Culture

Just like the movies: An American’s notes on her Oxford year

Oxford occupies a mystical, almost fantastical place within the American psyche – so much so that when I told my peers I’d be studying abroad, they had me promise...

Culture Radhika Bhargava -

Reading Oxford books in Oxford

For those who have not even set foot in Oxford, the city still lives...

Books Ngoc Diep -

Netflix’s city of dreaming Americans: My Oxford Year, reviewed

If not taken too seriously, Netflix’s new movie My Oxford Year is a surprisingly...

Culture Franca Haug -

Lacking Latin: Ceremonial mistakes in My Oxford Year

My Oxford Year, a new Netflix rom-com, has received considerable attention. Yet as a...

Culture Honcques Laus -

Latest

What can horror movies do to terrify us more?

Calum Bradshaw terrifies himself in the name of student journalism

Old and new fused in ‘Alien: Covenant’

Jonnie Barrow examines the influences of Ridley Scott’s latest horror

Dispatches: Gentrified graffiti on the streets of Stokes Croft

Altair Brandon-Salmon explores differing responses to Banksy as a graffiti artist

A day in the life of… a stage manager

Lucy Coupe gives her perspective on why stage managing is the perfect extra-curricular activity

“A marathon-style theatrical whirlwind”

Harry Hatwell is blown away by 'Angels in America' at the West End

A tempestuous tribute to a perplexing artist

Anoushka Kavanagh is confronted by an ouevre permeated by emotional and creative conflict in Giacometti’s retrospective at the Tate Modern

“A woman sitting alone, doing nothing”

Tilly Nevin reviews Mary Ruefle’s stunning and startling new collection 'My Private Property'

Class and conflict in the works of Leonora Carrington

Priya Khaira-Hanks explores the surrealist's attempt to come to terms with her class identity

“A fierce accomplishment”

Will Austin is absorbed in 'Reigen', a revival of Arthur Schnitzler’s controversial sexual drama

“A moving and engaging performance… beyond the level of most student drama”

Freddie Crowley is impressed by the professionalism and intensity of the dystopian drama POMONA at the Keble O'Reilly this week

“Emotive, vibrant, and politically charged”: Hamilton

Izzy Smith praises Lin-Manuel Miranda’s powerful soundtrack

A day in the life of… A script writer

Stage editor Katie Sayer considers the Oxford drama scene from the perspective of a budding playwright

A sequel packed with character and heart

"Director James Gunn has crafted one of the funniest and most genuinely moving Marvel films I can remember." Calum Bradshaw has his doubts hushed by Guardians of the Galaxy Vol.2

Snapshot: Salvador Dali and the legacy of surrealism

Jasmin Yang-Spooner discusses Salvador Dali's development of the Paranoiac Critical Transformation Method and the legacy of surrealism

A voice for the evidence of the refugee crisis

Mia Neafcy and Sai Parepalli explore the links between art and awareness

How the ensemble superhero film became king

"4 May 2012 was a day that changed the landscape of cinema. Joss Whedon’s 'Avengers Assemble,' the climax of the first phase of the Marvel Cinematic Universe, was an epoch-making, trend-setting, earth-shattering event, the apotheosis of Marvel’s shared universe project." Christopher Goring examines Marvel's winning formula

Culture

Just like the movies: An American’s notes on her Oxford year

Reading Oxford books in Oxford

Netflix’s city of dreaming Americans: My Oxford Year, reviewed

Lacking Latin: Ceremonial mistakes in My Oxford Year

Follow us

Support Student Journalism

Explore

Follow us

More