic tragedy
The 39 Steps review – ‘It is rare to see an Oxford play take itself as seriously as this 39 Steps – that is,...
Charles Britton is left with a smile on his face after an uncommonly fun night out in Oxford
The 39 Steps preview – ‘guaranteed to be a comedic spectacle of no small intensity’
Alice Taylor previews Antonia Hansen's interpretation of a Hitchcock comedy
Sweet Charity review – ‘Oh Mama, welcome to the 60s!’
Ela Portnoy applauds the strongest dance cast she's seen on an Oxford stage
Beautiful Thing review – ‘Ruckus Productions has certainly made some noise’
Franklin Nelson is impressed by this rendition of a thoughtful, timeless coming-of-age drama
When movie marketing becomes maddening
A misleading trailer can be a frustrating one, but they may be more useful than you'd think
Beautiful Things preview – ‘brilliantly captures a microcosm of London life’
A show about sex, youth and life in the city
Impressionists Tate review – ‘impressive and surprising’
Jonathan Egid is underwhelmed by parts of this exhibition, but impressed by its final three rooms.
Pakistan’s cultural reinvention is spear-headed by its youth
Pakistan’s identity and future is debated in culture both at home and abroad
So bad it’s good: appreciating the joys of cinematic mediocrity
Our absurd obsession with terrible movies
Young Marx review – ‘Fiercely comical, ingeniously designed’
Harry Hatwell reviews the triumphant 'Young Marx', the first production at London’s new Bridge Theatre
Revolt. She Said. Revolt Again Review – ‘a perfect balance between unsettling humour and sincere urgency’
Alice is impressed by this urgent feminist showcase, although it sometimes feels constrained
John review – ‘remarkably and unashamedly real’
Harry Langham praises an American transfer that proves spooky, funny and earnestly human
Hanna Review – ‘strikingly honest’
Meg Harris is touched by a mother's monologue at the North Wall Centre
Beginning review – ‘comfortable, emotionally-streamlined and ideologically safe’
John Livesey is left cold by a conservative if accomplished transfer
The Corridor review – ‘a serious spectacle of operatic drama’
Isaac Pockney is spellbound by an opera that puts a fresh twist on a classic tale
Salman Rushdie and Trump: Migration, modernity, and transformation
William Arlid Crona writes about Rushdie's latest
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