Culture

‘Pour summer in a glass’: retracing Dandelion Wine

“You did not hear them coming. You hardly heard them go. The grass bent down, sprang up again. They passed like cloud shadows downhill ... the boys of summer,...

The Source Cici Zhang -

Reviving the symposium at the Ashmolean Krasis programme

Dara Mohd, herself a Krasis Scholar, converses with Dr Jim Harris about his object-centred symposium program, Krasis, at the Ashmolean Museum.

Art Dara Mohd -

‘This Room Their Lives’ in Magdalen College’s Waynflete building

Every Magdalen member remembers their first encounter with the Waynflete Building. Sticking out a...

Art Josie Stern -

In More, Pulp aren’t just trading on nostalgia – they’re fresh

In a year where many are talking about one Britpop band in particular –...

Music Tom Cockburn -

Latest

The Coen brothers: a dynamic directing duo

Jack Allsopp argues that we should stop thinking of the director solely in the singular

The Winning Shots

Results of the portrait photography competition are in! Was your photo selected? Check out our best submissions here

Old&New: The potential of oranges

Sydney Gagliano reflects on the question of modern art’s accessibility

Rag’n’Moan Man: human after all?

Dom Saad serves up a post-mortem for Rag’n’Bone Man’s "Human"

The winter’s dead, long live the Spring King

Ellen Peirson-Hagger’s ears are left ringing after a noise-fuelled night from a trilogy of bands at the Bullingdon

Spotlight: Bad Sounds

Will Cowie on new band of the week, Bad Sounds

Single of the week: Katy Perry’s ‘Chained 2 the Rhythm’

Natalia Bus discusses the latest Katy Perry release

Review: The Homecoming

After the play finished, a few good friends walked towards me. “Wait, so what happened?” My friend Alex’s facial muscles were contorted. “What the...

Drop dead funny

James Lamming is impressed by the originality and comic maturity of the Oxford Imps’ latest production

‘Jackie’: simply a mishandled film

Surya Bowyer is unstirred by Natalie Portman’s performance as America’s sweetheart

Democratic Art Republic

Queenie Li produces her version and vision for art, open to all and owned by all

Examining Oxford’s earthly pleasures

Daniel Curtis sees the city through the lens of the 2007 post-punk revival

Album of the week: Sampha’s Process

Sampha’s debut is an electrifying mix of emotion, says Natalia Bus

Much more than just Kandinsky: ‘Russian Art 1917-32’ at the Royal Academy

Timothy Drummond is impressed with how this new exhibition provides a valuable insight into Russian visual art during the 15 years following the Revolution.