Culture

Highway Elegies: Living Bruce Springsteen’s ballads

A tantalising balance of folk, country, soul, and rock ’n’ roll, Bruce Springsteen is a master storyteller. His songs are ballads in the strictest sense of the word: almost...

Culture Cici Zhang -

Jacob Collier is on scintillating form at Love Supreme

Despite being a seven-time Grammy Award winner, it was only at the 2025 Love...

Music Susan Yu -

‘Pour summer in a glass’: retracing Dandelion Wine

“You did not hear them coming. You hardly heard them go. The grass bent...

The Source Cici Zhang -

Reviving the symposium at the Ashmolean Krasis programme

Dara Mohd, herself a Krasis Scholar, converses with Dr Jim Harris about his object-centred symposium program, Krasis, at the Ashmolean Museum.

Art Dara Mohd -

Latest

‘The Inevitable Quiet of the Crash’ at the Fringe – “a piece that glows with a soft power”

Ela Portnoy falls in love with 'The Inevitable Quiet of the Crash' at the Edinburgh Festival Fringe

Titus Andronicus at the RSC – “Why dost thou laugh? It fits not with this hour”

Will Austin finds the RSC's new production of 'Titus Andronicus' to be an intriguing blend of gore and farce

‘The Optimists’ at the Fringe review – “A farce with the potential to shine”

Sarah Wright is optimistic about 'The Optimists' at the Edinburgh Festival Fringe

‘Hotter’ at the Fringe – experimental and warm, but just short of hot

Ela Portnoy leaves this piece of feminist theatre with a smile on her face

The Death and Rebirth of MS Paint

Chloe Dootson-Graube investigates the artistic importance of Microsoft Paint

Hannah Kessler: “Music is an incredibly therapeutic thing”

Lily Begg discusses subverting the male gaze, empowerment and juggling Oxford life with up and coming musician Hannah Kessler

The Oxford Imps at the Fringe review: ‘High energy and entertaining’

Izzy Smith couldn't stop laughing at this silly but witty improvised comedy show

‘Peer Gynt’ at the Fringe review – “a masterfully crafted production”

Set in a timeless world of trolls, princesses and flying deer, Peer Gynt tells the story of a young man’s adventure after he leaves...

‘Queen Anne’ review – ‘a complex portrait of our political inheritance’

Ethan Croft is impressed by this tale of a reluctant yet innovative monarch

The Handmaid’s Tale: unnervingly familiar and uncomfortably relevant

Beccy Swanson is impressed by the cruel visuals setting Channel 4’s The Handmaid’s Tale apart from Atwood’s original novel, but warns against binge-watching

Grief pushes music to its conceptual limits

Mount Eerie's 'A Crow Looked at Me' may seem like an abstract experiment, but with its personal context it is deeply affecting

Layers of history in the bright colours of Porto

Ellie Duncan is enchanted by the 'azulejos' of Portugal

At the Royal Academy: Matisse in the Studio

Altair Brandon-Salmon explores the Royal Academy's latest exhibition, Matisse in the Studio

“A fresh and beautiful contemporary jazz repertoire”

Ela Portnoy is overwhelmed by The Oxford Gargoyles' a capella performance at the Edinburgh Festival Fringe

There’s more to prehistory than cave drawings and diplodocuses

Katie Sayer revisits Yuval Noah Harari's tale of a revolutionary world

Our Ladies of Perpetual Succour review – ‘Fizzing with energy and bravado’

'Our Ladies of Perpetual Succour' impresses Izzy Smith with its audacity and heart

‘Road’ review – ‘A formidable fusion of poetry, movement and humour’

Lucy Miles finds bleak topicality in Jim Cartwright's 'Road', recently revived at London's Royal Court

‘STOP’ at the Fringe review – “it deserves an award for excellence in storytelling”

STOP, an original student musical at the Edinburgh Fringe, is a powerful engagement with today's mental health crisis, writes James Tibbles

Fringe 2017: ‘Radio’ review – “yet another gleaming success for Sunscreen Productions”

Christian Bell finds recognisable features of university life in 'Radio', an original student play at the Edinburgh Fringe

Oxford Takes The Fringe

Katie Sayer presents Cherwell's comprehensive guide to the 2017 Edinburgh Festival Fringe

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Culture

Highway Elegies: Living Bruce Springsteen’s ballads

Jacob Collier is on scintillating form at Love Supreme

‘Pour summer in a glass’: retracing Dandelion Wine

Reviving the symposium at the Ashmolean Krasis programme

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