Culture

‘Do Zombies Dream of Undead Sheep?’ at the Fringe

★★★⯪☆ Do Zombies Dream of Undead Sheep? is a one-man, one-puppet musical journey through the apocalypse. After a 'catastrophic' magnitude 1-ish earthquake, the dead are reanimated, unleashing a zombie outbreak....

Culture Nicole Palka -

‘Timestamp’ at the Fringe: Existing in the ‘now’

★★★★☆ Timestamp is a part-theremin, part-dance exploration of womanhood, expectation, and time. Brought to the...

Culture Nicole Palka -

Architectural and religious fusions in Andalusia and Oxford

Oxford is a city deeply entwined with religion. With the first of its colleges...

Art Sofia O'Casey -

‘HOLE IN THE WALL L’HOPITAL’ at Fringe

★★★☆☆ Everything I write ends up being about grief – I suppose this review only...

Culture Rebecca Harper -

Latest

“Pleasingly thoughtful and thought-provoking”

Natasha Burton previews 'Rewritten' at the Michael Pilch Studio

Evoking emotion and rejecting repression through art in the Middle East

Joseph Botman makes a case for the importance of the humanities in contemporary society

The extraordinary life and lenses of Robert Capa

Katherine Wood discusses the twentieth century’s greatest war photographer

The human desire for an easy explanation

Joseph Botman makes a case for the irrelevance of individuals in history

“It kept me hooked right until the final denouement”

Harry Hatwell applauds Playlliol's rendition of 'A View from the Bridge'

A new era of repressive state censorship dawns over Russian art

Anoushka Kavanagh dispels the religious disguises of violations on creative and political freedom

What can horror movies do to terrify us more?

Calum Bradshaw terrifies himself in the name of student journalism

Old and new fused in ‘Alien: Covenant’

Jonnie Barrow examines the influences of Ridley Scott’s latest horror

Dispatches: Gentrified graffiti on the streets of Stokes Croft

Altair Brandon-Salmon explores differing responses to Banksy as a graffiti artist

A day in the life of… a stage manager

Lucy Coupe gives her perspective on why stage managing is the perfect extra-curricular activity

“A marathon-style theatrical whirlwind”

Harry Hatwell is blown away by 'Angels in America' at the West End

A tempestuous tribute to a perplexing artist

Anoushka Kavanagh is confronted by an ouevre permeated by emotional and creative conflict in Giacometti’s retrospective at the Tate Modern

“A woman sitting alone, doing nothing”

Tilly Nevin reviews Mary Ruefle’s stunning and startling new collection 'My Private Property'

Class and conflict in the works of Leonora Carrington

Priya Khaira-Hanks explores the surrealist's attempt to come to terms with her class identity

“A fierce accomplishment”

Will Austin is absorbed in 'Reigen', a revival of Arthur Schnitzler’s controversial sexual drama

“A moving and engaging performance… beyond the level of most student drama”

Freddie Crowley is impressed by the professionalism and intensity of the dystopian drama POMONA at the Keble O'Reilly this week

“Emotive, vibrant, and politically charged”: Hamilton

Izzy Smith praises Lin-Manuel Miranda’s powerful soundtrack

A day in the life of… A script writer

Stage editor Katie Sayer considers the Oxford drama scene from the perspective of a budding playwright

A sequel packed with character and heart

"Director James Gunn has crafted one of the funniest and most genuinely moving Marvel films I can remember." Calum Bradshaw has his doubts hushed by Guardians of the Galaxy Vol.2

Snapshot: Salvador Dali and the legacy of surrealism

Jasmin Yang-Spooner discusses Salvador Dali's development of the Paranoiac Critical Transformation Method and the legacy of surrealism

1...121122123...339 Page 122 of 339

Culture

‘Do Zombies Dream of Undead Sheep?’ at the Fringe

‘Timestamp’ at the Fringe: Existing in the ‘now’

Architectural and religious fusions in Andalusia and Oxford

‘HOLE IN THE WALL L’HOPITAL’ at Fringe

Follow us

Support Student Journalism

Explore

Follow us

More