Culture

Does ‘Euphoria’ no longer speak to our generation?

Should I have been watching Euphoria’s first season as an innocent, bright-eyed 14-year-old? Probably not. At the time, I thought that the chaotic lives of the characters were what...

Culture Emma Heagney -

Bridging Communities: Vocatio:Responsio’s Liverpool Tour

Vocatio:Responsio, meaning Call:Response in Latin, is an early music ensemble founded and directed by...

Culture Evelyn Lambert -

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

As a history student, you occasionally come across stories so strange they feel almost fictional. Operation Mincemeat is one of them.

Culture Hattie Simpson -

‘People are so hungry to create together’: Lisa Ko on going analogue, crafting, and writing the future

It’s 11:02am in New York when Lisa Ko appears on the video call. In Oxford, the sun is almost down.

Books Abigail Lakeland -

Latest

A little creativity can change a lot about the way we protest

Anoushka Kavanagh reports on the art-activist collective creating playful new forms of direct action

A film that celebrates an artistic history too long hidden, too long misunderstood

Gazelle Mba discusses a groundbreaking feminist film and the politicisation of artistic identity

‘Oslo’ Review – “a gripping political thriller straight off broadway”

Harry Hatwell reviews the Tony-winning Lincoln Center production of 'Oslo' at its UK press night on London’s South Bank

Confessions of a Drama Queen 3: the shame continues

In the third instalment of 'Confessions of a Drama Queen', our eponymous diarist considers a change of career

Five Minutes With: Charlotte Vickers, University Drama Officer

We chat to Charlotte Vickers, the University Drama Officer, about how she got to where she is today, and why she wouldn’t want to stage her favourite play at Oxford

‘Hair’ at The Vaults review – as raunchy and relevant as ever

Katie Sayer strongly recommends 'Hair', the hippie-inspired cult classic, on it's 50th anniversary performance

The Oxford Revue: The Best of the Fringe review – it left me in stitches

Chloe Taylor finds much to praise in the Oxford Revue's latest performance

The Ripieno Players Beethoven Piano Concerto review – a particularly impressive performance

Jacob Greenhouse commends the Ripieno Players for their rendition of two classic orchestral pieces

How traditional craftsmanship meets modern aesthetics on Pakistani trucks

Sam Dalrymple reports on the phenomenon of truck art that is spreading across Pakistan

In this fractured world, does empathy really hold us all together?

Against Empathy is a compelling and relevant reevaluation of compassion

‘Beautiful is good’ – Giovanna Bertazzonia on Christie’s

Altair Brandon-Salmon dives into the world of art auctions with Giovanna Bertazzonia, co-chair of Modern Art at Christie’s

The music of Latin American revolution

Daniel Antonio Villar explores the legacy of the Nueva Trova

Confessions of a drama queen: Rejection and dismay

Our drama queen is unjustly rejected for a role, despite her obvious talent

Nihilism, narcissism and noobnoob as ‘Rick and Morty’ returns

Despite the criticism, Olivia Webster is impressed with season three of Rick and Morty

‘Windows’ review: ‘Poignant and relevant’

Izzy Smith finds this interwar play still resonates powerfully today

Political cartoons must now be held to a new standard in the age of Trump

Viveka Herzum challenges the role political cartoons play in our current climate

Five minutes with Philippa Lawford, director of Tightrope Productions

We chat to Philippa Lawford, the director of Tightrope Productions, about her experiences with drama at Oxford, her involvement in the Edinburgh Festival Fringe, and her inspirations in the world of theatre.

Tis A Pity She’s A Piglet review – “Energetic and farcical, if lacking discipline”

Ethan Croft reviews Paul Foot’s new venture, ‘Tis A Pity She’s A Piglet, as the Merton alumnus returns to Oxford on tour

‘Blade Runner 2049’ pleases fans of the cult classic

Matthew Nicholson compares the 'Blade Runner' sequel to the classic original

A unique and uncomfortable experience

Lil Peep is our greatest living icon, writes Joe Bavs

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Culture

Does ‘Euphoria’ no longer speak to our generation?

Bridging Communities: Vocatio:Responsio’s Liverpool Tour

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

‘People are so hungry to create together’: Lisa Ko on going analogue, crafting, and writing the future

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